
Digital Art Collector & Curator 💎 The People’s Champ 🏆 ➡️ @the33family + @33gallery
The Moon + Metaverse
Joined March 2021
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NFTs are more than JPEGs.
Behind every piece of art, there's an artist.
Behind every artist, there's a story.
The problem is, Web3 often talks more about floor prices than the people creating the art.
What if we changed that?
More art.
More recognition.
More artists supporting artists.
Let's make art matter again.
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“For me, existence itself is a form of protest.” — Osinachi
✨ Happy birthday to the talented Osinachi! @osinachiart
Osinachi makes paintings in Microsoft Word about subjects that matter deeply to him, drawing on his own experiences to speak about Black identity, social expectations and the freedom to be oneself.
In RED/MUG (2025), he considers how political and social uncertainty enters our private lives. The figure’s isolation suggests the vulnerability of navigating a world in which belonging and security can feel fragile.
The work was featured in Iconoclast, his solo presentation as part of our program at Digital Art Mile in Basel in 2025.
Image: Osinachi, RED/MUG, 2025.
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At first I was like haha wtf Threads? Then I removed my nostalgia for Twitter and admitted to myself X is a dead internet platform that’s likely already majority automated accounts that I’m increasingly depressed using and being exposed to.
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NFTs will make a comeback. It’s a matter of when, not if
NFTs are an area of crypto that i think deserves another look
the 2021 boom and subsequent crash left a lot of people with a negative view of them, but the underlying concept still makes sense to me
as more businesses move onchain, NFTs could become a useful way to represent ownership, experiment with revenue sharing and build communities around products
i expect there's still a lot of room for experimentation beyond the NFT models we saw last cycle
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Meyer “Micky” Malka (@mickymalka) will join Apollo’s Board of Directors, effective January 1, 2027. Read more: l.apollo.com/4z7kv2k
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YO @elonmusk
THIS SHIT IS KILLING YOUR APP BROTHA.






















