Lynne Bateson retweeted
This was just posted over on Facebook by @GeorgeTakei . #AdAstra Walter - and Pavel 🖖
My heart is heavy. Walter Koenig, our Ensign Pavel Chekov, passed away early today. Walter and I met on the bridge of the Enterprise in the 1960s, and we stayed friends for nearly six decades. When Brad and I married in 2008, Walter stood beside us as our best man. Just last month, on Sept. 14, he turned 90, on the same day Brad and I celebrated our 18th wedding anniversary. I will always treasure that he and I shared that date.
Walter was more than Chekov. He was a writer, a teacher, a thoughtful man, and a loyal friend. To the fans who loved him for so many years, thank you. He loved you too. Rest well, my dear friend. Keep navigating a steady course.
– George
Lynne Bateson retweeted
Rest in Peace Walter Koenig. Thank you for navigating us through the final frontier, and bringing us such joy through your years of activism, writing, and memorable characters like the joyous Chekov and the sinister Bester. We're forever grateful that you lent your talents to our game. We'll see you again, in the stars.
Lynne Bateson retweeted
This is such a well conducted, sensitive and caring interview. Brilliant.
Very special conversation with a very special human.
Our interview with @DeliaOnline - Episode 2 of The Amol Rajan Connection - is out now on YouTube, Spotify, Apple Podcasts and Amazon Music.
Thanks for your time.
🙏🏾
Lynne Bateson retweeted
Google Cloud outage hits websites and apps as some bank customers report issues - follow live bbc.in/3UbY0K2
BREAKING: Multiple online services are down or 'experiencing issues.'
Google Cloud has reported "issues" in its western Europe region affecting dozens of websites, including; Revolut, Royal Mail and HSBC.
Latest updates ➡️ trib.al/M16q5UZ
📺 Sky 501
Lynne Bateson retweeted
Pls share the below. Its one of those rules that may not get coverage as its technical, but needs to. I'm about to go on Good Morning Britain to discuss
Important News: @Ofgem’s just launched a ‘consultation’ about switching on the Market Stabilisation Charge as soon as November. It doesn’t sound a big deal, but it could be, it ain’t good for consumers and I don't want it to slip under the radar.
In a nutshell, it means if wholesale energy prices drop sharply, the cheap fixes and switcher’s deals offered will be a lot more expensive, in order to protect energy firms’ profits.
That’s because any firm taking on a new customer, including on a cheap fix or other specialist tariff, will have to pay compensation to that customer’s old supplier, if they switch. It's basically a form of switching penalty.
While technically this is a consultation, it’s one of those where Ofgem has made up its mind, but is required to consult - it will almost certainly happen. Below is my ‘first look’ explainer on this...
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How it works (simplified to make it easy to understand):
Ofgem decided to put this power back into suppliers’ licences in May, so it could switch it on quickly if needed, and now it is trying to do just that.
It means if wholesale prices drop more than 10% below the level built into the Price Cap (and remember the January Price Cap is currently predicted to be 25% higher than now), and someone switches supplier from that or any tariff, the new firm must pay the old one 85% of the drop in wholesale rates beyond that 10%.
So very roughly, say the wholesale energy in the Price Cap costs £1,000 (a made-up number, to keep it simple. This is about proportions, not exact amounts):
- If prices drop to £900, there’s no Market Stabilisation Charge.\
- If prices drop to £800, you get the first £100 drop, but 85% of the next £100 (£85) goes to your old supplier.
So almost certainly the new firm will make you pay the difference, meaning the tariff will be up to £85 more than it would otherwise have been (other factors could affect the amount, but this is a rough illustration)
In other words, the new supplier can’t pass a chunk of the saving from lower wholesale rates on to you, because it has to hand much of it to your old supplier.
Why Ofgem says it’s doing this
Its argument is that the Price Cap requires suppliers buy energy in advance. If wholesale rates fall sharply and people leave in large numbers, those suppliers would be left out of pocket, and it doesn’t want suppliers who did the right thing by buying energy in advance to be penalised.
My View
I don’t like it. This is a ‘Market Stabilisation Charge’ but the supplier market is pretty stable, and I doubt we are at the domino risk of suppliers going bust in the way they did in the early twenties. A good few energy firms have made large profits since then, and protecting them over winter by effectively dampening competition because it’s ‘not their fault’ feels raw.
After all we don’t take their profits off them when they make them ‘through no fault’. Until now, my hope had been that at some point the Middle East situation would de-escalate, wholesale rates would drop. While it would take months for that to feed into the Price Cap, other cheaper tariffs would be available to switch to. That would still happen, but the savings could be no-where near as good as otherwise.
