Cine Todo El Tiempo. Like: https://xitter.cf/t.co/ge2xBTHsT1 Shop: https://xitter.cf/t.co/2CNpVmdf9A Síguenos: https://xitter.cf/t.co/b3Yv9zg3aY

Iberoamérica desde México
Joined June 2010
¿Te gusta el cine clásico? HAY MILES DE PELÍCULAS CLÁSICAS DISPONIBLES LEGAMENTE Y GRATIS. Sebastián De Toma, editor de El Cronista, ha creado esta joya. Filmoteca Clásica es un catálogo de (por ahora) más de 2.700 películas de 1930 a 1970, todas verificadas y disponibles. Con pósters, sinopsis, filtros por género, década, país de producción y un botón "Sorprendeme" para cuando no sabés qué ver. De momento el catálogo cubre cine estadounidense y británico: film noir, westerns, comedias, dramas, épicas, cine Pre-Code. Cada entrada fue verificada cruzando la duración y el título del video contra los datos de IMDb, descartando trailers, escenas sueltas y copias incompletas. Pruébala: filmotecaclasica.com/
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On this day, 19 years ago, we lost two of the greatest filmmakers of all time- Ingmar Bergman & Michelangelo Antonioni. Ingmar Bergman on Michelangelo Antonioni: "Antonioni has done two masterpieces, you don't have to bother with the rest. One is 'Blow-Up' (1966), which I've seen many times, & the other is 'La Notte' (1961), also a wonderful film, although that's mostly because of the young Jeanne Moreau." Michelangelo Antonioni on Ingmar Bergman: "Ingmar Bergman is a long way from me, but I admire him. He, too, concentrates a great deal on individuals; & although the individual is what interests him most, we are very far apart. His individuals are very different from mine-but he's a great director." Clips from: La Notte (1961) & Persona (1966)
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Llegó el gran día. 💚 Comienza la Copa del Mundo en nuestra casa. Y con ella, un nuevo capítulo en la historia de México. 🤍 Gracias, Incondicionales, por acompañarnos siempre. Por creer, por alentar y por soñar junto a nosotros. ❤️ Hoy no juega solo una Selección. Hoy juega todo un país. ¡Vamos juntos, México! 🙌🏻 #SomosMéxico 🇲🇽
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Jorge Rafael Videla, presidente de la Junta Militar de Argentina, líder de la dictadura, y Henry Kissinger, Secretario d Estado de EEUU, y amigo cercano de Videla, visitaron el vestidor de Perú previo a su juego vs Argentina en el que los locales debían ganar por dif. de 3 goles.
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“Visitantes que se han sentido como en su propia tierra, tratados con afectuosa hospitalidad, podrán ahora testimoniar sobre la realidad de nuestra patria, deformada por una abierta campaña internacional”. Rafael Videla Argentina’78, la historia paralela youtu.be/IJdCyBr4MEU
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En PERSÉPOLIS, Satrapi muestra la situación política d Irán durante el reinado del Sha Reza Pahlevi. Los padres d la niña (Marjane) son comunistas q viven bien pero están hartos d la corrupción y excesos del régimen. Añoran un cambio aunque sea con los ayatola, en 79. ¿Les suena?
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Merci, Marjane, merci.
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Prize winners swarm the stage as Penelope Cruz cheers from the orchestra seats #Cannes
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‘Fjord’ directed by Cristian Mungiu starring Sebastian Stan and Renate Reinsve wins the Palme d’or #Cannes
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“Put an end to this carnage,” ‘Minotaur’ director Andrey Zvyagintsev tells Putin in #Cannes speech
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Zoe Saldaña and Demi Moore announce Grand Prix for Minotaur #Cannes
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Pawel Pawlikowski accepts shared best director prize for Fatherland #Cannes
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Penelope Cruz congratulates directors of La Bola Begra Javier Ambrossi and Javier Calvo who shared best director prize with Fatherlabd’s Pawel Pawlikowski #Cannes
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Jury Prize winner Valeska Grisebach for The Dreamed Adventure #Cannes
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‘The Dreamed Adventure’ wins Jury Prize in #Cannes Keep up with winners live here: deadline.com/2026/05/cannes-…
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Virginie Efira and Tao Okamoto share best actress for ‘All of a Sudden’ in #Cannes. They make their way from seats to the stage
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Emmanuel Marre wins best screenplay for ‘A Man Of His Time’ in #Cannes
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The two actors from ‘Coward,’ Emmanuel Macchia and Valentin Campagne share the best actor prize in #Cannes
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Rwandan drama ‘Ben’Imana’ just made history at the #CannesFilmFestival after winning the Caméra D’Or for best first film. Read our interview with Marie-Clementine Dusabejambo, where she talks about directing Rwanda’s first Cannes title and how Haile Gerima and Lee Isaac Chung helped to launch her career deadline.com/2026/05/beniman…
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Gaspar Noé explains the reason he used Cocaine while filming "Irreversible" (2002): "Most of the movie, I was doing the camera, it was a handheld camera. And I’m not proud of this but — I’m not a cokehead, I get allergic — but there were some members of the crew that were doing coke and when the camera has to go up the stairs, down the stairs and turn around, at a point, my arms were hurting and my friends on the set were giving me coke. And you feel strong and you feel like a superhero, you run up the stairs and turn the camera. I was really happy that helped me achieve the scene. But after two days of shooting up the stairs and down the stairs and turning the camera, I’m not a strong man at all but the camera was very heavy. I had done such a muscular effort that the moment this spell of cocaine was over, the pain started and I could not even raise a glass of vodka.[laughs]" ("Why Gaspar Noé Directed on Cocaine, Masturbated in His Own Film and Shot a Live Birth", Tarek Shoukri, Indiewire, 2015) P.S: On this day, 24 years ago, "Irreversible" (2002) was released in France & India.
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