WIP AI will likely kill us all. Sometimes working harder is better for you. Malfoid enjoyer. Go write stories DMs open for now cuz why not

dystopian present
Joined January 2018
I saw someone essentially say that pornographic/lewd Malfoid fanart is good because sex is the point of romance. THIS, I fear, is another example of the way pornography has damaged people. 🧵 That idea misses the entire point of the Malfoid trend at large. To be fair, Malfoid has gotten so big it broke containment and now means a lot of different things to a lot of different people. That being said, I think the vast majority of those who enjoy this trend agree that Malfoid isn’t about sex, it’s about yearning. To yearn for something, to long for it, is to deeply and often melancholically desire it. That sense of melancholy often stems from the understanding that whatever the object of your desire is will be difficult to obtain. Men are yearning for Malfoid because finding a woman like her is incredibly difficult, but she’s worth it. People are writing stories, making art, and changing themselves for the better in an effort to even get close to the feeling of achievement - to get close to her. Making pornographic art in this movement cheapens all of this. The object of desire becomes not the woman, but her body. The way to express this desire becomes not hard work and effort, but masturbation. Looking at images on a screen and allowing yourself to be titillated will poison your soul against improvement, and you will seek to get your jollies off however you can rather than by becoming the kind of man worthy of a Malfoid, or the kind of woman worthy of a Harry. Certainly, it is true that Harry and Malfoid are sexually attracted to each other. It’s also true that the vast swaths of wonderful illustrators in this movement depict Malfoid as sexually attractive. But Malfoid being sexually attractive doesn’t innately reduce her to the point of objectification. Beauty exists, and Malfoid is beautiful. This aspect of her character is a virtue - it’s something that men often find lacking in modern women. To be fair, it’s also a quality that women find lacking in modern men, so there’s blame to go around. But that’s why people have started going to the gym over this trend, in pursuit of beauty. Beauty may also easily be corrupted. Because beauty is a virtue, it goes hand in hand with other virtues - love, self-control, modesty, etc. - and if any of these other virtues are lacking in a person, so too does their beauty. Portraying Malfoid as a loose woman, exposing herself and engaging in all kinds of indecency, makes her less beautiful. It may make her “hot” or otherwise “sexy”, but this is a pornographic debasing of her. Those depictions are not worth your desire. Malfoid is modest, in both dress and in mannerism; of course she is, as the heiress to the Malfoy name. And the people who get the trend don’t portray her as a ditz or an airhead, but as a confident, even prideful woman (it’s worth noting that such depictions have her putting down her supremacist pride in her bloodline and accepting her love for Harry, humbling herself, which is a virtue). Keep Malfoid modest. Yearn for something greater.
They're right. Malfoid is, actually, the perfect example of how much damage pornography can do to men. And women.
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Malfoid, subtle as ever
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man's chief end is to glorify God and enjoy Him forever
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imagine an American wizarding school where the defense against the dark arts class is restructured into a class on defense against firearms. a spell that functions as a bullet shield. would go hard
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Turns out men didn't hate romance. They just wanted something worth falling in love with.
