Web3 Researcher | Narrative Analyst | Developer | TON Ecosystem

Joined March 2024
TON is the future I just wish more pple could see the potential the way we do Theyโ€™ll understand eventually, but by then, it might be too late. The real advantage is being early, positioning yourself now to be among the first wave of those who truly benefit from this ecosystem.
Everybody on CT has used TON before and has a TON wallet address. That's billions of users ready to be migrated on-chain to the @ton_blockchain It takes just one click and TON becomes the biggest blockchain on earth by active userbase. I think TON is redefining and refining things. And like I said before TON is a potential 50 - 100 billion Market Cap Blockchain sitting quitely in a cornerโ€ฆ NB: This is not a paid promotionโ€ฆ
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
TON ๐Ÿค Pumpfun Welcome to TON, Pumpfun community!
TON is live on the Pumpfun app! Buy tokens on TON straight from your USDC balance on the fastest crosschain social app with the cheapest fees. Welcome to the Pumpfun app, @ton_blockchain ๐Ÿค
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a final warning. hope youโ€™re not sleeping on $GRAM and its memes just because the market humbled them. the rejection was nasty, but the comeback could be generational. when the crowd starts aping, youโ€™ll know why positioning early matters. before the crowd.๐Ÿ“Œ
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Our new $TELEDOG homepage is live! Check it out: teledog.dog/ Shoutout to the $TONYSTAR (@TonyStar_TON) CTO who made it for us. Since he has no X, I can't tag him, but shoutout anyways.
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
GM from the Hood Hoods up. Stay in formation. The 2019 decree is immutable. Letโ€™s see where the prophecy takes us.
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this article sums up the $TELEDOG thesis perfectly. the domain, the history, the Telegram-native narra, the team and everything being built around it. if youโ€™re still sleeping on $TELEDOG, atleast tek a minute to read this๐Ÿ‘€ Durov is bullish on dogs, why would i fade the meta?
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HUGEEE ๐Ÿพ Pavel just changed his account symbol to a dog paw. Telegram recently switched to telegram.dog. and earlier, he even liked a $TELEDOG meme. 3 different pieces. same dog signal. at this point, the dog meta is getting way too interesting to ignore ๐Ÿ‘€ DYOR
Gram morning $GRAM believers @durov changed his account symbol to dog's paw, i can hear the dog coming ๐ŸŽ Itโ€™s time to send $TELEDOG much higher Earlier he liked the meme with $TELEDOG Think about it and do your own research EQAm-H72S6NMaO3KEP7jFXPnupsgO0s-mggOKW89l098lL57
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had to ape this tg just switched to telegram.dog, domain sat for 10+ yrs, activated in july Spotty, REDO, Pavelโ€ฆ the dog lore runs deep. now an official .dog domain team was the missing piece. @adeygadeyino took over yesterday. now the pieces are falling into place
Telegram has several registered domains. Literally yesterday, they switched their main domain fromย telegram.orgย toย telegram.dogย โ€“ a domain that was registered 10.5 years ago but only went live YESTERDAY We have strong community which is bullish and works 24/7 Become a part of a great story! CTO: telegram.dog/teledogton CA: EQAm-H72S6NMaO3KEP7jFXPnupsgO0s-mggOKW89l098lL57
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
TigerMint is building beyond the minting experience. The TCG boilerplate gives creators and developers a foundation to build a fully customized experience around their collections.
The TigerMint TCG Webapp Boilerplate is now available for builders. The goal is simple: make it easier to create your own trading card game and use TigerMint for the booster-pack experience. Start with the boilerplate, configure the required components, or completely reskin the interface to fit your project. Connect your TigerMint collection and you have the foundation in place. Players can pull new cards directly from the main menu, bringing the collection experience directly into the game. A Mini App version will also be added, extending the same experience into Telegram. For teams that have been looking for a straightforward way to build a TCG around their own TigerMint collection, this gives you a place to start. GitHub: github.com/Aloeidae/tigerminโ€ฆ Build it your way. TigerMint handles the card packs. ๐Ÿฏ
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
A new update is live on TigerMint. Weโ€™ve added NFT and token gating at the phase level, giving creators more flexibility over how they structure access to their collections. With this, individual phases can now be configured around specific NFT holders or token holders, useful for exclusive access, rewarding existing communities, or creating different tiers of participation within a single drop. We also shipped a few other improvements and some fun additions alongside it. TigerMint is still being actively refined, and weโ€™ll keep focusing on the details that make launching and collecting on TON a better experience.
