From the depths of the “Obsidian Sea” One being not only commands but embodies the darkness found within this forgotten realm I present DUSKWALKER Music and video by yours truly! @DedGorgez

Been dealing with some pretty intense eye strain / vertigo this weekend or at least what feels like vertigo I’ve been dizzy and unable to focus on things in the dark, or screens and words and over all have felt slow. It’s got in the way of a lot of content I had planned And some story and videos I want to show and tell But I’m trying to take care of myself and just taking things one step at a time Sending out love to all the communities I am apart of , yall still make me want to be hear even when I don’t feel well But praying it doesn’t follow to far into next week I have to say I feel like I’m enjoying the NFT space now more than ever and it has just looked like doubling down on the friends around me. Much love good night

It’s freaking #dedtober baby @DedGorgez I’m about to drop bangers

Sometimes I just can’t believe what our @DedGorgez is capable of Holy cow @jpgBigChed 🫶 @BeeCuzFuture

UNIVERSAL CRT PFP EDIT PROMPT IS DOWN BELOW! Quote this and show me your creations! Work on all communities! Rebuild the uploaded image as a picture drawn by an old monitor in a single blinding electric cyan, on absolute black. THE CORE CONCEPT, read this first: This picture is DRAWN WITH LINES, not photographed and tinted. The subject is rebuilt out of many thin, parallel, glowing cyan lines that run roughly horizontally across the frame and bend as they cross the subject, following its form the way contour lines follow a landscape: they curve around every volume, crowd together and brighten where the surface turns sharply or where the original was light, and thin out, dim or break where the original was dark. Between the lines there is pure black. There is no continuous tone anywhere. This is not a blue duotone photo, not a hologram, not neon tubing, not a wireframe mesh, and not a photo with scanlines laid over it. THE LINES: Line pitch between 3 and 6 pixels at native resolution, line thickness 1 to 2 pixels, spacing consistent across the frame. Each line is made of a fine chain of dots rather than a perfectly smooth stroke, so up close it reads as a screen. Lines break into short dashes and isolated dots in the darkest areas of the original and disappear completely where the original was black. Fine detail such as eyes, mouths, feathers, hair, leaves or edges is carried by the lines bunching, splitting and bending, never by a separate outline stroke. THE COLOUR: Exactly one hue family: electric blue to cyan. Dim lines are a deep saturated blue, medium lines are a bright cyan, and the brightest, densest lines burn to a white core with a cyan edge. Everything else is absolute black, 0 on every channel. No second hue anywhere: no purple, no green, no warm skin tone, no grey. THE BLOOM, this is what makes it look like a tube: The brightest lines overdrive: they widen, lose their sharp edge and spill a soft cyan halo of 4 to 12 pixels into the black around them. Where many bright lines meet they fuse into a solid glowing mass with no detail inside. The glow falls off smoothly into black. THE SCREEN: The image fills the whole frame. A faint darker row every few lines, a very slight barrel curve as if the glass were not flat, and a gentle darkening of the corners. One or two horizontal tears where a band of lines shifts sideways by a few pixels. WHAT SURVIVES: Keep the original composition, framing, crop, subject and pose exactly. The subject must be clearly readable from the line pattern alone, including any face. NEGATIVE CONSTRAINTS: No continuous photographic tone anywhere, no smooth gradients, no blurred or painted areas. No second hue, no colour fringing, no RGB channel splitting. No dark grey background, the black is absolute. No monitor housing, bezel, stand, desk or room around the image. No vertical lines, the lines run horizontally and bend with the form. No text, no interface, no menu bar, no timecode, no logos, no watermark. Do not change the crop. The final result must look like a real photograph redrawn as glowing lines on a cathode ray monitor turned up far too bright.

Few artist in the space inspire me to tell a story and drive me to create like @ruangsunyiart My animations are only possible because the amazing handrawn art that he labors over tirelessly The best is truly yet to come

Thank you too everyone for stopping by for another Episode of @CampfireCBK Truly honored to have the pleasure of talking to so many quality people all in one space! The support never goes unnoticed and we will be back next Wednesday 6:00pm EST!

Good morning I present “Baron Gorgez”