I love the whole "Malfoid" thing, I really do. And i'm not even the target audience. I've enjoyed writing it, and its totally unleashed my muse. I've been thinking about why the whole Malfoid fanfiction phenomenon is doing so ridiculously well, and I think I've figured something out. Men are absolutely STARVING for good romance. Plenty of women, too, I guess. Not pornography. Not harems. Not some elaborate sexual power fantasy. Romance. Two people who who are confused by their feelings, who make mistakes, who struggle to understand one another, and who slowly, awkwardly, sometimes painfully fall in love. You know. That thing human beings have been doing to each other for thousands of years. In story form. Somewhere along the way, the publishing industry decided that men don't like romance. (xitter.cf/ShamashAran/status/210…) The alternatives everyone's been offered for the past couple of decades have been, to put it delicately, a radioactive dumpster fire. On one side, you've got male-oriented harem fantasies where every woman within a fifty-mile radius is aching for a sexual encounter, in graphicly written detail. On the other, you've got the darker corners of romantasy, where the height of romantic fulfillment involves being kidnapped, abused (physically, mentally, or both) or literally raped by a seven-foot-tall monster with the emotional maturity of a malfunctioning garbage disposal. I'm sitting here thinking: CAN TWO PEOPLE JUST FALL IN LOVE WITHOUT SOMEBODY GETTING RAPED OR DEVELOPING A HAREM? Apparently that's too much to ask. This brings me back to Malfoid. Here's a huge set of stories written by many different folks, about two fundamentally decent people, raised in very different worlds, struggling with their feelings, their prejudices, their loyalties, and their expectations. Neither is perfect. Neither always knows what they're doing. Sometimes they're absolute idiots. They have something, and we get to watch it develop in story form. The romance isn't about sexual conquest or domination. It's about vulnerability, trust, affection, and the terrifying realization that another human being has become extraordinarily important to you. And people are eating it up. Which brings me to my theory. Malfoid has caused a false vacuum decay in the quantum field of romantic literature. For decades, we've been trapped in a metastable state where the publishing industry insists that men don't want romance, and male readers have been conditioned to believe there isn't any romance worth reading. Now, comes along comes a wholesome little love story about two emotionally constipated school-age British wizards, and suddenly the entire field collapses into a new, lower-energy vacuum state. The resulting energy release is absolutely catastrophic. Instead of gamma radiation annihilating the universe, we're getting seventeen metric gigatons of YEARNING. Turns out men didn't hate romance. They just wanted something worth falling in love with.
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Conforming to His Image ✝️ retweeted
I love the whole "Malfoid" thing, I really do. And i'm not even the target audience. I've enjoyed writing it, and its totally unleashed my muse. I've been thinking about why the whole Malfoid fanfiction phenomenon is doing so ridiculously well, and I think I've figured something out. Men are absolutely STARVING for good romance. Plenty of women, too, I guess. Not pornography. Not harems. Not some elaborate sexual power fantasy. Romance. Two people who who are confused by their feelings, who make mistakes, who struggle to understand one another, and who slowly, awkwardly, sometimes painfully fall in love. You know. That thing human beings have been doing to each other for thousands of years. In story form. Somewhere along the way, the publishing industry decided that men don't like romance. (xitter.cf/ShamashAran/status/210…) The alternatives everyone's been offered for the past couple of decades have been, to put it delicately, a radioactive dumpster fire. On one side, you've got male-oriented harem fantasies where every woman within a fifty-mile radius is aching for a sexual encounter, in graphicly written detail. On the other, you've got the darker corners of romantasy, where the height of romantic fulfillment involves being kidnapped, abused (physically, mentally, or both) or literally raped by a seven-foot-tall monster with the emotional maturity of a malfunctioning garbage disposal. I'm sitting here thinking: CAN TWO PEOPLE JUST FALL IN LOVE WITHOUT SOMEBODY GETTING RAPED OR DEVELOPING A HAREM? Apparently that's too much to ask. This brings me back to Malfoid. Here's a huge set of stories written by many different folks, about two fundamentally decent people, raised in very different worlds, struggling with their feelings, their prejudices, their loyalties, and their expectations. Neither is perfect. Neither always knows what they're doing. Sometimes they're absolute idiots. They have something, and we get to watch it develop in story form. The romance isn't about sexual conquest or domination. It's about vulnerability, trust, affection, and the terrifying realization that another human being has become extraordinarily important to you. And people are eating it up. Which brings me to my theory. Malfoid has caused a false vacuum decay in the quantum field of romantic literature. For decades, we've been trapped in a metastable state where the publishing industry insists that men don't want romance, and male readers have been conditioned to believe there isn't any romance worth reading. Now, comes along comes a wholesome little love story about two emotionally constipated school-age British wizards, and suddenly the entire field collapses into a new, lower-energy vacuum state. The resulting energy release is absolutely catastrophic. Instead of gamma radiation annihilating the universe, we're getting seventeen metric gigatons of YEARNING. Turns out men didn't hate romance. They just wanted something worth falling in love with.