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
๐Ÿ•ท๏ธ One of Egor Zhgun's early sticker concepts. Created for the announcement of Telegram's new spoiler effect in messages, December 2021. Egor says the team eventually went with a more straightforward approach. Another look at the creative process behind Telegram's stickers. t.me/zhgunft/96
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
๐Ÿ“‚ Egor Zhgun Fresh from Egor. Illustration for the Telegram Security Overview page. You keep turning corners on Telegram... ...and somehow Egor was already there. Love to see it. t.me/zhgunft/94
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Looking back, one part of Lamborghini's Telegram collection deserves a closer look. According to NFT.ru, when Automobili Lamborghini launched its collectible sticker collection on TON as part of the Fast ForWorld initiative, the company credited Egor Zhgun with creating the visual concept behind the project. That detail is easy to miss. Telegram stickers aren't posters, adverts, or social media graphics. They live inside conversations. They're how people react, joke, celebrate, and communicate every single day. If a sticker doesn't feel natural, people stop using it. If it does, it quietly becomes part of the platform's culture. Designing for that environment is a very different challenge. For years, Egor has been doing exactly that. Utya is the obvious example, but his portfolio stretches far beyond Telegram, branding, editorial design, packaging, public infrastructure, digital products, and visual identities built for completely different audiences. The subjects change, the industries change, but one thing stays consistent: his ability to reduce complex ideas into something people instantly understand and naturally use. That's probably why this project stands out. According to NFT.ru, Lamborghini didn't just launch collectible stickers. It entrusted the visual concept to an artist whose work has already shaped how millions of people communicate on Telegram. The partnership didn't stop at design. Minted on the TON blockchain and launched through the Telegram-native Goodies Marketplace, the collection becomes something people can own, trade, and carry across Lamborghini's Fast ForWorld ecosystem. Connect it to the platform, and it even unlocks an exclusive digital Lamborghini Urus SE inside Animoca Brands' Motorverse. It's an interesting evolution. A visual concept created for everyday conversations doesn't stop inside a chat window. It becomes part of a broader digital experience where design, communication, digital ownership, and gaming all meet. Looking back, this wasn't just another brand entering Web3. It was another chapter in Egor Zhgun's journey, applying the same design philosophy that shaped Telegram's culture to one of the world's most RECOGNIZABLE AUTOMOTIVE BRANDS.
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Egorians. โค๏ธ Every once in a while, it's worth remembering why we're here. Long before $EGOR existed, people were already sending tokens to Egor Zhgun's wallet. Nobody coordinated it. Nobody had to ask. It just happened. Millions of Telegram users spent years enjoying creations like Utya, Yoda, Redo, Plush Pepe, Kote, Grinch, Daisy Romashka, and many others that became part of the culture we all love. There was just one catch. The only way Egor could benefit from those gifts was by selling them. Through multiple ATHs, he never did. He refused to dump on the very communities trying to show him respect and thank him. That tells you everything about the man behind the art. So the community cooked up a better solution. Instead of gifting him tokens he'd never want to sell, $EGOR routes creator fees directly to Egor's Wallet in GRAM. Every trade becomes a quiet "thank you" from people whose chats, memes, communities, and memories were shaped by his work. Today, more than 2,500 GRAM has already reached Egor's wallet. He never asked for anything. The community chose to give back, not because anyone had to, but because it simply felt right. The trenches have always rewarded builders. This time, we're making sure one of Telegram's greatest creators gets the flowers he deserves while he's here to see them. That's the heart of $EGOR. Ofc, it's not just another ticker. It's a community giving back to the man who gave us so much. Much love, Egor. โค๏ธ
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Replying to @JakeGagain
Return to memes. Are you ready, @JakeGagain?
