C.S. Diggle (@CallumDiggle) header
C.S. Diggle (@CallumDiggle) profile picture

Creator of Humanity Lost (sci-fi) and Concavia (fantasy). Volumes 1 & 2 of Humanity Lost are now available worldwide, the link is just down below 👇🏻

Joined November 2018
Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)Photo by C.S. Diggle (@CallumDiggle)
A patron by the name of Adam Forrest recently commissioned me to produce a tattoo design for him based on a scene from Adrian Tchaikovsky’s Children of Time series. More specifically, the scene depicted is from Part Six of Chapter 6 in Children of Ruin.
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here’s a commission that I did for Ryan bowers ongoing science fiction world building project. They’re called the Veldrinians, If you have any questions, I’m sure that Ryan will be more than happy to answer them down in the comments, i’ll Post a lore thread down there too.
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A little something different 🎬
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Here’s a recent piece for my upcoming book, The Song of Sundering and Sithen Days. It showcases a sunglass, this is a mechanical mirror which can redirect sunlight to anywhere in the world to send messages. They’re putting on a demonstation for a very important visitor, an Alf.
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C.S. Diggle retweeted
The AI doom scenario in Humanity Lost is one of the most interesting I've encountered. Humans accidentally start a war they can't win, and when their backs are against the wall, they cede military control to AI. It proceeds to win the war by transforming humanity, enslaving it.
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High in the heavens, on the golden rings of Gelh which gird the sun, the Wyrms watch as wardens of the wilds below. — Here’s some new art from my upcoming illustrated epic poem, the Song of Sundering and Sithen Days. It’s a creation myth setting up my next big project, Concavia.
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Wyrms enter the picture relatively late in Concavia’s long history, after the Great Flood and at the dawn of the Days of Iron which followed. Mother Mehter, with the last of her strength, birthed them into being as wardens to watch over the world in her absence. (1/2) 🧵
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The calamity which ended the Days of Tin was brought on by the empire of Talanā warring on Upergora, the land of the warding mark which holds the world in delicate balance. They were crafted to ensure that no civilisation could ever grow large enough to threaten creation. (2/2)
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The Tandraxian high council II. #humanitylost #humanitylostcomic
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Part I is here:
The Tandraxian high council I.
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The Tandraxian high council I.
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没集 幼体タイプ、ヴェールで全身覆ったタイプ、エイリアン風の目が透けて見えるタイプ あと強化外骨格をモチーフにした寄生タイプ
敵ポジションのクリーチャーとかも少し考えています
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The thirty-three ever watchful high halls of Middias upon the skyward roots of Merucca. #Concavia
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How Deicide lost his arm (1/2) 🧵
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How Deicide lost his arm (2/2) 🧵
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C.S. Diggle retweeted
Bronze Warrior
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C.S. Diggle retweeted
The Swords Grow Wild: Exuviae Exuviae are feral descendants of personal combat vehicles, built with great strength, hardy shells, and adaptable limbs. Though initially thought as a potentially sapient species, Exuviae are instinctual creatures cultured by an extinct invader
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