Powder is like petticoat and grey hags hoddy-doddy. So I sit naked upon my goat and show a strapping body. A narcoleptic ginger.
Ossuary Oasis
Joined September 2022
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ₛₐɳƚₐ ₛₐₙGᵣₑ ₛₜₑₚₕᵢₑ ♀ ﾒ𝟶 retweeted
🇳🇴 Сегодня в норвежском лесу встретил такого огромного, очень пушистого и мяукающего царя зверей!!!
Мне кажется он тут явно главный, шутки с ним не шутят
ₛₐɳƚₐ ₛₐₙGᵣₑ ₛₜₑₚₕᵢₑ ♀ ﾒ𝟶 retweeted
In Mark Tansey’s oil painting, a woman in evening gown, hands on hips, waits impatiently as her escort fumbles with the keys for an overgrown pillared gate (The Key, 1984). The lighting is stark, almost photographic. Oddly, the gate recalls Ghiberti’s 15C Gates of Paradise
ₛₐɳƚₐ ₛₐₙGᵣₑ ₛₜₑₚₕᵢₑ ♀ ﾒ𝟶 retweeted
The Night Mother loves #Halloween! Lucien Lachance & friend are ready to give out some candy. Beware the apples! #Oblivion #FunSized
ₛₐɳƚₐ ₛₐₙGᵣₑ ₛₜₑₚₕᵢₑ ♀ ﾒ𝟶 retweeted
Y'all would love eso if y'all weren't dicks about ESO
If TES6 isn't truly ethereal, then I don't want it.
I want TES to feel set apart from other fantasy games. How it was intended from the beginning. The games got dumber and dumber, and so did the setting as a whole.
Don't get me wrong, Oblivion and Skyrim are fantastic games that gave us a lot of material but;
TES was once about esoteric concepts and larger-than-life forces. I want wheels within wheels. Grand stories of the towers, of the cycle of wakefulness. Creation and uncreation, infinites within finites.
Bleeding hearts of dead and outcast gods. The struggles of mortality and divinity.
Perhaps not in pure gameplay- or most ceraintly definitely not, but rather the existence of. The feeling of deeper, darker, larger things.
Maybe in 6 we'll see the Thalmor be more than background boogeymen. Please, Bethesda, explore the metaphysicality that makes The Elder Scrolls actually different.
Oh and make the Dark Brotherhood not shit again, please. Hail sithis, or something.
ₛₐɳƚₐ ₛₐₙGᵣₑ ₛₜₑₚₕᵢₑ ♀ ﾒ𝟶 retweeted
98% of Dracula is completely resonant with modern horror readers, but two pieces of Victoriana that get lost in translation are Jonathan’s shock and revulsion upon realizing that the Count does his own chores, and Dracula’s castle having the exact same name as a used car website
