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Have been informed that my translation of In Farthest Seas has been awarded by part of the Italian government with the Premio alla Traduzione / Translation Prize for the year’s best translation into English (UK). It was nominated by @iiclondra 💙 Happy WIT Month!
Brian Robert Moore retweeted
You, Bleeding Childhoos; Michele Mari. Tr. Brian Robert Moore. Short stories that are quite enjoyable, frequently relatable, and nostalgic. Looking forward to Verdigris.
"Why read it (In Farthest Seas): A lifetime of marriage becomes an intimate, luminous mosaic of tiny moments that make love unforgettable." 🌊
More on the @WarwickPrizeWiT longlisted books from BookBlast
Discover 4 more books from our three-part tour of this year’s Warwick Prize for Women in Translation longlist, the most multilingual in the prize’s history.
@WarwickPrizeWiT
bookblast.org/blog/warwick-p…
I've been reminded it can be worth checking the none-space that's bluesky
Comes after another editor (whom I didn't know before) told me it was an "extraordinary translation. Tour de force is an overused term, but it’s the perfect one in this instance". Gettin v excited to share!
Enough time has passed to ask when are we going to get a surprise (not very famous to all of us already) Nobel pick who doesn't write in English? Do they do that anymore?
It seems people on here like translators/translation. Doing this in an hour (1:30 eastern time). Biggest points of reference will be Michele Mari and Walter Siti: lllc.uiowa.edu/event/39705/0
Article today on @fanpage saying that after Ferrante (for her popularity abroad) the Italian authors who could hope to have a shot at the Nobel are Maraini, Starnone and Michele Mari 😈. By @mrjones1981
New Walter Siti out in Italian in a month! Not a drill!
And what a title: Autoritratto da annegato (Self-Portrait as a Drowned Man). The undisputed king of Italian autofiction and cultural decadence publishes his first work of "auto-crime" 🦑
Brian Robert Moore retweeted
New online! An interview with our translator-in-residence, Polly Barton, by Eric Ozawa.
Polly and Eric delve into the art of translation, conversations about porn, and Polly's Goldsmiths Prize shortlisted novel, 'What Am I, A Deer?'.
Brian Robert Moore retweeted
Spotted here “in one of our adventurous cabins,” as Lalla writes—courtesy of the Warwick Prize 🏔✨
Check out the full announcement here: warwick.ac.uk/fac/cross_fac/…
Thrilled for Lalla Romano and her all-important work that In Farthest Seas—in my translation—has been longlisted for the @WarwickPrizeWiT! @PushkinPress
It strikes me as a very strong list, and the kind of company Lalla deserves 🌊🌊
Announcing the Warwick Prize for Women in Translation Longlist 2026!
The list of 13 titles from 12 languages includes novels, poetry, short fiction, and memoir.
For the full list and announcement: tinyurl.com/394cypw6
Spotted here “in one of our adventurous cabins,” as Lalla writes—courtesy of the Warwick Prize 🏔✨
Check out the full announcement here: warwick.ac.uk/fac/cross_fac/…
Happy International Translation Day! Don't forget to get excited about this novel starring the author of "The Task of the Translator," and written by the Italian translator of Melville, Steinbeck, H.G. Wells and Gombrowicz 🫶
And we have a cover! Coming in July, UK & US.
Translating any Michele Mari book is an honor, but this mysterious high-modernist masterpiece was something special. If you want to join Walter Benjamin in the search for aura and read it early to review it, tell me or @andothertweets
The way the scene of Benjamin's death is revealed in Michele Mari's All the Iron in the Eiffel Tower, my god... One of the most emotional and haunting things I've ever translated. Will now be on my mind all day.
"Now we're almost good and through, now we're almost at Portbou..."
#OnThisDay in 1940, the philosopher, literary critic, and essayist Walter Benjamin died by suicide in the Spanish border town of Portbou whilst on the run from the Nazis. Here's Anca Pusca on the relevance of Benjamin’s oeuvre in a digital age: publicdomainreview.org/essay… #otd
A reminder that all brodernists should not sleep on Michele Mari simply because his books are incredibly fun. One does at one's own peril.
Maybe we need @cementeriocc to write a piece on Mari's next for LARB that will finally heal the fractured overly online lit community



