Replying to @ShamashAran
What I find particularly interesting about Malfoid is that - it's not romantasy. It's not any of the genres that fanfic usually finds its way into. It's a wholesome, almost old-fashioned story not really like anything being written today.
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Replying to @ShamashAran
Beyond just that, it's a romantic and hopeful take on the current state of male/female relations. They're in the gutter. No, that's not right. They're below the gutter, the sewer, through a few miles of dirt and rock, and are currently sitting at the gates of Hell. Malfoid provides a romantic idea of "What if, despite all our differences and everything we've done to each other, we could forgive each other and fall in love? What if enemies-to-lovers wasn't just a trope but something we could have in our lives as well?" Everyone wants that deep down. We have outside forces pulling us apart, forcing us to pick a side and constantly attack the other. We fight and we bicker about a war started long ago with no idea as to who fired the first shot. At the end of the day, when we crawl into bed alone and drift off to sleep, all we want is someone there beside us. I can only hope that Malfoid plays a small part in healing that divide.
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"As George Orwell said, ‘freedom is the freedom to say that two plus two is four. If that is granted, all else follows.’  If a man can be a woman, there is no such thing as a woman."
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Ugh I’ve had the displeasure of learning what the word “mudshark” means towards a person.. Why are people so cruel? Why are there “Christian” men calling women this for dating someone of a different race? (Even if they’re Christian) Why are people so racist and vile? This is disgusting. Do you seriously think that Jesus would be okay with using discriminatory language towards others? Could you stand before God and seriously try to justify language similar to this in front of our almighty father? Obviously not. We should be building others up, not tearing others down. It doesn’t matter what someone’s skin color is, we are all Gods beautiful creation AND we all fall short, we all are equally flawed. No wonder so many Christian women want to remain single if this is what much of the dating poll looks like. (If I wasn’t happily married already) I’d rather die alone than date someone who is this vile with their words towards others. Anyway rant over lol Here’s a few out of hundreds of verses that talk about how we should treat others. Ephesians 4:29  Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen. Galatians 6:10 So then, as we have opportunity, let us do good to everyone, and especially to those who are of the household of faith. Galatians 5:22 But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness Micah 6:8 He has told you, O man, what is good; and what does the Lord require of you but to do justice, and to love kindness, and to walk humbly with your God? Romans 12:10 Love one another with brotherly affection. Outdo one another in showing honor. 1 John 3:17 But if anyone has the world’s goods and sees his brother in need, yet closes his heart against him, how does God’s love abide in him? Leviticus 19:34 You shall treat the stranger who sojourns with you as the native among you, and you shall love him as yourself, for you were strangers in the land of Egypt: I am the Lord your God.
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Bit of a long article for #MalfoidMonday Malfoid and the Enemies of Wholesome Romance bcwarr.substack.com/p/malfoi…
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the whole world could be like this btw you just need to have the courage to make some people sad
The biggest culture shock I've experienced so far is that the Apple store in Japan doesn't lock any devices to the table
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"And this is the judgment: the light has come into the world, and people loved the darkness rather than the light because their works were evil. For everyone who does wicked things hates the light and does not come to the light, lest his works should be exposed." - John 3:19-20
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The amount of people who have objected to my post about Malfoid porn being bad is a great indicator for how far our culture has been degraded.
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Original. Versión racista
Rose Belmont Original. Arreglada.
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Hayes has the portrayal of Malfoy's innocence so spot on. She grew up just being taught all these things as if it was just how things were so she doesn't realize how her words sound. Like geez dude even from the moment they meet Harry and her have such a good duality.
Malfoid unfortunately doesn't know any better (2/2)
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Checked his early life on Wikipedia. … he’s Jewish.
