Turn voices into stories. By @FishAudio

Joined March 2026
Fish Creative retweeted
stop writing "realistic, 4k, cinematic" in your AI video prompts i made this in @FishCreativeHQ with one rule: describe the weather, the camera and the microphone like a real phone recording. here's the full breakdown + the exact prompt i used πŸ‘‡
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Wrong girl to mess with. Seedance 2.5 on @FishCreativeHQ Prompt THE WAREHOUSE ASSASSIN HUNT β€” TELEKINETIC FURY FORMAT: 30 seconds | 16:9 widescreen | 4K | 24 FPS | Ultra-photorealistic live-action | Hollywood blockbuster | Korean martial arts action | Supernatural telekinetic combat VISUAL STYLE Create an extraordinarily intense, ultra-photorealistic live-action action sequence combining brutal, fast-paced Korean martial arts choreography with spectacular Hollywood supernatural combat. The fight must feel dangerous, aggressive, physically grounded, and relentlessly energetic. Every attack has convincing momentum. Every punch and kick has believable physical impact. Telekinetic powers produce enormous environmental destruction without looking cartoonish. CINEMATOGRAPHY: ARRI Alexa 35 realism, 24mm and 35mm anamorphic lenses, aggressive low-angle tracking shots, rapid whip-pans, dynamic handheld movements, wide-angle combat choreography, sudden camera push-ins, realistic motion blur, cinematic depth, natural human skin textures, visible pores, realistic sweat, and physically accurate lighting. Maintain clear spatial continuity and coherent choreography. Use fast camera movements without making the action unreadable. No artificial CGI-looking humans, no plastic skin, no anime, no exaggerated slow motion, no excessive neon effects. CHARACTER IDENTITY LOCK MAIN HEROINE β€” @image (12) A striking woman @image (12) . Preserve the exact facial identity, hairstyle, skin tone, facial proportions, body proportions, and recognizable appearance of Image 1 throughout the entire sequence. Her hair remains consistent throughout, becoming slightly disheveled during the fight. Personality: Fearless, cold, calculating, exceptionally intelligent, and dangerously calm. She is an extraordinarily skilled martial artist who secretly possesses overwhelmingly powerful telekinetic abilities. She never screams or panics. She fights with precision, efficiency, and complete confidence. TELEKINETIC POWER SIGNATURE: Whenever she activates her powers, her irises develop a subtle electric-pink glow. The glow is concentrated within her natural irises, not across her entire eyes. Her telekinesis is invisible. Objects move through an unseen force rather than colorful magical beams. Environmental indicators include trembling metal objects, vibrating shelving units, swirling dust, loose screws rising into the air, and subtle pressure distortions. Her powers are activated through minimal finger movements, controlled wrist gestures, and intense eye contact. ENEMY CHARACTERS @Image Eight professional adult assassins wearing distinct dark tactical clothing. Black fitted tactical jackets, charcoal cargo trousers, protective gloves, combat boots, and lightweight protective vests. Their faces remain distinguishable. They are highly trained, aggressive, physically capable, and coordinated. Some attack with punches, kicks, and grappling techniques. Others carry short metal batons. Their movements must feel like authentic professional stunt choreography rather than random fighting. ENVIRONMENT An enormous abandoned industrial warehouse during late afternoon. High steel-truss ceilings, dusty concrete flooring, rusted overhead pipes, enormous metal storage shelves, stacked wooden shipping crates, tall towers of empty cardboard boxes, hanging chains, steel worktables, industrial tool racks, old forklifts, scattered metal equipment, and broken windows. Strong shafts of warm daylight enter through dirty skylights, illuminating airborne dust. Cool industrial shadows contrast with warm sunlight. The warehouse is vast, giving the camera room to capture spectacular wide-angle action. 00:00–00:04 β€” THE HUNT BEGINS Open with an aggressive handheld tracking shot following the heroine as she runs between towering warehouse shelves. Heavy boots echo against the concrete floor. Three assassins emerge from behind stacked crates, cutting off her escape. A fourth attacker suddenly lunges toward her from the side. She instantly ducks beneath his punch, pivots on one foot, and delivers a powerful spinning kick to his chest. He flies backward into a stack of empty cardboard boxes. The boxes explode outward. Without hesitation, she turns toward the remaining attackers. Camera rapidly pushes toward her determined expression. 00:04–00:08 β€” THE BRUTAL CLOSE-QUARTERS FIGHT Two assassins charge simultaneously. The heroine blocks the first attacker's punch, strikes his torso with a sharp elbow, and executes a fast spinning back kick. The second attacker swings a metal baton toward her head. She bends backward to avoid the strike. The baton passes inches above her face. Her eyes briefly flash electric pink. The baton suddenly stops moving in midair. With a tiny flick of her fingers, she sends it flying across the warehouse, embedding it into a wooden crate. The attacker freezes in disbelief. She immediately drives a powerful kick into his chest. Camera follows the impact with a fast lateral tracking movement. 