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The online magazine for critical conversation about the expanding art world. Our physical anthology of historic texts is available from @VetroEditions 📓

Joined January 2022
Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)Photo by Right Click Save (@RtClick_Save)
Welcome to the new Right Click Save. Tired of the algorithm deciding what matters in art? We built something different. A redesigned Magazine, a Forum for serious discussion, and an Index of the individuals, artworks & ideas defining digital culture. rightclicksave.com
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GM ✈️ OPEN CALL!! Muse Frame is looking for artists to showcase at Heathrow airport! Share your art or tag people. I am not choosing but spreading the opportunity 💅🏼
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"One of the things we’ve been talking about in our future-oriented collecting here at @LACMA is looking backward. If big chunks of history get left out or lost, you lose the thread. One of our roles here is to build a genealogy..." - Michael Govan rightclicksave.com/article/m…
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⛳️Rhizome microgrants are open! Apply by November 20 for grants between $500- 1500! We invite proposals in the following categories: 🫆PERMANENCE, in partnership with @larvalabs,🛠️MISUSE, ✋HANDMADE & 💬CO-OP. Visit microgrants.rhizome.org for more details + to apply!
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"...one of the exciting things about the internet was that you could be yourself completely unedited. In the art world, there is always this question: Are you sure? I saw the internet more as a stream of consciousness." - Rafaël Rozendaal (@newrafael) rightclicksave.com/article/a…
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Memory Institutions | The Ecosystems of Digital Art Preservation. Michael Govan and Michael Connor discuss the care of digital art as a negotiation between the technical and the social. By @RtClick_Save rightclicksave.com/article/m…
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DISPATCH · Sat, Oct 24, 2026 01 · A fair that closed its own doors. Art Basel Paris (@ArtBasel) ended its fifth edition at 7pm Friday and stays shut today and tomorrow, ahead of weekend demonstrations in central Paris after protests over the cost of living and school conditions turned violent last weekend. "This decision has not been taken lightly, and the safety of everyone involved in the fair remains our utmost priority," wrote director Karim Crippa. The Louvre and other museums are closed today too. The week had opened with big sales at the Grand Palais, among them Julie Mehretu's Rise of the New Suprematists (2001) at $7.8 million with White Cube. 02 · Flowers that evolved to glow like the moon. Anna Ridler (@annaridler) has won the second Prix Arts numériques of the Académie des beaux-arts (@AcadBeauxarts) and the Fondation Etrillard, €20,000, for Circadian Nocturne (2023), picked from 210 entries across Europe. First made for Times Square's Midnight Moment, the work animates night-blooming flowers with neural networks trained on thousands of botanical photographs she gathered with botanists, some of them flowers she grew in her own garden. 03 · Home movies from another planet. New Work: Raven Chacon opens today at SFMOMA (@SFMOMA), the Pulitzer Prize-winning composer's first West Coast solo show, through Nov 7, 2027. The Naming of Names, a seven-channel video installation, sets silent footage shot by travelers in Navajo Nation in the 1950s and '60s, from the Prelinger Archives, to subtitles from Ray Bradbury's The Martian Chronicles and his own field recordings and electronics, so the canyons where he grew up read as Mars. 04 · Waiting, counted in coins. The duo Brognon Rollin, David Brognon and Stéphanie Rollin, won the 2026 Prix Marcel Duchamp, France's top art prize, with €35,000. With the Centre Pompidou (@CentrePompidou) closed for renovation, the nominees show at the Musée d'Art Moderne de Paris, where their coin-pusher machines are filled with sobriety tokens like those given at Alcoholics Anonymous milestones. On view through Feb 7, 2027. 05 · New on catalogue.gallery: a studio without a computer. In a two-part interview with Anika Meier for Right Click Save (@RtClick_Save), Rafaël Rozendaal (@newrafael) looks back on 25 years of websites, Endless Nameless on Art Blocks and 81 Horizons on-chain, and explains why his computer now sits in the storage room next to his painting studio in New York. "I'm not saying I'll never make digital work again. This is just the period I'm in now." 06 · And a history: in the fall of 1970, The Jewish Museum (@TheJewishMuseum) in New York showed Software, curated by Jack Burnham. In Seek, by Nicholas Negroponte's Architecture Machine Group at MIT, a computer-guided magnet stacked cubes while gerbils knocked them over; Hans Haacke polled visitors on a time-shared PDP-8 and projected the results live; and Ted Nelson and Ned Woodman's Labyrinth gave the first public demonstration of hypertext.
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If you haven't seen it yet, you should check out @postanika's interview with @newrafael on @RtClick_Save. Even though he's a pioneer in net art, he has stayed open and curious in his practice across mediums, materials and style. Inspiring!
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Great conversation with @postanika for @RtClick_Save The interview is in 2 parts. I appreciate the chance to talk about my work in depth, not tied to any specific release or exhibition, instead focusing on the different approaches in artmaking through the years.
AN ARTIST’S LIFE, PART 1 | RAFAËL ROZENDAAL GROWS UP ON THE INTERNET Rafaël Rozendaal (@newrafael) speaks to Anika Meier (@postanika) about a quarter-century of making art online and the institutional recognition that has placed him in the timeline of art history rightclicksave.com/article/a…
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