Bio in development. Pending executive notes, then notes on the notes, then a polish, then a new draft, then turnaround, then page one rewrite.

Los Angeles, CA
Joined April 2009
Dan Carrillo Levy retweeted
I have spoken out against anti-Muslim hate in the Michigan Senate race. I will speak out just as loudly when the target is Jewish people. Let me state a little-known fact: ISRAEL GETS LESS THAN 0.1 PERCENT OF THE FEDERAL BUDGET. That’s less than one tenth of a percent! But there is an ad running that tells voters they can’t afford groceries because the United States gives so much money to Israel. In reality, the United States spends money in and on countries all around the world – but this ad singles out the Jewish state. The ad is as dangerous as it is dishonest. You can disagree with how the United States spends money abroad. But telling hungry families that the Jewish state is the reason they are suffering is wrong and shameful. Blaming Jews for people’s problems is an old story. Anybody who has read the last century of history knows where it leads. It is a dark pathway. This ad is anti-Jewish hate and should come down immediately. Abdul El-Sayed should denounce it today.
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Dan Carrillo Levy retweeted
A new look at the filmmaking tech they invented to film THE ODYSSEY.
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Dan Carrillo Levy retweeted
That's what genocide looks like
This 260-year demographic timeline of Poland’s Jewish population reveals the devastating scale of the Holocaust. Source: buff.ly/MEHJWla
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Dan Carrillo Levy retweeted
'Last Night In Soho' turns 5 this week. I'll post some behind the scenes photos in the next few days. But enjoy this breakdown of the 'Cafe De Paris' dance sequence with Anya Taylor Joy, Thomasin McKenzie and Matt Smith, choreographed by the great Jennifer White. Too many amazing people worked on this film with me, and there are sequences (like this) that I'm insanely proud of. Shoutouts to Marcus Rowland for this incredible set, the genius DOP Chung-Hoon Chung, our amazing VFX supervisor Tom Proctor and, in this scene especially, the magnificent camera operator Chris Bain. Enjoy and more soon! @lastnightinsohomovie @focusfeatures @FictionComplete @workingtitlefilms
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Dan Carrillo Levy retweeted
#TheCatInTheHat is really wonderful — fun, inventive, heartfelt, whimsical and often very funny, with great animation from @dneg! And @Lornebalfe’s score is terrific. A great start to @wbpicsanimation! Dr. Seuss would be proud! Let’s get this party started! 🐈‍⬛🎩
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Dan Carrillo Levy retweeted
There should be an academy award for getting people to read your script to begin with. It's the thing that Hollywood people least want to do.
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Dan Carrillo Levy retweeted
Guy led a strike that, let’s be honest, tanked the industry in a way that far outweighs the protections that came from it and now gets paid a MILLION dollars a year to lead a union that has more members than ever out of work and losing health insurance. Fascinating stuff.
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#AliGWhoIzI is as genius as expected. No one like @SachaBaronCohen
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Loved #Clayface! The acting is incredible, and the grotesque, skin-crawling body horror is like watching a train wreck you can’t look away from. It’s amazing how they made such a difficult villain feel so real and grounded, turning all that horror into a devastating tragedy.
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#themosquitobowl was brutal and incredibly done.
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Dan Carrillo Levy retweeted
Too many movies coming out on the same weekend. Spread them out! They don't all have to come out in October.
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Dan Carrillo Levy retweeted
“That was the most difficult scene ever.” @SachaBaronCohen tells Howard Stern about the 8-hour continuous shot for the final scene of “Ali G: Who Iz I?”
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Dan Carrillo Levy retweeted
BREAKING: “Grand Theft Auto VI” could cost the US economy $1 billion in a single day. The long-awaited game drops Nov. 19, and up to 1.5 million Americans could call in sick or take the day off to play it, according to estimates cited by the International Business Times.
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Dan Carrillo Levy retweeted
Oprah Winfrey gave 276 people brand-new cars on live television. Some later discovered they could owe up to $7,000 in taxes just to keep their “free” gift. In September 2004, Oprah opened the 19th season of her show with an enormous surprise. Her producers had filled the audience with people who genuinely needed transportation. Each was about to receive a Pontiac G6 worth roughly $28,500. First, Oprah brought 11 people onto the stage and gave them cars. Then she handed gift boxes to everyone else, telling them that one box contained the keys to another vehicle. Every box had keys. The audience screamed, cried and hugged strangers as Oprah announced that everybody was getting a car. The entire giveaway was worth more than $7 million. But the cars hadn't come out of Oprah's pocket. Pontiac supplied them as part of a massive promotional campaign. And there was something the cameras hadn't explained. Under US tax rules, the cars counted as prize income. Pontiac covered sales taxes and certain local fees, but winners remained responsible for income taxes. Depending on their tax brackets, some faced bills approaching $7,000. They could pay the tax, sell the car to cover it, or decline the prize. One recipient described the situation as getting a car at a 75% discount rather than receiving one for free. The gift was still valuable. But some of the people chosen precisely because they needed financial help now had to find thousands of dollars they hadn't planned to spend. Two months later, Oprah held another giveaway. This time, the gifts came with checks intended to help recipients pay their taxes. Twenty-two years later, millions still remember Oprah shouting that everybody was getting a car. Far fewer remember the bills that arrived afterward.
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Dan Carrillo Levy retweeted
Tony Montana casually eating a lemon from a bowl might seem like a humorous detail, but it reveals something much deeper about his character in Scarface. Surrounded by expensive suits, luxurious restaurants, and wealthy people, Tony is determined to prove he belongs among the elite. Yet the bowl in front of him isn’t meant for eating. It’s a finger bowl, traditionally used to rinse your fingers during a formal meal. Tony doesn’t realize this, and no one bothers to correct him. That’s what makes the moment so revealing. He can afford designer clothes, expensive dinners, and a lavish lifestyle, but wealth can’t instantly teach him the social customs of a world he never grew up in. Coming from poverty in Cuba, Tony never had the opportunity to learn the unwritten rules of high society. His ambition has earned him a place at the table, but he’s still unfamiliar with the culture surrounding it. That single lemon becomes a subtle symbol of his journey. Tony has the money to enter a world he once dreamed of, but he hasn’t fully learned how to fit into it. In a movie defined by power, greed, and violence, one tiny detail reveals more about his character than an entire conversation could.
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Dan Carrillo Levy retweeted
In March, a terrorist drove a truck packed with explosives into Temple Israel in Michigan. More than 140 children and staff were inside. A massacre was narrowly averted. This is what antisemitism looks like in 2026. And it’s a global crisis. We can debate geopolitics in the Middle East. But people like Eddie Rubin should NEVER have to wonder whether protecting Jewish lives is a partisan issue. Jewish safety is not Republican or Democrat. It is a moral obligation.
"As a lifelong Democrat, I have a very hard time finding myself at home in the Democratic Party right now," Michigan voter Eddie Rubin tells @tonydokoupil. Rubin, whose two youngest children survived the March 12 attack at Temple Israel in West Bloomfield when a man rammed a truck into the building, says antisemitism is one of the most important issues in the midterm elections and he wants to see leaders from both parties address it. "This should be an issue that is on everyone's mind and a human issue," Rubin says. "It's not a party issue." Tonight at 8 p.m. ET/PT, watch voters like Rubin take their questions directly to Vice President JD Vance in "Things That Matter: A Town Hall with Vice President JD Vance," on CBS and @paramountplus.
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