00:08–00:12 β€” THE INVISIBLE FORCE Three more assassins rush toward her from different directions. One attacker leaps from a low shipping crate. The heroine raises her left hand. The airborne attacker abruptly freezes, suspended horizontally above the concrete floor. Her electric-pink irises glow subtly. She rotates her wrist. The suspended man spins sideways and crashes into a pile of empty cardboard boxes. A second attacker attempts to grab her from behind. Without turning around, she telekinetically throws him backward into a padded stack of packing materials. The third attacker stops, visibly terrified. The heroine slowly turns toward him. Her expression remains emotionless. 00:12–00:16 β€” THE WAREHOUSE STARTS TO TREMBLE The remaining assassins regroup near a massive steel worktable. They surround the heroine in a semicircle. One attacker shouts: "WHAT THE HELL ARE YOU?" She doesn't answer. Extreme close-up of her face. Her eyes develop a beautiful, subtle electric-pink glow. The camera slowly pushes closer. A tiny metal screw begins vibrating on the floor. Then another. Loose wrenches, bolts, screwdrivers, steel chains, and small metal tools begin rattling across nearby worktables. The assassins exchange frightened looks. The entire warehouse fills with the sound of vibrating metal. 00:16–00:21 β€” THE METAL STORM The heroine slowly raises both hands. HUNDREDS OF LOOSE METAL TOOLS SUDDENLY LEVITATE INTO THE AIR. Wrenches, screwdrivers, steel bolts, loose chains, nuts, metal brackets, and industrial tools rise from every corner of the warehouse. The objects form a gigantic, violently rotating vortex around the heroine. Camera executes a spectacular 360-degree orbit around her. The metallic storm spins faster and faster. Sparks burst from occasional collisions between the floating objects. Dust spirals upward from the concrete floor. Her hair and clothing move naturally in the turbulent air. She stands completely motionless at the center of the storm. Her eyes glow electric pink. The assassins stagger backward, shielding their faces. 00:21–00:26 β€” THE DEVASTATING TELEKINETIC SHOCKWAVE The assassins make one final desperate attempt to charge her. The heroine sharply closes both hands into fists. The rotating metal storm instantly freezes. Absolute silence for half a second. She whispers: "Wrong girl." Then she violently thrusts both arms outward. AN ENORMOUS INVISIBLE TELEKINETIC SHOCKWAVE EXPLODES THROUGH THE WAREHOUSE. All remaining assassins are launched backward simultaneously. They fly across the concrete floor and crash into enormous stacks of empty cardboard boxes. The boxes collapse in spectacular cascading waves. Loose papers, dust, packing foam, and cardboard fragments erupt into the air. Steel shelving units shake violently. The suspended metal tools shoot outward into empty storage racks and wooden crates, away from the attackers. Camera captures the destruction in a massive low-angle wide shot. The heroine remains completely untouched at the center. 00:26–00:30 β€” THE ICONIC FINAL WALK A thick cloud of dust slowly settles across the destroyed warehouse. The assassins lie defeated among scattered cardboard boxes and packing materials. The heroine lowers her hands. The remaining suspended tools gently fall to the concrete floor with metallic clattering sounds. Her eyes gradually return to their natural color. She calmly adjusts her sleeve and begins walking toward the warehouse exit. One defeated assassin looks up and whispers: "Impossible..." Without looking back, she makes a tiny gesture with two fingers. A heavy metal warehouse door swings open by itself. She walks through it into bright afternoon sunlight. FINAL FRAME: Wide cinematic rear shot of the heroine walking away while the destroyed warehouse remains behind her. Cut to black. SOUND DESIGN Intense cinematic percussion, deep sub-bass impacts, aggressive martial arts punches, heavy bootsteps, metal scraping, chains rattling, flying tools, collapsing cardboard boxes, powerful shockwave bass, realistic environmental echoes, and a restrained electric hum whenever her telekinesis activates. Music builds progressively toward the metal-storm climax. At 00:21, briefly remove the music before the final devastating shockwave. No narration, no subtitles, no text overlays, no watermark. STRICT GENERATION RULES Preserve the heroine's exact facial identity, hairstyle, outfit, and body proportions throughout. Maintain realistic human anatomy, accurate hands, and coherent combat movements. Every strike must have believable physical contact and momentum. Keep telekinetic abilities invisible except for environmental movement and subtle electric-pink irises. No giant pink laser beams, glowing hands, magical symbols, or exaggerated auras. Metal objects must rotate around the heroine without striking her. Keep all characters spatially consistent within the warehouse. Avoid duplicate attackers, disappearing objects, and inconsistent injuries. No graphic gore or visible blood. The heroine must remain calm, fearless, and overwhelmingly powerful. Prioritize intense close-quarters fighting, spectacular telekinetic destruction, and expensive Hollywood blockbuster realism.
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Fish Creative retweeted
She fell, but the fits never did. The Fall Collection understood the assignment. From one unexpected fall to five killer looks, created with Seedance 2.5 on @FishCreativeHQ . Seamless outfit transitions, cinematic autumn vibes, and fashion that never misses. Fall season? More like slay season.
