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Australia
Joined September 2024
the video's good, the live version is better office.tavus.io: take a jelly bean, knock on the ceo's door, post your tavus turbo score. top speed is 186 so no excuses. @tavus
I asked Claude to build an office for the @tavus PALs... I was not expecting it to build THAT kind of office
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kieran Drew retweeted
I asked Claude to build an office for the @tavus PALs... I was not expecting it to build THAT kind of office
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thought heygen was just avatars, so this caught me off guard
script based editing is live in HyperFrames Studio edit long-form and scripted videos from the script itself auto speech cleanup takes out the pauses and ums for you then click any word and ask for a motion graphic right at that moment get started ↓
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kieran Drew retweeted
script based editing is live in HyperFrames Studio edit long-form and scripted videos from the script itself auto speech cleanup takes out the pauses and ums for you then click any word and ask for a motion graphic right at that moment get started ↓
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kieran Drew retweeted
Tom Tykwer is bringing Seedance into a live-action workflow. It’s not about making a whole film with AI; it’s about finding a place for these tools alongside the footage already being shot.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Tom Tykwer working with Seedance on live-action footage got me thinking about how filmmakers decide which new tools are actually worth using. New technology is one thing, but finding a way to make it work in a real production is another.
🤝 Paid partnership
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
It’s still early, and Tykwer is just one example, but I’m curious to see how much control he actually has when working with Seedance.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
With Tykwer using Seedance, I’m interested to see how much of the final result comes down to his creative choices versus what the model gives him.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Tom Tykwer is bringing Seedance into a project involving live-action footage. I'm not taking this as proof that filmmaking is about to change overnight, but it's a concrete example of an established director exploring Al in his work
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Shot-to-shot continuity is where AI video gets tricky. Tykwer’s work with Seedance could show how well it handles the details from one shot to the next.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Tom Tykwer using Seedance got me thinking about how AI fits into filmmaking. I don't think it has to replace existing workflows. It’s more about figuring out where it actually helps.
🤝 Paid partnership
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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The shoot is only one part of making a film. There's still editing, visual work, and plenty of decisions before the final cut. Tom Tykwer's work with Seedance puts AI into that broader filmmaking picture.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
The shoot is only one part of making a film. There's still editing, visual work, and plenty of decisions before the final cut. Tom Tykwer's work with Seedance puts AI into that broader filmmaking picture.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Seedance can produce some impressive visuals, but how well can creators get it to match what they have in mind? That’s what I’d like to see.
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
The shoot is only one part of making a film. There's still editing, visual work, and plenty of decisions before the final cut. Tom Tykwer's work with Seedance puts AI into that broader filmmaking picture.
🤝 Paid partnership
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Keeping a room looking the same across shots can be tricky with Al video t'll be interesting to see how Seedance handles that with Tykwer's footage
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
Seeing how Seedance fits into a Tyver's workflow is more interesting than another demo of what Al video can do
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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kieran Drew retweeted
🚨 BREAKING: Google Gemini Can Now Plan, Script & Edit Entire Videos in One Conversation! Stop wasting hours on complicated timelines, endless revisions, and manual editing. Here are 7 powerful Gemini prompts to simplify your entire video creation workflow — from idea to final edit. Fllowe me:@Faizu_Coder
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kieran Drew retweeted
THIS IS INSAAAAANE! Google Gemini can now edit your videos and create amazing content better than CapCut in seconds. Use these prompts right now. 👇👇 (📌 Your next viral video edit starts here. Save it.) Fllowe me:@Aurora_TechAI
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kieran Drew retweeted
Every Al video looks great until you ask for a small change, so I'm curious what happens when Tom Tykwer starts handing Seedance notes.
🤝 Paid partnership
What happens when a stage play meets AI filmmaking? 🎬 In BytePlus’s Next Frame, Run Lola Run director Tom Tykwer, director and playwright Bonn Park, and producer Sarika Hemi Lakhani explore Volcano High, their collaborative AI filmmaking experiment.
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