film prof @ASU | author "Kubrick and Control" and "Repulsion" | writer @FilmInt @SensesofCinema @NotebookMUBI @Cineaste_Mag @DiaboliqueMag @AMIAnet & others
Joined October 2015
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Today's the day! "Kubrick and Control," my new book on the themes connecting the films and working life of Stanley Kubrick, is now available from @LivUniPress. This has been a passion project many years in the making. I hope you'll check it out and enjoy. liverpooluniversitypress.co.…
I never thought I’d be seeing this uncut, in a theater, at a shopping mall in Chandler, Arizona (and getting carded in the process). But here we are! Beyond excited. #thedevils
Jeremy Carr retweeted
"While Kurosawa has been predominantly associated with the horror genre, he remains keen on other venues of expression. Even his most haunting films contain understated and sometimes quite brazen humor..."
@Jeremyrcarr on director Kiyoshi Kurosawa. mubi.com/en/notebook/posts/n…
I had the wonderful opportunity to write about another Michael Powell film for @Cineaste_Mag - in this case, Powell AND Pressburger and, following THE EDGE OF THE WORLD two years ago, I KNOW WHERE I'M GOING! cineaste.com/
Jeremy Carr retweeted
"[Max] Ophüls and [cinematographer Franz] Planer take their time taking it all in: the facial revelations of the characters, their exchanges, a firm sense of space..."
Revisit @Jeremyrcarr on Ophüls's 1933 feature LIEBELEI (playing today @metrograph.)
mubi.com/en/notebook/posts/t…
Jeremy Carr retweeted
It was a pleasure and a privilege to write about one of my favorite films for @SensesofCinema, a quintessential 1970s "car movie" - VANISHING POINT: sensesofcinema.com/2026/cteq…
It was a pleasure and a privilege to write about one of my favorite films for @SensesofCinema, a quintessential 1970s "car movie" - VANISHING POINT: sensesofcinema.com/2026/cteq…
It's incredibly sad to read of Béla Tarr's passing. Discovering his work was a revelation and I still rank SÁTÁNTANGÓ among the 10 best films I've ever seen. He was a singular cinematic artist.
I apologize for the shameless self-promotion, but hopefully this 2017 profile I wrote for @SensesofCinema conveys just how much he and his movies have meant to me. sensesofcinema.com/2017/grea…
Kicking off the new year with this look at BUILD MY GALLOWS HIGH, OUT OF THE PAST and the inevitabilities of noir, for @FilmInt. filmint.nu/from-build-my-gal…
Spike does it again. I’m just in awe of his creative consistency. Loved #highesttolowest. A great take on the Kurosawa masterpiece. That entire money drop sequence - the music, the pacing, the camera work - literally gave me chills. @AppleTV
New for @FilmInt, and to celebrate the release of his superb book, THE SILENT FILM UNIVERSE, here's a salute to Ben Model (@silentfilmmusic) and his invaluable contributions to film history. filmint.nu/ben-model-silent-…
A new book review for @FilmInt: “Chris Marker: Early Film Writings.” filmint.nu/chris-marker-earl…
Hi @tcm. I see you don’t have a guest assigned to introduce the #TCMFF screening of 2001. If you’d like someone who knows a bit about Kubrick and his work (an author on the subject, perhaps?), I’ll be there for the festival anyway. Just saying. 😁 liverpooluniversitypress.co.…
Jeremy Carr retweeted
For @FilmInt, I wrote about the obsessions, dark humor, and strange passions of Luis Buñuel's ÉL, now playing at @FilmForumNYC. filmint.nu/luis-bunuels-el-1…
For @FilmInt, I wrote about the obsessions, dark humor, and strange passions of Luis Buñuel's ÉL, now playing at @FilmForumNYC. filmint.nu/luis-bunuels-el-1…
Good timing! Today, on Edward Everett Horton’s birthday, I received this fine book from authors Lon and Debra Davis, who were kind enough to include most of my @FilmInt article about this classic film actor and “master of the double-take.”
Jeremy Carr retweeted
For @SensesofCinema, a few words on VIVA L’ITALIA!, the film of which Roberto Rossellini was most proud – which is really saying something: sensesofcinema.com/2025/cteq…
For @SensesofCinema, a few words on VIVA L’ITALIA!, the film of which Roberto Rossellini was most proud – which is really saying something: sensesofcinema.com/2025/cteq…
Jeremy Carr retweeted
With an amazing performance by Marianne Jean-Baptiste, Mike Leigh's HARD TRUTHS is a compelling post-COVID snapshot of grief, anxiety, anger, and how we'll never know why some people do what they do. My review for @FilmInt. filmint.nu/mike-leigh-hard-t…
Hi @tcm. I see you don’t have a guest assigned to introduce the #TCMFF screening of 2001. If you’d like someone who knows a bit about Kubrick and his work (an author on the subject, perhaps?), I’ll be there for the festival anyway. Just saying. 😁 liverpooluniversitypress.co.…