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Fish Creative retweeted
She did not use her superpowers this time. Seedance 2.5 on @FishCreativeHQ Prompt TITLE: THE WRONG GIRL TO MESS WITH Create a 30-second ultra-photorealistic live-action video recreating the visual atmosphere, character dynamics, escalating confrontation, and spontaneous physical action of the reference video. VISUAL STYLE Authentic viral street footage filmed with a handheld smartphone. Natural human skin textures, visible pores, imperfect framing, realistic body movements, spontaneous reactions, natural outdoor lighting, subtle camera shake, occasional autofocus adjustments, slight motion blur, and believable physical interactions. The footage must feel like a real confrontation unexpectedly captured by a friend, not a polished Hollywood production. No artificial CGI appearance, no exaggerated martial arts, no unrealistic gravity, no slow motion, no beauty filters, no cinematic color grading. LOCATION A peaceful public pedestrian walkway beside a river or lake in a green urban park. A black metal safety railing runs alongside the water. Large leafy trees line the opposite bank. Gray hexagonal paving stones cover the pathway. Soft late-afternoon daylight illuminates the scene. The background remains consistent throughout. CHARACTER IDENTITY LOCK MAIN HEROINE β€” 22-year-old rebellious street-style woman Light skin with realistic texture and natural imperfections. Light-brown/blonde hair tied into a messy bun, with loose strands around her face. Black baseball cap. Oversized faded black graphic T-shirt with one shoulder exposed. Beige pleated mini skirt. Red-and-black plaid shirt tied around her waist. White crew socks and colorful chunky sneakers. Black shoulder bag decorated with small colorful pins and badges. Silver hoop earrings, layered necklaces, and multiple bracelets. Confident, rebellious, fearless personality. Initially looks bored, irritated, and uninterested in confrontation. MALE ANTAGONIST β€” 23-year-old young man Tall, slim build. Messy curly dark-brown hair. Gray oversized zip-up hoodie. Black graphic T-shirt underneath. Loose dark cargo trousers. Gray-and-white chunky sneakers. Initially smug, mischievous, and provocative. Becomes visibly surprised and panicked when the girl retaliates. Maintain identical faces, hairstyles, clothing, accessories, and body proportions throughout every shot. 00:00–00:04 β€” The Peaceful Opening Begin with a medium handheld shot of the heroine standing casually beside the black metal railing overlooking the water. She leans against the railing with one arm, looking away from the camera with a bored expression. Her black shoulder bag hangs naturally against her side. Behind her, the young man approaches along the pathway, watching her with a mischievous expression. The camera subtly reframes to include both characters. Natural outdoor ambience: birds, distant footsteps, gentle wind, and water. 00:04–00:09 β€” The Provocation The young man approaches the girl and starts teasing her. He reaches toward her black baseball cap and suddenly snatches it from her head. Her messy bun and loose hair strands become visible. He holds the cap in one hand, teasingly raising it away from her reach. The girl turns sharply toward him, visibly annoyed. He smirks and casually waves the cap. She steps closer and demands her cap back. Dialogue β€” Girl: "Give it back." Dialogue β€” Boy: "Come and get it." Use natural conversational delivery, believable lip synchronization, and spontaneous facial reactions. 00:09–00:13 β€” The Situation Escalates The boy continues teasing her and keeps the cap out of reach. She reaches toward it, but he pulls his hand away. He laughs confidently. The girl's expression changes from irritation to cold determination. She suddenly makes a quick, forceful movement toward him, startling him and knocking him off balance. His confident smile disappears. The camera operator reacts with a quick handheld jolt. 00:13–00:18 β€” The Unexpected Counterattack The boy stumbles backward, bending forward as he tries to regain his balance. The heroine immediately moves toward him. She advances aggressively, forcing him to retreat along the walkway. Her plaid shirt swings around her waist, her shoulder bag bounces naturally, and her sneakers grip the pavement. The boy looks genuinely shocked by her sudden confidence. Use quick, imperfect camera tracking, realistic footwork, natural body weight, and believable momentum. 00:18–00:24 β€” The Chaotic Chase The confrontation becomes a brief, frantic chase along the riverside path. The boy turns and runs, clutching the stolen cap. The girl charges after him without hesitation. The camera follows with energetic handheld movement, momentarily losing perfect framing as both characters move quickly. Capture their rapid footsteps, fabric movement, startled expressions, and the boy's frantic attempts to escape. No superhuman strength or exaggerated cartoon movements. 00:24–00:27 β€” The Sudden Escape The boy sprints out of the foreground, leaving the girl behind. She stops near the railing and turns toward the camera. Her breathing is slightly elevated. Loose strands of hair fall around her face. She adjusts her bag and stands firmly with her feet apart. 00:27–00:30 β€” The Fearless Final Pose Finish with a dramatic but natural low-angle handheld shot of the heroine standing alone on the riverside walkway. She looks directly toward the camera with an unimpressed, fearless expression. Her colorful sneakers, beige skirt, plaid shirt, black graphic T-shirt, jewelry, and messy hair remain clearly visible. The black railing, green trees, river, and distant city skyline form the background. Hold the final composition for approximately two seconds. She gives a subtle dismissive look, as though the entire confrontation was nothing worth worrying about. End abruptly, like an authentic viral smartphone clip. CAMERA INSTRUCTIONS Vertical 9:16 smartphone footage. 24 FPS with natural motion blur. Handheld camera operated by a nearby friend. Medium shots and occasional low-angle compositions. Slight camera shake during sudden movements. Quick reactive pans during the confrontation. Natural autofocus adjustments. Realistic exposure changes. No artificial cinematic stabilization. No unnecessary cuts or impossible camera movements. AUDIO Natural environmental sound, realistic dialogue, footsteps, clothing rustling, surprised breathing, and subtle ambient park noise. No background music, voice-over, subtitles, or text overlays. STRICT NEGATIVE PROMPT No CGI-looking humans, no plastic skin, no excessive beauty smoothing, no unnatural fighting poses, no teleportation, no character duplication, no changing outfits, no inconsistent faces, no extra limbs, no distorted hands, no floating accessories, no unrealistic body movements, no artificial slow motion, no exaggerated expressions, no video-game aesthetics, no neon lighting, no dramatic movie soundtrack. MOST IMPORTANT: Preserve the spontaneous, provocative, rebellious energy of a real street confrontation. The tension should escalate naturally from a small act of teasing into a sudden, unexpected retaliation, ending with the heroine confidently standing her ground.
