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Joined August 2025
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The One and Only Backseater retweeted
Bioware chooses who writes their games. Bioware's writing hasn't been good in a decade plus. Bioware it to blame for Bioware's downfall
The One and Only Backseater retweeted
I love how Matt feels so enthusiastic about Luke & Mara 😂.
IYKYK!
Re-Read: Visions of the Future youtu.be/mhWOEJ6prpM?is=LGg1… via Matt Wilkins
The One and Only Backseater retweeted
>Be BioWare
>Make Veilguard
>Game is set in Tevinter home of blood magic
>There is no blood magic/problematic elements
>Every villain is a white man/woman
>How could this lead to closure?!
Come on man
The One and Only Backseater retweeted
No. Veilguard (and Anthem and Andromeda) did a lot of damage to Bioware. Honestly, EA gave Bioware a long ass leash. Most companies do not get to release 3 flops in a row before they are closed
The One and Only Backseater retweeted
I get why people hate EA. I hate EA. But the number of people who are in denial about how much BioWare caused their own demise is hilarious. Not to mention all the people who wish EA never bought BioWare as if EA didn't literally save BioWare.
I'd rather have AI slop than gay slop
There's nothing you can do to bring the series back without tossing Veilguard in the trash
EXCLUSIVE: Ex-Dragon Age Director on How He’d Bring the Series Back to Life: ‘The Brand Isn’t Broken’
insider-gaming.com/exclusive…
The One and Only Backseater retweeted
Rogue One is also terrible. The characters are flat and boring. The Vader bit is nonsensical fan service. And the movie doesn't even connect to the opening of Star Wars properly, which was its one job.
Japan is fucked
🚨 BREAKING NEWS! 🚨
Takaichi's government has officially signed the deal with Bangladesh which will see 100K Bangladeshis move to Japan every year for the next five years.
By 2030 Japan there will be 500K Bangladeshis living in Japan which will double the current Muslim population.
A complete betrayal
Readers added context they thought people might want to know
Bangladesh's government says it plans to send 100,000 workers a year, but a plan is not a Japanese quota. The Oct. 17 bilateral memorandum covers skills and worker protections; its reported terms specify no such quota.
bangladesh2japan.probashi.gov.bd
en.prothomalo.com/bangladesh/im5…
The One and Only Backseater retweeted
Star Wars: The Thrawn Trilogy
Book 1. Heir To The Empire
Book 2. Dark Force Rising
Book 3. The Last Command
Author: Timothy Zahn
These books should have been adapted by Disney Star Wars to be the sequel trilogy. The books are set 5 years after Return of the Jedi and the New Republic has just started setting up the new government on Coruscant. We get introduced to new characters like Grand Admiral Thrawn, who is a master strategist and tactician. Joruus C’boath, an insane clone of Jedi Master Jorus C’boath. Talon Karrde, leader of the top smuggler’s group and intelligence gatherer. Finally Mara Jade, ex- Emperor’s Hand and future wife of Luke Skywalker.
I know these books wouldn’t be a perfect book to screen adaptation but it could have been done pretty well. The timeline of the Clone Wars would have to be changed from the books to fit into the main Star Wars timeline. Plus have Timothy Zahn consult on the scripts and have him on the movie sets so Grand Admiral Thrawn gets portrayed correctly unlike in Disney Star Wars. If you haven’t read this trilogy, I highly recommend that you do!
The One and Only Backseater retweeted
Don't get it twisted. BioWare could've removed Taash and every single modern-day ideological talking point from Veilguard at the last minute, and the game still would've flopped.
The One and Only Backseater retweeted
Prequel haters don't understand the films at all. They think the Jedi being flawed, Anakin being awkward, Padme's outfits contradicting her words in the romance story, the Trade Federation avoiding consequences, or Obi-Wan being hypocritically reckless, are writing mistakes.
The One and Only Backseater retweeted
The Prequels are good films because they tell a cohesive story; that of Anakin’s fall.
The pacing the good, the score is fantastic, the visuals are good, and the acting is Shakespearean. The plot, as well, has more substance than the OT.
Most hate against it is preferential.
































