
Writer of comics, dreamer of dreams. One of the 48%, one time Ghost City Comics Finalist and co-founder of @Write_In_Time
London, England
Joined January 2016
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Ed Mottram Breeze retweeted
I painted a Moonknight variant cover. Thanks for the opportunity @UltimateComics
I just backed The Hoards of Surrey - Part Two on @Kickstarter kickstarter.com/projects/824…
Sometimes you read an article and there's a line in there that's crying out to be a whole story - theguardian.com/us-news/2021…
Ed Mottram Breeze retweeted
Hey! Support the wedding of two non-binary queers by buying a commission from me! I’m trying to raise funds for our wedding this year, so if you’d like to help and get some cool art for it, click the ko-fi link provided below! Please RT!
I'm in.
2021 10K Challenge website is live!
platformcomics.com
#makecomics
Defining silhouettes is the first step in good monster design, he said. “Then you start playing with movement. The next element of design is color. And then finally—finally—comes detail. A lot of people go the other way, and just pile up a lot of detail.”
Ray Harryhausen, ‘Whenever you think of a creature, think of a lion—how a lion can be absolutely malignant or benign, majestic, depending on what it’s doing. If your creature cannot be in repose, then it’s a bad design.’
It's raining. Not as relaxing as this rain from @illustration315 , but close: facebook.com/illustration315…
Ed Mottram Breeze retweeted
“It's creative, unique and fun which is what comics is supposed to be about.” @lianakangas said that about God-Puncher, and you should listen to her because she’s only the best! kickstarter.com/projects/lan…
Ed Mottram Breeze retweeted
I coloured all them pinks good so pledge today!
Here’s a page from my HALF PAST DANGER story for the Christmas Special Kickstarter, now with stunning colours by @Treestumped! Delighted with how my story has turned out. You can get it for just €10 or more with some great rewards, just 6 days left!
kck.st/33qZeEK
Some early-50s Bill Gaines covers for Weird Science and more. Lurid. I love 'em. theguardian.com/artanddesign…

