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Fish Creative retweeted
The most expensive pumpkin of her life @FishCreativeHQ Prompt VISUAL STYLE: Hyper-realistic viral celebrity moment captured outside an exclusive luxury fashion event at night. Raw handheld smartphone footage, bright paparazzi flashes, natural camera shaking, realistic human movements, spontaneous crowd reactions, authentic skin textures, dramatic physical destruction, believable gravity, and realistic object collisions. No artificial CGI appearance, no cartoon physics, no slow motion. SETTING: Outside a luxurious five-star hotel at night. A glossy babypink Rolls-Royce is parked directly in front of the entrance. A crowd of elegantly dressed guests, photographers, security guards, and excited spectators surrounds the vehicle, recording everything on their phones. On the hood of the Rolls-Royce stands a spectacular, enormous pyramid-shaped tower constructed from hundreds of small, bright-orange pumpkins, carefully stacked in symmetrical tiers. Each pumpkin is a real, solid miniature pumpkin with natural ridges, stems, and realistic textures. The structure looks impressive but extremely unstable. ACTION SEQUENCE: 0–3 seconds β€” The Dangerous Approach The camera captures the glamorous woman standing beside the babypink Rolls-Royce. She notices the enormous pumpkin tower stacked on its hood. Without hesitation, she lifts her gown slightly and confidently steps onto the car's front bumper, then climbs onto the hood in her high heels. Photographers immediately turn their cameras toward her. 3–5 seconds β€” Picking the Pumpkin Standing elegantly on the glossy babypink hood, she @[Image 1](image_1) reaches toward the enormous pumpkin pyramid. She carefully grabs one bright-orange pumpkin from the middle of the structure and pulls it out. For a brief moment, the entire tower remains standing. 5–9 seconds β€” The Catastrophic Collapse Suddenly, the pumpkin tower loses its balance. Hundreds of pumpkins begin falling in a spectacular chain reaction. The upper tiers collapse onto the lower tiers, sending pumpkins bouncing, rolling, and crashing across the hood. Several pumpkins smash against the car, splitting open and scattering orange pulp, seeds, and fragments across the glossy black surface. Other pumpkins tumble onto the pavement as spectators scream, gasp, laugh, and jump backward. The handheld camera shakes violently as the person filming reacts to the unexpected destruction. 9–13 seconds β€” The Iconic Ending The woman remains standing confidently on the car, completely unbothered by the destruction. She holds the single pumpkin she successfully picked, raises it slightly toward the cameras, and gives a mischievous smile. Hundreds of fallen pumpkins surround her feet. She casually looks directly into the camera and says: "I just wanted one pumpkin." The crowd erupts into laughter and shocked reactions. CAMERA REQUIREMENTS: One continuous handheld paparazzi-style shot, medium-wide framing, natural camera shake, aggressive camera flashes, realistic night exposure, no cinematic transitions, no artificial slow motion. PHYSICS REQUIREMENTS: Pumpkins must behave like real solid objects, with convincing weight, momentum, collisions, rolling, bouncing, and breaking. The tower must collapse progressively after she removes the supporting pumpkin. NEGATIVE PROMPT: No wine glasses, no champagne, no glass tower, no floating pumpkins, no duplicated limbs, no distorted hands, no unrealistic body movement, no CGI-looking people, no cartoon effects, no teleportation, no scene changes, no text overlays, no watermark.
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Fish Creative retweeted
Imagine being so dangerous that even explosions are just background effects. Seedance 2.5 @FishCreativeHQ Prompt VISUAL STYLE Ultra-photorealistic Hollywood blockbuster cinematography. A dramatic nighttime explosion sequence featuring a mysterious young woman walking calmly toward the camera while a massive fireball erupts behind her. Realistic fire simulation, powerful shockwaves, thick smoke, flying debris, atmospheric lighting, cinematic contrast, natural skin textures, and realistic human movement. Cool blue nighttime tones contrast with intense orange flames. CHARACTER IDENTITY LOCK A striking 24-year-old woman with long, straight pastel-pink hair and soft bangs framing her face. Pale natural skin, delicate facial features, and a cold, emotionless expression. OUTFIT: A fitted rainbow-striped long-sleeve turtleneck shirt underneath faded light-blue denim short overalls, with a front bib pocket and adjustable shoulder straps. Red bands around both upper thighs. Barefoot. Preserve her exact face, hairstyle, outfit, body proportions, and accessories throughout the entire video. SETTING An isolated, empty two-lane asphalt road at midnight. The road is slightly wet, reflecting the overhead streetlights. A faded yellow centerline stretches into the distance. Evenly spaced modern streetlights illuminate both sides of the road, disappearing into the darkness. No vehicles, pedestrians, or surrounding buildings. CAMERA One continuous frontal tracking shot. The camera moves backward at exactly the same speed as the woman, maintaining a centered, full-body composition. Smooth stabilized movement with subtle natural cinematic motion. 35mm lens, shallow atmospheric depth, realistic lighting, and high dynamic range. ACTION TIMELINE 00:00–00:02 β€” THE MYSTERIOUS WALK The woman walks barefoot directly toward the camera along the center of the deserted road. She casually holds a cigarette near her lips, takes a final drag, and maintains a completely emotionless expression. Her long pastel-pink hair moves gently in the nighttime breeze. 00:02–00:04 β€” THE IGNITION She lowers her hand and continues walking without looking backward. A sudden bright blue-white flash illuminates the road far behind her. A small cloud of smoke begins expanding rapidly in the background. 00:04–00:06 β€” THE MASSIVE EXPLOSION A gigantic orange fireball violently erupts behind the woman, filling the entire width of the road. The explosion expands upward into a towering mushroom-shaped cloud of flames and black smoke. Powerful shockwaves push dust and debris outward. Bright orange firelight illuminates the woman's pink hair, denim overalls, and the reflective asphalt. She never turns around, flinches, or changes her walking speed. 00:06–00:08 β€” THE UNTOUCHABLE WALK The woman continues walking directly toward the camera with complete confidence. Behind her, enormous flames roll across the road while thick smoke rises into the night sky. The explosion creates dramatic orange rim lighting around her silhouette. Her hair sways gently from the displaced air. Her facial expression remains cold and completely indifferent. 00:08–00:10 β€” THE FINAL HERO SHOT The camera continues tracking backward as she approaches slightly closer. Burning wreckage and towering flames remain visible behind her. She walks steadily toward the lens, looking straight ahead with an intimidating, expressionless gaze. End on a powerful cinematic shot of the woman perfectly centered against the enormous burning background. SOUND DESIGN Quiet nighttime ambience, soft barefoot footsteps against asphalt, subtle cigarette inhale, sudden explosive ignition, enormous deep bass explosion, roaring flames, rushing air, and falling debris. STRICT REQUIREMENTS One uninterrupted tracking shot. No cuts, no camera angle changes, no slow motion, no dialogue, no subtitles, no text overlays. The woman's face and clothing must remain perfectly consistent. The explosion must remain behind her, never engulfing her. Physically convincing fire, smoke, lighting, and debris. No cartoon effects, no artificial-looking CGI humans, no facial distortion, no duplicated limbs.
