EnclaveEmily on YouTube. Your favourite rant provider (possibly) | Portuguese | 1999 | CEO Of Cheating | Fallout fan | ✝️ https://xitter.cf/t.co/njAYiSCIsx

Navarro Outpost
Joined January 2022
I yearn for the love that malfoid represents.
Didn't have much time but I wanted to make something. #malfoid
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EnclaveEmily retweeted
drive.google.com/drive/folde… Here you will find Book 2 of the Malfoid Saga in full. The Girl with the Diary. In DocX, PDF, Epub, and Elevenreader. I only ask that any translated versions and any audio and video content please include the link to my patreon in the book
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I want a Malfoid of my own. Not the person, but the story. It hurts.
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I watched this video on stream. It is virtually every single stereotype you, chud, are thinking of right now. "Oh but is it..." yes. Yes it is. The only thing missing is a mini-essay on "cis hetero normative linguistic coding". Still, I am not kidding when I say their video could have been 5 minutes long and stayed the same. Instead, it's 81 minutes of coping and seething along with contradictions on a 20 second basis. Dreadful video. I cast Crucio on this N-..Mudblood.
Acting like Petra parker isn't a self insert
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EnclaveEmily retweeted
#malfoid beginning arc op is peak (English ver) 💚 (Thank you 1k follower!!)
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Can we ratio this guy with a Malfoid wedding post Also, artists can you PLEASE sign your stuff more so I can tag you easier 😭😭
#Malfoid es el ejemplo perfecto de cuanto daño puede hacer la pornografia en los hombres. 🧵 No se limita a “respetar el canon” o como han descaracterizado a Draco Malfoy. Si no de lo que realmente representa esta personaje y su comunidad.
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You mean the one where people have been giving the female character more importance to the plot than her canonical male version, even to the point of having her help Harry defeat Voldemort in a combined spell? Are you against women helping out in the final battle?
Probably the one that isn't a mysoginistic sexualization of an underaged character
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EnclaveEmily retweeted
Idk how people feel about Jordan Peterson, but I remember something he brought up in his 2017 Maps of Meaning lectures, specifically Lecture 02: Marionettes & Individuals (Part 1), that I think is particularly relevant to the Malfoid Movement. He was talking about Disney's Pinocchio and how the animators might have gone about creating the story. He described the process as something like this: one person proposes an idea, and the others dismiss it because something about it just doesn't feel right. Then another person comes up with a different idea, and suddenly everyone agrees that it works. And this process repeats itself until they eventually arrive at a story that everyone feels is right. The interesting thing is that they don't necessarily know WHY one idea works while another doesn't. They just intuitively recognize and understand that something about it feels right, even if they can't explain exactly why. And I think we're witnessing something very similar with the Malfoid Movement. Take, for example, the idea of Harry and Malfoid holding the wand together during the final battle. Why is it that so many people independently gravitate toward this particular scene? On the surface, you could argue that it's simply because it makes for a cool fight scene. And sure, that's certainly part of it. But I think there's something much deeper going on. Somewhere in our subconscious, we recognize the emotional and symbolic significance of that moment. Two characters who began as enemies, who have gone through years of conflict, suffering, and personal growth, finally standing together against the very evil that once divided them. It's not simply about two people holding a wand. It's about everything that brought and lead them to that moment. And that's why I find it so fascinating that people can independently arrive at similar ideas without necessarily being able to explain why those ideas work so well. There's something almost intuitive about the entire creative process, where people collectively recognize the emotional truth of a scene before they can even put it into words. And that's precisely why I find it so silly when people dismiss Malfoid as nothing more than childish fun or some unserious genderbender trend. Because when I see all of this unfolding, with people independently developing similar themes, relationships, and emotional conclusions, I can't help but think that these critics genuinely have no idea what they're looking at. They see the surface and assume that's all there is. They don't even seem to understand, let alone fathom, the underlying narrative mechanisms that make Malfoid work in the first place. And that's what makes this movement so interesting to me. It's not simply that people are creating stories, but that they're collectively discovering what makes a particular story feel meaningful.
