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Joined May 2009
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Simple chords, beautiful melodies. Craig & Sarah show how adding a few notes from the F major scale can bring your ukulele playing to life. f.mtr.cool/7pp0ol7p4i #Ukulele #ArtistWorks
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C, G, D, and a capo. Tyler Grant explains why three chord positions can unlock every key for bluegrass flatpicking. f.mtr.cool/115bh3853y #BluegrassGuitar #Flatpicking #ArtistWorks
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Stop overthinking your solos. Keith Wyatt, Guthrie Trapp, and Nathan East explain why great improvisation starts with the melody, not complicated theory. f.mtr.cool/us8l69xw4o #GuitarTips #GuthrieTrapp #ArtistWorks
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Same chords. Beautiful new sound. Craig Chee and Sarah Maisel demonstrate the inside-outside roll picking pattern using "Stand by Me." f.mtr.cool/sopps9nlvd #Ukulele #Fingerpicking #ArtistWorks
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No bass. No drums. Just light percussion and two performers. Eric Marienthal, John Patitucci, and Peter Erskine discuss why they resisted the temptation to make a recording bigger. Sometimes less really is more. f.mtr.cool/1bwckdqjtf #MusicProduction #ArtistWorks
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What's the 7 chord in bluegrass? Tyler Grant explains why players usually mean the flat-seven major chord. D to C. G to F. B to A. From an ArtistWorks Live Jam-Along. f.mtr.cool/ez765ycd0s #BluegrassGuitar #MusicTheory #TylerGrant #ArtistWorks
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Keith Wyatt, Nathan East, and Guthrie Trapp. A good old-fashioned blues shuffle with three incredible musicians. Sometimes you just let the music speak. f.mtr.cool/9xedkflr93 #BluesGuitar #BluesShuffle #ArtistWorks
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Make your metronome feel like a bandmate. Tyler Grant explains why he practices with the click on beats 2 and 4, creating the feel of a mandolin chop or snare drum. From an ArtistWorks Live Jam-Along. f.mtr.cool/9s6sfq0t50 #TylerGrant #BluegrassGuitar #ArtistWorks
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Know 100 ukulele songs but play them all the same way? Craig Chee and Sarah Maisel use "Stand by Me" to show how space and variation can make familiar songs feel fresh. f.mtr.cool/qjsn1vb3jn #Ukulele #ArtistWorks
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Complicated blues progression? Keith Wyatt's advice: Follow the melody, stay in the pocket, and add chord tones as you go. A practical approach to "Nobody Knows You When You're Down and Out." f.mtr.cool/edexbi7upp #BluesGuitar #ArtistWorks
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Nathan East's rock and roll bass philosophy is simple: Have fun. If the audience is dancing and enjoying themselves, bring that same energy to your playing. f.mtr.cool/p3p0ibnyh5 #NathanEast #RockBass #ArtistWorks
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Playing sharp or flat on saxophone? Eric Marienthal explains why air support should be one of the first things you check before adjusting your embouchure. Better support doesn't always mean more volume. f.mtr.cool/c6nhq1ffnb #EricMarienthal #Saxophone #ArtistWorks
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Improvising doesn't have to mean changing every note. Tyler Grant explains how dynamics, fingerings, double-stops, and cross-picking can give a familiar melody a new feel. From an ArtistWorks Live Jam-Along. f.mtr.cool/xxbm5wnyeu #TylerGrant #BluegrassGuitar #ArtistWorks
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Played a wrong note? Move one fret. Keep playing. Don't make the face. Craig Chee and Sarah Maisel share a hilarious stage trick for when things go wrong. f.mtr.cool/iopgn2wp83 #Ukulele #MusicianHumor #ArtistWorks
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Tim O'Brien influenced musicians like Chris Thile and Sarah Jarosz. But who inspired Tim? He joins Michael Daves to reflect on David Grisman, Frank Wakefield, Sam Bush, and the generations that shape bluegrass. f.mtr.cool/znqruk3krq #Bluegrass #ArtistWorks
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No bass. No drums. Just the music the song needed. Eric Marienthal, Peter Erskine, John Patitucci, and George Whitty discuss why they resisted the temptation to overproduce a recording. f.mtr.cool/9b7g0rlzia #MusicProduction #ArtistWorks
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Sixth chords. Alternating bass. A little rhythmic bounce. Matt Rollings shows how these elements come together to create that classic western swing piano sound. f.mtr.cool/9obhn8anz3 #MattRollings #WesternSwing #ArtistWorks
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Nathan East lays down a reggae bass groove. Great feel, a strong pocket, and a reminder that sometimes less really is more. f.mtr.cool/j369pudfva #NathanEast #ReggaeBass #ArtistWorks
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Mike Marshall on mandolin. Darol Anger on fiddle. Two bluegrass masters take their turn on "Blue Lonesome" with the ArtistWorks All-Stars at RockyGrass. f.mtr.cool/tu18n605fg #MikeMarshall #DarolAnger #Bluegrass #ArtistWorks
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Your guitar pick is flat. Your strings are round. Dave Isaacs explains why letting the pick glide off the string, rather than forcing it through, can produce cleaner notes. f.mtr.cool/4uicfaskqt #DaveIsaacs #GuitarTips #ArtistWorks
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