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Fish Creative retweeted
Found this tape in a gas station dumpster on Halloween night. Werewolves, skeletons, a witch on a lawnmower, and one very unbothered devil with a shotgun. πŸŽƒπŸ”₯ Made by @FishCreativeHQ Prompt in the comments πŸ‘‡
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Fish Creative retweeted
Desert comedy gone wrong πŸ˜‚ One Puffin Underarm Sweat Pad later… the puddle is gone. Super absorbent. All-day protection. Made on @FishCreativeHQ using Seedance 2.5
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Made with GPT Image 2 and Seedance 2.5 on @FishCreativeHQ Missed the train, caught the feeling. Lip-sync in the metro, then Paris at night. Prompt in the comments πŸ‘‡
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Fish Creative retweeted
the ocean stopped being a screen for a second visuals in seedance 2.5, all the sound and voice made using @FishAudio πŸ‹
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this is claude opus 5.5 + fish creative mcp doing camera work no drone was anywhere near those cliffs how i did it πŸ‘‡
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Lost in the beauty of Istanbul, wishing this moment could last forever. Created with seedance 2.5 on @FishCreativeHQ Prompt: Cinematic AI Video Prompt (with English Lipsync):A beautiful young East Asian woman with long flowing black hair, soft natural makeup, and a gentle smile, wearing a white cropped top and loose beige shorts with an open white shirt, exploring Istanbul in a high-end cinematic travel vlog style. She speaks naturally in English with clear lip movements matching the dialogue. Golden hour and soft daylight lighting, shallow depth of field, smooth cinematic camera movements, filmic color grading with warm tones, subtle lens flares, and realistic textures. Consistent character throughout. Dialogue (English lipsync): Close-up with microphone: β€œStop… I’m gonna cry.” Walking selfie in the square: β€œThis place is unreal… I can’t believe I’m actually here.” Inside the mosque looking up: β€œLook at this… it’s so beautiful.” Galata Tower and ferry: β€œGolden hour in Istanbul hits different.” Street market and cafe: β€œJust walking around, soaking it all in.” Sunset by the water: β€œThis is the kind of moment I never want to end.” Sequence: Close-up of her speaking into a fuzzy microphone with Hagia Sophia softly blurred in the background Dynamic selfie-style walk through the busy square in front of the Blue Mosque and Hagia Sophia Low-angle shot inside a grand mosque as she looks up at the massive ornate domes and arches Elegant shot of her leaning on a railing at Galata Tower during sunset, hair blowing in the wind Ferry ride on the Bosphorus with Galata Tower and the city skyline behind her Walking through a charming Istanbul street market, adjusting her open shirt Warm cafe close-up of her holding a white coffee cup Final golden sunset portrait by the water with illuminated mosques in the background, ending with a wide night shot of the glowing skyline across the water Ultra realistic, 4K, cinematic travel vlog aesthetic, natural movement, consistent character, accurate English lip sync, dreamy and emotional atmosphere. Shorter version: Cinematic travel vlog of a young East Asian woman with long black hair exploring Istanbul at golden hour. She speaks in English: β€œStop… I’m gonna cry. This place is unreal… I can’t believe I’m actually here. Look at this… it’s so beautiful. Golden hour in Istanbul hits different. Just soaking it all in… this is the kind of moment I never want to end.” Scenes include Hagia Sophia, Blue Mosque, inside the mosque, Galata Tower, ferry, street market, cafe, and sunset by the water. Soft natural lighting, warm filmic color grade, smooth camera movement, realistic, consistent character, accurate lip sync
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Beauty routine, even at the end of the world. πŸ’„πŸ–€ Created with Seedance 2.5 on @FishCreativeHQ
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I just created a AAA game using @FishCreativeHQ x @FishAudio Prompt πŸ‘‡
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What if you could see what Da Vinci NEVER painted? I went INSIDE The Last Supper using Seedance 2.5 in @FishCreativeHQ PromptπŸ‘‡ upload the painting image as first frame and use this video prompt [First-Frame.png] Create a 20-second vertical 9:16 image-to-video film, using the supplied image as the exact first frame and matching final frame. One continuous camera journey through the room, with macro detail, a gradual emotional reveal, an orbit behind the central figure and a seamless return. Build the supplied scene as complete 3D geometry while preserving its Renaissance oil-painted appearance. The table stands in real space, the tablecloth drapes over its edges, the food and vessels sit on its surface, and every figure has a fully dimensional body beneath their robes. As the camera passes around them, reveal the sides and rear surfaces hidden from the opening viewpoint. Retain the original brushwork, warm earthy colours, soft daylight and expressive faces. IDENTIFY AND PRESERVE THE FIGURES The central figure sits at the middle of the table. He has long wavy brown hair, a full brown beard and downcast, calm eyes. He wears a deep red robe with a rich blue mantle draped across his left shoulder and lap. His right hand rests palm-down on the tablecloth at the left of the frame; his left hand lies open, palm-up, beside a small glass of red wine. To his right (left of frame) sits a young apostle with long golden-brown hair, a green mantle over a red garment, his sorrowful gaze turned toward the centre. In front of him, a balding older man with a dark beard, wearing red and blue, leans in with a pointing gesture. A partly visible figure with curly hair sits at the far left edge. To his left (right of frame) a man with thick black curly hair and a dark beard, in a blue robe, turns to speak with a grey-bearded elder in an olive-green robe at the right edge, who raises both hands in an open, questioning gesture. Keep every pose, gesture, gaze direction and costume exactly as in the reference. No figure moves. THE ROOM AND TABLE A dark coffered wooden ceiling. A grey back wall with three tall windows opening onto a sunlit Tuscan landscape of blue hills, cypress trees, terracotta villas and a bell tower. Dark blue and gold damask panels on both side walls. A long table covered in white linen with a visible grid of fold creases, hanging almost to the floor. On it: scattered bread rolls and crumbs, pewter plates, a central plate of fish, the small glass of red wine, a bowl of green olives, a plate of red and green grapes at the right, a blue-and-white decorated bowl with bread at the left, and a dark glazed ceramic jug at the far left. Wooden trestle legs and the hems of robes are visible below the cloth. 