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As noted, these are my provisional thoughts and this has only just come out. I will need to do more looking/thinking.
Lynne Bateson retweeted
Here’s to humankind at its best, when we are both human and kind.
Here’s to compassion that knows no boundaries, to grace extended to all living things, especially the vulnerable and those in need.
Here’s to those who go out of their way, who see suffering and refuse to look away, who see a creature in distress and choose to act.
May we see more of this.
May we be more like this.
Op: @sassymediatv
Lynne Bateson retweeted
Lovely Matt Hood from @SpotlightUK sent me this: my mother's first entry from the actors' directory, from July 1953. Her home address listed as well as her first agent
Lynne Bateson retweeted
You know Gustav Klimt for the gold, but this is what he painted when no one was paying him...
It's Birch Forest from 1903: slender white trunks rise like columns out of a forest floor burning with autumn color, rust and orange and brown, with little flecks of blue scattered through it, maybe sky caught in puddles after the rain. Get close and the whole thing breaks apart into tens of thousands of tiny brushstrokes, laid side by side like the tiles of a mosaic.
Klimt painted it during his summers at the Attersee, a lake in the Austrian countryside, where he went every year with Emilie Flöge and her family to escape Vienna and the endless portrait commissions that had made him famous.
He would hold a square of cardboard with a hole cut in the middle up to the landscape, like a camera, until he found the view he wanted, which is why so many of his landscapes are perfectly square. Those summers were so productive that landscapes ended up making up a quarter of all the paintings he ever finished.
And this one has its own story: it belonged to the family of Adele Bloch-Bauer, and hung in the same Vienna home as her golden portrait, the Woman in Gold which I wrote about in one of my recent articles. In 2006, it was one of five Klimt paintings restituted to Adele’s niece after a long legal battle over works that had been seized by the Nazis in 1938.
The gold is what made Klimt a legend, but the forests are where you get to meet the man...
Lynne Bateson retweeted
Yes.
Replying to @andrewlownie
Seymour Hersh once said about his book on JFK “ The Dark Side of Camelot “ in a interview “ there is so much I couldn’t put in the book , it’s much much worse “ , would you say the same with Entitled ?
Lynne Bateson retweeted
That moonlight isn't real.
Every drop of it is oil paint...
It's called A Moonlit Lane, and it was painted by John Atkinson Grimshaw in 1874. A full moon hangs behind bare, tangled branches, the road below still wet from the rain, and every puddle and wall and dark hedge holds a little of that cold silver light. You can almost feel the chill in the air and hear the silence of the street...
The man who painted it was born in a cramped terraced house in Leeds, worked as a clerk for the railway, and taught himself almost everything he knew. At twenty-four, to his parents' horror, he quit his job to paint.
He even borrowed from photography, projecting scenes onto his canvas with lenses, and some of his contemporaries sneered that the results showed no marks of handling or brushwork, as if that were a flaw rather than an artistic miracle...
But the painter who mattered most saw it differently: James McNeill Whistler, the man famous for his own night paintings, came to visit him and admitted: "I considered myself the inventor of nocturnes until I saw Grimmy's moonlit pictures."
Lynne Bateson retweeted
Broadcaster and campaigner Dame Esther Rantzen has died at the age of 86.
Her family said in a statement she was the “most wonderful mother” and “cherished grandmother” who will be remembered for her “endless capacity for joy”.
bbc.co.uk/news/live/cq2dwn5z…
Lynne Bateson retweeted
UAP DISCLOSURE: WHY INFORMATION DEFENCE MATTERS
On 22 September, Prime Minister Andy Burnham announced plans for a National Centre for Information Defence to detect and disrupt hostile-state disinformation.
Its focus is not UAP. But if there were ever an official announcement about UAP or non-human intelligence, genuine information would arrive alongside speculation, fabricated documents and AI-generated images and video. Hostile actors could exploit that confusion, leaving people struggling to know what to trust.
This is where trusted voices across civil society matter. People need reliable information and support to help them make sense of what they are hearing, without suppressing legitimate questions or telling them what to believe.
Our Preparedness Plan makes exactly this point: clear, trusted communication and support for people facing paradigm-shifting information are essential.
PM's speech: gov.uk/government/speeches/p…
Our Preparedness Plan: unhidden.org/preparedness-pl…
@cabinetofficeuk @ukresilience @ukhsa_uk @scitechgovuk @10downingst
