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
K-O-T-E Among the hundreds of documented projects in Egor Zhgun's portfolio, one began with perhaps the most unusual brief of them all. Let's talk about Kote. Most design projects begin with constraints. A client arrives with research, technical requirements, market positioning, and a clear understanding of what they're trying to build. The designer's job is to translate all of that into a visual language. Kote began almost the opposite way. In late 2021, an anonymous client approached Art. Lebedev Studio to develop the name and identity for a proposed digital medium of exchange centred around cats. Before the work started, the studio naturally wanted to understand the thinking behind the idea. They asked a simple question. "Why cats?" The reply made its way into the official project description. "Why with cats? - Just because. Everyone loves kitties, it's cool." And that was essentially it. No explanation of the technology. No roadmap. No discussion about where the medium would be used or how it differed from existing digital assets. The studio openly acknowledged that many of those details simply weren't provided. For most designers, a brief this vague would almost invite clichรฉ. Draw a cat, add a playful typeface, maybe wrap it inside a coin, and call it a day. That isn't what happened. Egor Zhgun, credited as both the art director and designer, approached the problem from a completely different angle. Rather than making a cat the centrepiece of the identity, he made the typography do the work. The project was named Kote, using a familiar Russian slang word for "cat." Working alongside type designer Alexey Malkov, Zhgun arranged the letters K, O, T, and E inside a strict geometric composition. Look closely and the word quietly transforms into the face of a cat. No separate symbol nor mascot. The logo carries the entire idea by itself. It's the sort of solution that doesn't ask for attention. Instead, it rewards attention. That restraint also made the identity highly adaptable. Whether reduced to a tiny favicon, displayed across a website, or applied to physical products, the mark keeps its structure and remains immediately recognisable without relying on decorative effects. The identity was officially presented by Art. Lebedev Studio on 20 December 2021. The story didn't end there. On 2 October 2023, the studio unveiled the official Kote website, expanding the project into a complete digital experience. Zhgun continued as art director, carrying the same design language into the interface. Dark backgrounds, disciplined layouts, geometric composition, and carefully controlled typography created a website that felt like a natural extension of the original identity rather than a separate piece of work. Whether Kote ultimately evolved into a widely used digital asset isn't what makes this project worth studying. The portfolio tells a different story. It shows how an experienced design team responded to uncertainty. Faced with a brief that offered almost no practical information, they resisted the temptation to overcomplicate it. Instead, they identified the one idea that was certain and built everything around it. Looking across Egor Zhgun's work, that's a pattern worth paying attention to. The industries are different. The audiences are different. Sometimes he's helping explain quantum computing. Other times he's designing for public infrastructure. Here, the challenge was a mysterious concept built around cats. Completely Different problems. Consistent thinking. That's probably the most interesting thing about his portfolio. It isn't tied together by one visual style. It's tied together by a design process that adapts to whatever problem lands on the desk. Kote just happens to be one of the clearest examples.
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
For years, we've celebrated the creations. Now we're celebrating the creator. Creator fees sent to Egor Zhgun's public wallet have now reached 1,796.5 GRAM. Not through a single payment. But transaction by transaction. Trade by trade. To us, this represents far more than a number on the blockchain. It's a community choosing to recognise the artist whose work has become part of Telegram's identity. For years, Egor Zhgun has given Telegram characters that people use every day, illustrations that communities rally around, and designs that have helped shape the culture of the ecosystem. Just as Egor helped shape the culture, the community has chosen to shape a new way of showing appreciation. A model where every trade can become a small tribute to the creator behind the culture. The creator fees are not an obligation. They are a gesture of respect from people who genuinely value the legacy Egor continues to build. Every transaction carries the same message: "Thank you, Egor." Today, the amount stands at 1,796.5 GRAM. Tomorrow, it may be be more. Not because anyone is owed it. But because appreciation grows alongside the community. This is more than creator fees. It's a community giving back to someone whose work has given so much to Telegram. Much love, Egor Zhgun. And this is only the beginning. $EGOR