0–3 SECONDS β€” ENTER OVER THE BREAD Begin on the exact supplied image for approximately half a second. The camera then flies forward into the room and descends toward the bread roll resting on the tablecloth just left of centre. Pass macro-close above it. Reveal the roll's rounded volume, cracked golden crust, flour-dusted ridges and the small crumbs scattered around it, each casting a tiny shadow on the linen. The nearest crust passes softly out of focus beneath the lens as the camera glides on. The tablecloth has physical relief: woven threads, raised fold creases and shallow dips where objects press into it. The bread falls behind the moving camera while the central figure stays fixed farther into the room. This changing perspective establishes real depth immediately. 3–7 SECONDS β€” GLIDE ACROSS THE TABLE TO THE WINE Travel low and smoothly across the linen toward the centre of the table, skimming past the rim of the fish plate. Reveal the plate's worn pewter edge, its curved depth and the painted fish resting inside. Continue to the small glass of red wine. Curve partly around it at macro distance, revealing the thickness of the glass, the flat surface of the wine, and daylight from the windows refracting through it as a soft red glow on the cloth. The glass crosses the near foreground, the open palm-up hand appears just beyond it, and the back wall shifts more slowly behind. Maintain forward momentum throughout. 7–10 SECONDS β€” RISE ALONG THE OPEN HAND AND MANTLE Rise past the open hand, revealing the gentle curve of the fingers, the creases of the palm and its weight resting on the cloth. Continue upward along the blue mantle where it falls across his lap and left shoulder. Travel close to the fabric without touching it. Show the painted texture, the deep blue folds as dimensional surfaces: raised crests catch the window light, undersides fall into shadow, and the red robe shows beneath the mantle's edge. The blue fabric passes beside the lens as his face comes into view above. 10–13 SECONDS β€” REVEAL THE CENTRAL FACE Curve inward and slightly upward toward his face. Approach a close view of his lowered eyes, calm brow, nose and the soft strands of his beard and hair. Preserve the exact face from the reference. Reveal the three-dimensional shape of the cheekbones and brow, and the subtle painted texture of the skin, fully connected to his neck and shoulders. Ease the camera's speed for approximately one second while continuing a gentle sideways drift. Let the stillness and quiet sorrow register. He does not move; the emotion comes from discovering the expression already present in the painting. 13–17 SECONDS β€” ORBIT BEHIND HIM TO THE WINDOW Continue past the outside of his face, over his blue-draped left shoulder, and orbit smoothly behind him into the narrow space between his back and the central window. Reveal the back of his long wavy hair, the rear folds of the blue mantle and red robe, and the thickness of his shoulders beneath the fabric. His shoulder passes close beside the lens as a soft foreground shape. Turn gently to look past him through the central window: the sunlit Tuscan hills, cypresses and villas gain real depth, the far hills hazy and the near trees sharper. Then continue the arc so the view swings back over his other shoulder, revealing from behind the backs of the apostles' heads, the young apostle's green mantle, and the whole table spread out before them toward where the viewer began. 17–20 SECONDS β€” RETURN TO THE ORIGINAL COMPOSITION Rise and retreat in one smooth arc over the table, passing above the grey-bearded elder's raised open hands at the right, then curving back onto the opening camera axis. Reveal all figures again in their exact positions. The bread, plates, wine glass, olives, grapes, decorated bowl and ceramic jug settle back onto the table as in the supplied image. The coffered ceiling, three windows and damask walls realign with the frame. Gently decelerate into the exact opening viewpoint, lens perspective, framing and lighting. End on a frame matching the supplied image so the next repetition flows directly into the opening movement. CAMERA, STYLE AND CONTINUITY Use one uninterrupted physical camera path: over the bread, across the table to the wine, up the open hand and blue mantle, to the central face, around behind him to the window, back over his shoulder and out to the original wide composition. Use natural motion blur and shallow depth of field during macro passes. Transfer focus smoothly to the next detail along the route. Foreground objects pass the lens because the camera moves around them; no figure changes pose, blinks, speaks or moves toward the camera. Maintain one coherent room with stable geometry and consistent warm daylight from the windows. Hidden surfaces belong to the existing figures, clothing, table and walls and match their visible design. Preserve the oil painting's brushwork, canvas texture and colour at every scale. No cuts, crash zooms, dissolves, flat canvas flyovers, wall-relief effects, scene morphing, additional people, new props, extra food, text or watermark.