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LONDON, OCTOBER ’94 — A TAPE OF YOU #malfoy #malfoid
🤖 Made with AI
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removing AI from your feed with 4 of my illustrations 🍃💙
Removing AI from your feed with 4 of my illustrations 💫✨
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"A woman of valor who can find? Her value is far above rubies." -Proverbs 31:10
I saw someone essentially say that pornographic/lewd Malfoid fanart is good because sex is the point of romance. THIS, I fear, is another example of the way pornography has damaged people. 🧵 That idea misses the entire point of the Malfoid trend at large. To be fair, Malfoid has gotten so big it broke containment and now means a lot of different things to a lot of different people. That being said, I think the vast majority of those who enjoy this trend agree that Malfoid isn’t about sex, it’s about yearning. To yearn for something, to long for it, is to deeply and often melancholically desire it. That sense of melancholy often stems from the understanding that whatever the object of your desire is will be difficult to obtain. Men are yearning for Malfoid because finding a woman like her is incredibly difficult, but she’s worth it. People are writing stories, making art, and changing themselves for the better in an effort to even get close to the feeling of achievement - to get close to her. Making pornographic art in this movement cheapens all of this. The object of desire becomes not the woman, but her body. The way to express this desire becomes not hard work and effort, but masturbation. Looking at images on a screen and allowing yourself to be titillated will poison your soul against improvement, and you will seek to get your jollies off however you can rather than by becoming the kind of man worthy of a Malfoid, or the kind of woman worthy of a Harry. Certainly, it is true that Harry and Malfoid are sexually attracted to each other. It’s also true that the vast swaths of wonderful illustrators in this movement depict Malfoid as sexually attractive. But Malfoid being sexually attractive doesn’t innately reduce her to the point of objectification. Beauty exists, and Malfoid is beautiful. This aspect of her character is a virtue - it’s something that men often find lacking in modern women. To be fair, it’s also a quality that women find lacking in modern men, so there’s blame to go around. But that’s why people have started going to the gym over this trend, in pursuit of beauty. Beauty may also easily be corrupted. Because beauty is a virtue, it goes hand in hand with other virtues - love, self-control, modesty, etc. - and if any of these other virtues are lacking in a person, so too does their beauty. Portraying Malfoid as a loose woman, exposing herself and engaging in all kinds of indecency, makes her less beautiful. It may make her “hot” or otherwise “sexy”, but this is a pornographic debasing of her. Those depictions are not worth your desire. Malfoid is modest, in both dress and in mannerism; of course she is, as the heiress to the Malfoy name. And the people who get the trend don’t portray her as a ditz or an airhead, but as a confident, even prideful woman (it’s worth noting that such depictions have her putting down her supremacist pride in her bloodline and accepting her love for Harry, humbling herself, which is a virtue). Keep Malfoid modest. Yearn for something greater.
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Any romance story between Harry and Malfoid that cannot overcome Sectumsempra, that cannot overcome the point at which Harry sees her as an enemy, is not a romance story worth aspiring to.
You're conflating and purposely miscommunicating elements of traditional story telling with Deconstruction. You even use nonsense word pairings "Deconstruction of Idealism" as if Dragging things to the mundane (Literally what deconstruction is) is reflective of any sort of Ideal. Deconstruction is when elements of the real world intrude to bring down the suppositions and expectations of a story into a modern sensibility... it is when, after a happily ever after, someone introduces complications to the lives that are mired in the modern age worries and apprehensions, in order to proximate it to their audience rather than allow the story to elevate the urges and expectations of the audience. Pain, suffering and overcoming difficulty in a relationship... is a VIRTUOUS CYCLE, that when integrated into a story, teach the audience that these things need not be the end... and they need not be mired within them, that they can overcome such things and become stronger, better and more virtuous through that effort and difficulty. Classic Romance was *NEVER* about a perfect, ideal arc where no trials or tribulations were overcome; that is you twisting the original meaning of such stories to fit your narrative to justify the ugly portions of story darkness being removed.
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