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Before Millions Knew Egor Zhgun, He Was Solving Very Different Design Problems. Today, most people recognize Egor Zhgun through Telegram. His name is often associated with expressive sticker packs, memorable characters, and political animations that have reached audiences far beyond Russia. But that is only one chapter of his career. For years, Egor worked at Art. Lebedev Studio, where the creative challenges looked very different. Instead of designing for internet culture, the studio was solving branding, industrial design, editorial, and corporate identity projects for clients across a wide range of industries. One of those projects was Bleximo. Based in Berkeley, California, Bleximo develops application-specific quantum computing processors. It operates in one of the most technically demanding areas of modern computing, where the technology itself is often difficult to explain to people outside the field. That presented a design challenge. How do you build an identity for a company whose work most people cannot immediately understand? Art. Lebedev Studio chose not to rely on the familiar visual language of the technology industry. There are no glowing circuit boards. No generic atoms. No futuristic symbols designed simply to look "high-tech." Instead, the identity is built around the Sakai spinning top. At first glance, it appears to be a simple geometric mark. Its meaning becomes clearer once you understand the concept behind it. The spinning top is known for its unusual rotational behaviour and was chosen as a visual metaphor connected to the principles of quantum mechanics. Rather than decorating the brand, the symbol helps communicate the field in which the company operates. The same thinking continues throughout the project. Supporting graphics intentionally incorporate pixel-based patterns that reference the earliest generations of classical computing. Instead of using pixelation as nostalgia, the identity places today's quantum technology within the longer history of computing itself. The website follows the same philosophy. Interactive details subtly reflect the unpredictable nature of quantum systems, while simple visual comparisons help visitors understand highly technical concepts without requiring an engineering background. Nothing feels accidental. Every major design decision serves the same objective: making a difficult subject easier to understand. Projects like Bleximo reveal an important part of Egor @Zhgun's professional journey. Long before many people discovered his personal work, he was developing inside a studio where research came before aesthetics and ideas came before decoration. Whether the subject was public infrastructure, editorial illustration, corporate identity, or digital communication, the process remained remarkably consistent. Understand the problem. Find the essential idea. Communicate it as clearly as possible. Those principles are easy to recognize throughout Egor's later work. A sticker communicates an emotion almost instantly. An animation condenses years of history into a few minutes. A corporate identity helps explain one of the world's most advanced technologies without overwhelming its audience. Different projects. Different audiences. The same way of thinking. That consistency is one of the strongest threads running through Egor @Zhgun's career. His legacy was never built on a single viral project. It was built on the ability to make complex ideas feel remarkably simple.
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Couldn't have said it better. ๐Ÿ‘Œ That's exactly what great character designers do. Baby Yoda already had a personality. Egor figured out how to translate that personality into a language people could use every day. A look. A gesture. A tiny change in expression. Suddenly, people didn't need words anymore. That's much harder than simply drawing a popular character. Anyone can copy a face. Very few can make it communicate. That's what Egor did.
Replying to @egorzhguncoin
Love this ๐Ÿ‘Œ Egor taught baby yoda how to speak
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Replying to @CrashiusClay69
Ethereum already has its defining memes. Solana already has its defining memes. Every major ecosystem eventually reaches a point where its cultural icons are already established. The GRAM ecosystem is still writing that story. Right now, $EGOR sits at the center of one of its strongest narratives. Egor Zhgun's creations have become the leading cultural meta across the GRAM ecosystem, and attention around the creator continues to grow. That's what makes this stage interesting. The biggest opportunities rarely appear after everyone agrees. They appear while the story is still being written. If the GRAM ecosystem grows into its next chapter, don't be surprised if $EGOR is one of the names people point back to as where the culture began. Care early. Or study it later.
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Muh'd Faisal ๐Ÿ’ŽTON๐Ÿ’Ž retweeted
Some animations reveal everything the first time you watch them. 12 Years of Putin in 2 Minutes does the opposite. The more closely you watch, the more it reveals. What first appears to be a fast-moving political cartoon gradually becomes a carefully constructed timeline built from historical references, visual metaphors, and background details that are easy to miss at normal speed. The television. The printer. The portraits. The people entering and leaving the office. Almost every element contributes to documenting a moment from modern Russian history. That is why the animation continues rewarding repeat viewings years after its release. Watch it again. You will almost certainly notice details that escaped your attention the first time.