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Fish Creative retweeted
British market street. One against ten. Made with Seedance 2.5 on @FishCreativeHQ
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One palm over the lens and she’s a whole new girl πŸŽ€ Created with Seedance 2.5 on @FishCreativeHQ Prompt: TITLE: "Blush Switch": Heart Knit Makeup Transition FORMAT: 16:9 horizontal, 15 seconds, ultra-realistic live-action, photorealistic beauty transformation, cozy bedroom selfie-POV cinematography. NO AUDIO, no music, no voice, no sound design. Rhythm comes purely from visual timing so music can be added in editing. REFERENCES Image A (bare-face start frame) is the first frame. Image B (glam look) is the reference for everything after the transition. Both show the same woman: keep her face, eye color, features, skin tone and hair exactly as shown. No identity drift. CHARACTER LOCK Young adult woman with long copper-ginger hair and soft rose-pink streaks (two face-framing strands on each side of the curtain bangs, plus streaks through the lengths). The pink streaks stay visible in EVERY shot, before and after the transition. The pink is a muted rose-pink, matte, never glowing, never neon. OUTFIT LOCK Before: oversized cream cotton loungewear top. After: loose, soft, modest high-neck knit sweater in pastel pink and cream with many small scattered heart motifs, long sleeves, fully opaque, not tight, no cutouts. SETTING Cozy aesthetic bedroom, morning light: cream bedding on a bed, floral pillow, a cream plush toy on the pillow, polaroids on the wall, a trailing plant, a round gold-framed mirror, dried flowers in a glass vase, a warm-white table lamp, soft golden window light. Palette: cream, blush pink, pearl, warm beige. The setting is identical in every shot. HAND AND BODY RULES (strict) Exactly two arms and two hands in frame at all times. Only one hand is active at a time while the other rests still in her lap or on the bedding. No object is held except the plush toy in one shot. Every hand has five natural fingers. Hands never overlap her face in a way that hides it for longer than a moment, except during the lens cover. TIMELINE 0:00–3:00 | Bare Face (matches Image A) Close selfie POV, shot from a low angle as she lies propped on the bed. Her left arm holds the camera, showing only the sleeve and forearm at the lower-left edge of the frame, with no extra hand. Bare face, natural skin with faint freckles, bare lips, a messy cream claw-clip bun with loose strands and pink streaks around her face. She blinks slowly with sleepy eyes, wrinkles her nose in a tiny sniff, and nudges a loose pink strand off her cheek with the back of her right hand. Her eyes find the camera and she gives a soft, shy half-smile. She slowly raises her right palm toward the lens. 3:00–4:00 | Transition: Palm Cover Her palm fills the whole lens (a clean dark-skin-tone frame). On a sharp snap the hand pulls away and the look has changed instantly: Image B's glam Douyin makeup, hair half-up in soft waves with a small side braid and pearl pins, the pastel heart knit sweater. She is now sitting upright on the bed and the camera is steady as if propped on a stand, with no selfie arm in view. A soft warm-white light flicker covers the cut, with no sparkles. The face and pink streaks stay identical. 4:00–7:00 | Beauty Reveal (matches Image B) She rests her cheek on her right hand, fingers softly open, as in Image B. She does a slow blink to show the champagne eyelid shimmer and curled lashes, then gives a gentle closed-lip smile. With her left fingertips she lifts the side braid slightly to show the pearl pins and pink streaks, then lets it fall. A slow push-in shows the glass skin, peach-pink blush and glossy rose lips. 7:00–10:00 | Playful Gestures Camera eases back to half-body. Her left index finger draws a small heart in the air toward the camera while her right hand rests in her lap. She then presses both index fingers lightly into her cheeks in a dimple pose with a bright smile, then lowers them and places one finger to her lips in a playful "shh" gesture with a sparkling look. Soft, natural, unhurried movement. 10:00–13:00 | Plush Peek-a-Boo She reaches with her right hand, picks up the cream plush toy from the pillow, and hugs it against the heart sweater. She hides half her face behind the plush, peeks over its top with just her eyes and pink bangs visible, giggles silently, then lowers it to reveal a full smile. Her left hand stays relaxed on the bedding. 13:00–15:00 | Final Beat She sets the plush down beside her, tucks a pink strand behind her ear with her right hand, leans slightly toward the camera and softly taps the lens with one fingertip with a laugh. She pulls back into a calm, warm smile and holds. The last frame holds on her face and the heart sweater for a clean ending. CAMERA 0:00–3:00 handheld selfie POV with a gentle natural shake. After the transition, a steady propped camera with only slow push-ins and pull-backs. Close-up to half-body, shallow depth of field, soft focus pulls. A single continuous angle in the same room, no mirror shots, no cutaways. COLOR GRADE Soft cream, blush pink, pearl white and warm beige. Natural, airy, warm golden light, no harsh saturation. NEGATIVE PROMPT No audio, no music, no subtitles, no text overlays, no watermark, no extra hands, no third hand, no extra arms, no duplicated limbs, no extra fingers, no deformed hands, no merged fingers, no identity change, no face distortion, no missing pink streaks, no hair color change, no neon colors, no neon lights, no glowing hair, no oversaturated glow, no revealing clothing, no transparent fabric, no tight clothing, no flickering, no morphing background, no changing room layout, no unnatural movement, no slow transition, 16:9 only.