One of the most important things you learn as you grow older is that there isn't always one universally right answer, especially when it comes to personal beliefs, tastes, and how people see the world. And I think one of the clearest signs of immaturity is the inability to understand this. People who haven't really grown up tend to have this strange idea that once you become an adult, you have to act like one at all times. You can only enjoy serious, grown-up things, and God forbid you ever pick up a fantasy book, enjoy an adventure tale, or find something beautiful in a story written for children. Because apparently, that's cringe, and you should be ashamed of yourself. But isn't that itself an incredibly childish way of thinking? And this isn't exactly some new observation. Even C.S. Lewis once wrote: "When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up." It's an impressively simple quote, and one that most people can easily understand. But actually taking it to heart is an entirely different matter. And I think this is extremely relevant to the Malfoid Movement. To understand why, you first need to recognize that the beautiful, timeless values of Western culture aren't things you can only acquire by reading history books or cultural criticism. You don't need a textbook to teach you about chivalry, honor, loyalty, courage, or romance. These values are present in countless stories, whether they're written for adults or children. And in many ways, stories can teach these values far more effectively than any textbook ever could. Because there's a difference between intellectually understanding that loyalty is a virtue and actually experiencing what loyalty means through a character you've grown to love. There's a difference between reading about the importance of courage and watching someone you care about find the strength to stand against despair. And there's certainly a difference between being told that love is beautiful and actually feeling that beauty through a story. You aren't merely being told what these values are in a literary analysis textbook. You're experiencing them emotionally through the characters. And that's precisely where I think a lot of these critics completely miss the point. They look at Malfoid and see nothing more than a genderbent Draco Malfoy, a silly romantic fanfiction, or some childish internet trend. And because that's all they see, they dismiss the entire thing as something beneath them. But the problem is that they're judging the cover without ever bothering to understand the values underneath it. Which brings me to my actual point. Malfoid can simultaneously be something that isn't particularly important in the grand scheme of things and one of the most important things ever. Which is why I brought up the idea that "there isn't always one universally right answer." These two statements aren't necessarily contradictory. Will the Malfoid Movement have the same cultural influence as The Lord of the Rings, or even Harry Potter itself? Probably not. And frankly, it doesn't need to. Because its importance doesn't necessarily come from how many books it sells, how many awards it wins, or whether literary critics eventually decide to recognize it. Its importance comes from what people actually take away from it. A young person might encounter Malfoid simply because they find the character cute or enjoy the romance between her and Harry. But through that relationship, they might discover something much more meaningful. They might come to appreciate loyalty, forgiveness, devotion, sacrifice, or the courage it takes to love someone despite everything standing in the way. And perhaps, years later, when that same person decides to write a story of their own, those values will still be there, influencing the characters they create and the stories they choose to tell. And also if even a fraction of the younger generation carries those values with them into adulthood, then I would argue that the Malfoid Movement has already accomplished something genuinely worthwhile. So why do people take Malfoid seriously? It's not because they're stupid or immature. Maybe it's simply because some are actually more grown-up than others or have better EQ, so they can see through the cover and appreciate the value instead of being a stunted man-child who can only like things that society deems "acceptable to a man."
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Five hundred and twenty-nine (529) pieces of Malfoid content (art, writings, animations, videos, etc). I've long since lost track of what belongs to whom, and some of the things in there are videos I downloaded for personal re-viewing offline. If I should take something down due to it being inappropriate to share in this manner, please tell me immediately. Regardless, I hope you enjoy. drive.google.com/drive/folde…
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Tsundere Tuesday, anyone?
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EnclaveEmily retweeted
The Mirror of Erised: The Life Dracaena Malfoy Wanted It was late at night when Dracaena returned to the abandoned classroom. She told herself she was merely curious about the Mirror of Erised. Then she saw Harry. Dracaena: ...Harry? In the mirror, Harry wore Slytherin robes. Green and silver suited him surprisingly well, and he stood beside her reflection, holding her hand. Mirror Harry: Come on, love. We're going to be late. Mirror Dracaena: Honestly, Potter, you're insufferable. Mirror Harry: And yet you love me. Mirror Dracaena: ...Unfortunately. Harry kissed her forehead, and she smiled. Dracaena stared in disbelief. The vision changed. They were sitting together in the Great Hall, Harry stealing food from her plate while she threatened to hex him. Another moment showed them studying in the library, Harry asleep against her shoulder as she gently brushed his hair aside. Then she saw them beside the Black Lake. Mirror Harry: I love you, Dracaena. Mirror Dracaena: ...I love you too, idiot. She pulled him into a kiss. The real Dracaena pressed her hand against the glass. Dracaena: I want that. She had spent years insulting Harry, pretending he was nothing more than an irritating boy. But here, there was no need to lie. Dracaena: I want him to hold my hand. I want him to annoy me every morning. I want him to look at me like that. Her eyes began to water. The mirror showed them again, older now, standing together with wedding rings on their fingers. Mirror Harry: You're stuck with me forever. Mirror Dracaena: How unfortunate. Mirror Harry: You love me. Mirror Dracaena: ...Unfortunately. She kissed him. Dracaena covered her mouth. Dracaena: ...Married? For once, she had no sarcastic remark. She simply watched their imaginary life unfold, from stolen kisses to quiet evenings together. Hours passed, but she couldn't bring herself to leave. Dracaena: Please... She touched the glass. Dracaena: Please let this be real. Mirror Harry smiled and reached for her. Mirror Harry: Dracaena? Come here. She reached back. Her fingers met cold glass. Dracaena: ...Oh. He wasn't real. None of it was real. She lowered her head, tears slipping down her cheeks. Dracaena: Just once, I wish I could have this. Yet she stayed, watching the boy she loved choose her again and again. Because inside that mirror, Harry was hers. He loved her. He chose her. And for a few precious hours, Dracaena Malfoy could pretend that the boy she loved might one day love her back. Finally, she stood and looked at him one last time. Dracaena: ...Goodnight, Harry. She rested her forehead against the glass. Dracaena: I'll come back tomorrow. And with one last fragile smile, she left the classroom, carrying a dream she couldn't bear to abandon.
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EnclaveEmily retweeted
Malfoid - "I Really Wanna Stay at Your House" by Rosa Walton (Edgerunners). Inspired by creators like @AzratemES and @aidenguoai #Malfoid #HarryPotter #Anime #Hogwarts
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happy malfoid monday to those who celebrate
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IT'S MALFOID MONDAY
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I require 57 pieces of Malfoid art, animations, or .pdf files of Malfoid writing for science.
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"Harry's very first sign of magical ability is speaking parseltongue to a snake and setting it free from a cage, forshadowing freeing a Slytherin from her life of familial imprisonment" I think I just had a heart attack
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Post Malfoid right now, Mudblood.
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Here, I will start.
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