The official page for India’s largest art institution. Promoting 18th, 19th and 20th century Indian art since 1993.
New Delhi | Mumbai | New York
Joined January 2014
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DAG retweeted
In collaboration with DAG, Victoria Memorial Hall presents "Vittorio Sella: Photographer in the Himalaya"—a rare glimpse into the Sikkim and Karakoram ranges through Sella’s iconic lens. Curated by Hugh Thomson.
Opens 8 Aug 2025 at Durbar Hall, VMH.
IC : DAG Collection
DAG retweeted
#Art | The artist #MadhviParekh’s colourful, quirky works hark back to an older, gentler aesthetic, which is becoming rare in our algorithm-driven, machismo-fuelled world.
@gaachburi writes.
frontline.thehindu.com/arts-… @DAGworld
DAG retweeted
DAG's exhibition, Light and Shadow: Satyajit Ray Through Nemai Ghosh’s Lens, features photographs taken by Ray's Boswell.
#SatyajitRay #photograghy #NemaiGhosh #review @leo_mukherjee @srimoyeebagchi @DAGworld
telegraphindia.com/life/rays…
DAG retweeted
#Art | At Light and Shadow: Satyajit Ray Through Nemai Ghosh’s Lens (Jul 18- Sep 13), organised by @DAGworld at Kolkata’s @IndianMuseumKol, we encounter 150 photographs that Ghosh made of Ray & his film sets.
@shreevatsa_n writes.
frontline.thehindu.com/arts-…
DAG retweeted
A brilliant initiative of DAG the 1st edition of 'The City as a Museum' a stirring tribute to our beloved Rajdhani
#swapnaliddle @DAGworld
DAG retweeted
Here is the much-awaited shortlist of the third edition of Oxford Bookstore Art Book Prize - India's only prize that recognizes the value of art in all genres under the umbrella of the art publication.
@iamrana @janeitasingh
@NorwayAmbIndia @DrAlkaPande @PritiPaul7
DAG retweeted
#ArtExhibition: Often folksy, at times feminist, #MadhviParekh’s art is rooted both in the past and the present. Malvika Kaul narrates her fantastical tales and transformative journeys. Only in The Tribune #SpectrumTheTribune
tribuneindia.com/news/arts/m… @DAGworld
DAG retweeted
#Art | An exhibition at @DAGworld in #Delhi, on the visual representation of #Banaras from colonial times to the present day, captures the city’s vibrant essence.
@KaranMadhok1 writes.
frontline.thehindu.com/arts-…
DAG retweeted
A lovely show of Company paintings is on at @DAGworld, accompanied by a gorgeous book edited Giles Tillotson.
livemint.com/mint-lounge/art…
DAG retweeted
Also on the page are pointers to this week's Books & Authors podcast with Giles Tillotson @DAGworld, editor, 'A Treasury of Life; Indian Company Paintings 1790-1835', and to a review of 'The Deras; Culture, Diversity and Politics' by Santosh K Singh
DAG retweeted
"When Indian artists made the transition from Court to Company, they transformed themselves and they transformed Indian art"
- Giles Tillotson @DAGworld, editor, 'A Treasury of Life; Indian Company Paintings' talks to me on the Books&Authors podcast
open.spotify.com/episode/0TE…
DAG retweeted
Wrote on the exhibition #ATreasuryOfLife, which is on display until 5 July 2025, @DAGworld for @DeccanHerald / @shmira21
#OnArtAndArtists #CompanySchoolPaintings
deccanherald.com/features/ar…
DAG retweeted
16 May 2025 | Indian Museum, Kolkata and @DAGworld hosted “A Museum of One’s Own”.
A terrace screening of Khandakar Ohida’s Dream Your Museum followed by a discussion with Shubham Roy Choudhury highlighted how personal collections enrich national archives
#EkDeshEkDhadkan 🇮🇳
DAG retweeted
A fascinating new exhibition of Indian Company paintings at @DAGworld in Delhi, do go!
bbc.com/news/articles/ckg4zx…
DAG retweeted
Delighted to speak at an exhibition that captures the essence of Banaras — a city that is a living embodiment of India's spiritual, cultural, and artistic heritage.
This exhibition by Delhi Art Gallery is meticulously curated by Gayatri Sinha & explores Banaras as it was, as it is, and as it could be.
We encounter Banaras as seen through the eyes of artists such as Thomas Daniell, William Hodges, James Prinsep, and Edwin Lord Weeks and also Indian artists like Ram Kumar, Manu Parekh, L.N. Taskar & M.F.Hussain.
Fascinating challenges : How do we balance heritage and progress? How do we keep the soul of Banaras alive even as it embraces modernity? With me were Timothy Curtis , UNESCO Rep in india & Art critic Kishore Singh.