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She didn’t just run for herself. She ran for every woman who dared to dream bigger, break barriers, and change the game. Created with MiniMax H3 on @FishCreativeHQ Prompt: Shot 1 (0–5s) Image Prompt: Close-up profile portrait of a confident Black woman with a voluminous 1970s afro hairstyle and elegant gold hoop earrings. She faces sideways with a powerful, determined expression. Deep, dark background with warm city bokeh lights, dramatic warm rim lighting along her hair, face, and shoulders. Rich amber and brown tones, vintage 1970s New York atmosphere, cinematic film grain, analog photography texture, realistic skin details, sophisticated retro aesthetic, photorealistic. Video Motion Prompt: Slow cinematic push-in toward the woman's face. She remains still and composed, with subtle eye movement as she looks into the distance. Warm city bokeh lights gently flicker in the background. Audio: 1970s-inspired vintage funk music with a warm bassline, rhythmic drums, and analog recording texture. --- Shot 2 (5–9s) Image Prompt: A stylish Black woman sitting in the back seat of a vintage 1970s car, wearing sophisticated retro clothing and gold accessories. She opens a small red handbag on her lap. Classic New York City streets and vintage buildings are visible through the car window. Medium shot, eye-level camera, realistic vintage car interior, soft natural daylight, subtle background motion blur, muted retro colors, Kodak-style film grain, cinematic storytelling, photorealistic. Video Motion Prompt: The camera remains fixed inside the car as the woman naturally opens the red handbag. She briefly looks down at the bag with concentration, then looks forward. The car moves gently through the city, with passing buildings visible through the window. Voice-over: β€œIn the 1970s, New York streets were my track. I was a young woman running.” Audio: Vintage funk music continues softly beneath the female narration. --- Shot 3 (9–13s) Image Prompt: A confident Black woman carrying a small red handbag while walking alone through a vintage parking lot in 1970s New York. Classic vintage cars are parked in the background. Strong sunlight creates dramatic geometric shadows across the concrete ground. She wears elegant retro street fashion with an upright, determined posture. Wide shot, high-angle camera perspective, deep depth of field, warm analog film tones, high-contrast lighting, subtle film grain, authentic 1970s cinematic aesthetic, photorealistic. Video Motion Prompt: The woman walks steadily and confidently across the parking lot, carrying the red handbag at her side. The camera remains fixed at an elevated angle. Her hair and clothing move subtly in the breeze as sunlight casts strong geometric shadows across the scene. Voice-over: β€œAgainst the tide, people stared, whispered, β€˜What’s she doing out here?’” Audio: Vintage funk music continues with subtle ambient city and parking-lot sounds. --- Shot 4 (13–16s) Image Prompt: A powerful Black woman wearing a vintage gold athletic tank top, running directly toward the camera on a busy 1970s New York City street. She has a determined expression, natural athletic movement, and a strong physical presence. The background features pedestrians, classic cars, storefronts, and vintage urban architecture, softly blurred with shallow depth of field. Medium shot, eye-level camera, warm sunlight, golden highlights, cinematic 1970s film aesthetic, analog grain, rich warm colors, photorealistic. Video Motion Prompt: The woman runs directly toward the camera with powerful, determined strides. Her hair moves naturally with each step, and her clothing responds realistically to her movement. Background pedestrians and street activity remain softly blurred. She keeps her eyes focused forward without slowing down. Voice-over: β€œBut I kept going.” Audio: The vintage funk rhythm becomes slightly more energetic. --- Shot 5 (16–20s) Image Prompt: Two confident Black women standing side by side on an outdoor tennis court, wearing stylish 1970s-inspired floral athletic outfits and holding classic tennis rackets. They stand proudly, representing friendship, solidarity, and mutual support. Chain-link fences and large red-brick urban buildings characteristic of 1970s New York fill the background. Low-angle wide shot, strong upright posture, deep depth of field, bright natural sunlight, warm vintage film tones, subtle analog grain, rich earthy colors, authentic retro sports fashion, cinematic composition, photorealistic. Video Motion Prompt: Both women stand confidently side by side, subtly adjusting their posture and exchanging a brief supportive glance. A gentle breeze moves their hair and clothing naturally. They hold their tennis rackets throughout the scene as warm sunlight highlights their faces. The camera remains fixed at a low angle, emphasizing their confidence and presence. Voice-over: β€œFor myself. For my sisters. For our future.” Audio: Vintage funk music builds toward a powerful cinematic ending.
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Nano Banana 2.1 doesn’t forget your subject. Same face, any scene, sharper details, up to 4K. And a lower price than Banana 2. Try it now on Fish CreativeπŸ‘‡
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