The Cartoon That Compressed Twelve Years of Russian History Into Two Minutes by Egor Zhgun. In March 2012, just days before Russia returned to the polls for one of its most consequential presidential elections, a short animation quietly appeared online. It lasted only two minutes. There was no narration. No long political speeches. No walls of text explaining elections, wars, protests, oligarchs, or constitutional changes. Instead, almost everything unfolded inside a single office. That animation was "12 Years of Putin in 2 Minutes," created by Egor Zhgun. At first glance, it feels almost playful. Familiar cartoon characters move across the screen while a cheerful visual style softens the atmosphere. But that first impression doesn't survive for long. Frame after frame, the office begins filling with references to real political events, each one replacing lengthy explanations with visual metaphors that can be understood almost instantly. One creative decision sits at the center of the entire animation. Rather than inventing new fictional characters, Egor borrowed personalities that millions of people already knew. Vladimir Putin appears as Mr. Burns from The Simpsons. Dmitry Medvedev becomes Waylon Smithers. The choice does more than create humor. Mr. Burns has spent decades representing wealth, authority, control, and ruthless ambition. Smithers has become equally recognizable as the endlessly loyal subordinate. Those identities already exist in the audience's memory. Instead of spending valuable seconds introducing political personalities, the animation allows viewers to understand the relationship before either character performs a single action. It is one of the simplest decisions in the film. It is also one of the smartest. Almost everything that follows happens inside the same office. The camera rarely leaves. The desk never moves. History does. One event replaces another without interrupting the flow. Politicians enter and disappear. Television screens change. Security cameras quietly multiply. The room gradually becomes heavier, more controlled, and increasingly difficult to escape. Without changing locations, the animation gives the impression that an entire political era is unfolding before the viewer's eyes. Some of its most memorable moments are easy to miss. The sinking submarine resting inside an aquarium references the Kursk submarine disaster. Oil tycoon Mikhail Khodorkovsky briefly appears before being locked inside a cage, reflecting one of Russia's most significant confrontations between political power and private wealth. When Dmitry Medvedev assumes the presidency in 2008, Smithers temporarily occupies the central position, but Mr. Burns never truly disappears from the room. Power appears to change hands, yet the animation quietly suggests something else is happening beneath the surface. These moments arrive quickly. Some remain on screen for only a few seconds. Together, they form a visual timeline that rewards repeated viewing. The closer the viewer looks, the more history begins to emerge from the background. As the years progress, the atmosphere changes almost without notice. Bright colors give way to darker tones. The office becomes increasingly crowded. Surveillance equipment expands. The outside world begins pressing against the windows. By the time the story reaches the protests surrounding the 2011โ€“2012 elections, white ribbons drift across the scene while crowds gather beyond the glass, transforming the office from an ordinary workplace into something much more claustrophobic. The soundtrack reinforces that transition. Rather than relying on dramatic dialogue, the animation is carried by "Everything Is Going According to Plan," the iconic protest song written by Soviet punk musician Egor Letov. The music quietly accompanies the changing political landscape, adding another layer of meaning without interrupting the visual storytelling. Perhaps the most remarkable aspect of the project is how much information fits inside such a short runtime. Most historical documentaries rely on interviews, narration, maps, and archival footage. This animation relies on recognition. Recognition of cartoon characters. Recognition of symbols. Recognition of historical moments. Every shortcut saves time. Every saved second creates room for another event. That economy of storytelling is what makes the animation feel surprisingly dense despite lasting only two minutes. Its impact extended well beyond social media. The video attracted millions of views, while publications such as Meduza and Radio Free Europe/Radio Liberty later published scene-by-scene breakdowns explaining many of the historical references hidden throughout the animation. What appears simple on first viewing reveals a far more carefully constructed historical archive when examined frame by frame. More than a decade after its release, "12 Years of Putin in 2 Minutes" remains one of the clearest examples of how animation can simplify political history without reducing its complexity. Instead of asking viewers to study twelve years of events separately, Egor @zhgun arranged them into a sequence of images that continues to communicate long after the final frame disappears.
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