Working with Dan Auerbach, flamboyant DIY Atlanta-based singer/guitarist Eddie 9V embraces soul, blues, Southern rock, R&B, in short, rock n’ roll, and a wide range of influences on 'Down Here.' REVIEW:
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This week’s Manic Monday travels back to 1973 for a rare look at Gram Parsons & The Fallen Angels performing live at Houston’s Liberty Hall. Revisit this special moment:
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We spoke with Justin Lockey of Editors about the band’s musical evolution, the songwriting behind 'Surface, Echo & Sound,' the different influences that shaped the record, and how its songs continue to develop. INTERVIEW:
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'The Rolling Thunder Revue: The 1976 Live Recordings' completes the picture of one of the most celebrated yet confounding chapters in Bob Dylan’s history. REVIEW:
glidemagazine.com/332258/bob…
From country twang to desert-rock legends, this week’s new music covers plenty of ground. Caustic Commentary takes on fresh releases from Kaitlin Butts, DIIV, Queens of the Stone Age, Thao, Dominic Fike, and more.
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25 years ago today, The National released their self-titled debut album. Revisit "The Perfect Song":
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While stoner rock veterans Queens of the Stone Age have always melded psychedelic riffs, pop melodies, and danceable grooves with brutally heavy rhythms, their ninth album is the band’s softest effort to date. REVIEW:
glidemagazine.com/332226/que…
30 years ago today, Wilco released their ambitious double-disc sophomore effort, 'Being There.' This daring, gritty, cinematic, brooding 19-song outing changed the way people thought of Wilco. Read our revisitation:
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The new album from Editors retains plenty of 80s-style drama while layering in more complex influences to evolve their sound. REVIEW:
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We spoke with Kirk Pasich about the new album and the project known as Signal Meridian. INTERVIEW:
glidemagazine.com/332220/sig…
In the vein of Willie Nelson’s 'Red Headed Stranger' and Sturgill Simpson’s 'The Ballad of Dood & Juanita,' Kaitlin Butts' ambitious 'Hello, Honky Tonk' is a rock (though technically country) opera of sorts. REVIEW:
glidemagazine.com/332202/kai…
Golden Age Thursday celebrates the masked genius of MF DOOM. From obscure sample flips to unforgettable instrumentals, we dig into the inventive production and crate-digging brilliance that made DOOM one of hip-hop’s most distinctive artists.
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The new EP from Lydia Loveless is a diary for the social media age, but also a summation of the power Loveless has accrued as an artist: the power to strut and to mourn over the same chord changes. REVIEW:
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80 years ago today, the late Peter Green was born. Watch Peter Green’s Fleetwood Mac deliver a gritty, blues-driven performance of “Oh Well” live in 1969:
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On 'ZIRP!,' DIIV turns up the electro vibes around looming societal-collapse lyrics, diving headfirst into glitchy, hyperpop-dominated alt-rock. REVIEW:
glidemagazine.com/332189/dii…
Ween brings its wonderful weirdness to Halloween. This week’s Weirdo Wednesday revisits the band’s 2022 Beacon Theatre performance of “Squelch the Weasel,” a delightfully off-kilter moment from a night of spooky-season madness. Watch the wild performance:
glidemagazine.com/332169/wei…
There’s plenty of heartbreak on the new album from Eliza Edens, but also humor, desire, and genuine joy. REVIEW:
glidemagazine.com/332151/eli…
Graham Parker has never made a bad record over the course of his now half-century-plus career, but it is the partnership he forged with England’s pub-rock scene that renders 'Heat Treatment' the benchmarks of a most distinctive brand of expertise.
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Salt Lake City's 2027 Kilby Block Party lineup is here and it's stacked.
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On Aaron Frazier's new EP, one of contemporary soul’s most innovative minds looks to ascend by returning to the basics of music-making. REVIEW:
glidemagazine.com/332148/aar…
