Homage. Proud & Humble son of East Bergholt, SUFFOLK. Painter and ROMANTIC. Painting is but another word for Feeling. @JohnConstableRA@mastodon.online

In the æther & on the Heath
Joined November 2011
A view of the Thames with Saint Paul's Cathedral from Blackfriars by Henry Pether (1828-1865) (Private Collection)
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John Constable retweeted
‘The Cricketers’ Arms’ 1993 Once a popular venue situated close to Victoria Park in East London, now the ubiquitous luxury block of ‘apartments’. ⁦@thegentleauthor⁩ ⁦@ahistoryinart⁩ ⁦@PaintingsLondon⁩
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Evening at Argenteuil by Claude Monet 1876 Oil on Canvas (Private Collection)
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Good Day! The Cornfield with Stooks by John Nash c. 1918 Oil on Canvas (Private Collection)
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Good Day! Wind from the Sea by Andrew Wyeth 1947 Tempera on Hardboard (National Gallery, Washington DC)
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First Cutting by George 'Frolic' Weymouth 2004 (William Bretzger, The News Journal)
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August by George A Weymouth 1974 Tempera on Panel (Brandywine River Museum of Art)
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‘Window-sill’ 1975, Pencil on paper. This was the view I saw every morning until I left for London aged 20. It’s had a profound effect on how I see the world and the kind of art I make. Give me a brick wall to paint and I’m happy🤣 ⁦@thegentleauthor⁩ ⁦@ahistoryinart⁩
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Cottages at Burghclere by Stanley Spencer 1927-30 Oil on Canvas (The Fitzwilliam Museum)
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Pound Farm by Cedric Morris c. 1930 Oil on Canvas (Ipswich Museums and Galleries) To followers who don't know this is an example of a house painted 'Suffolk Pink". It dates back to the 14th Century and was generally a mix of pig or ox blood and limewash.
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Good Day! The Pant Valley, Summer 1960, 1963 by John Aldridge RA Oil on Canvas (The Royal Academy)
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Good Day! Beach Break by Neil Pinkett Oil on Board (Private Collection)
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Good Day! River Island by Annie Ovenden 2019 Oil on Board (Currently for sale with Catto Gallery)
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Good Day! Christina’s World by Andrew Wyeth 1948 Egg temperaon gessoed panel (Museum of Modern Art, New York)
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'Westminster from Mayfair' by Edward Seago (1910-1974) (Private collection)
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I've just had quite an extensive conversation with Grok. My first. I have questioned its extreme views. It explained that this is what happens when people adjust its settings (I'm condensing things). Also, people who are probing and provoking it to say these things.
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Long may people probe and provoke. AI should be a tool. It should be held responsible for and root out extreme views that harm others. There are enough humans already doing that. I complimented it on not taking offence to my questions.
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Fishing for Oysters at Cancale by John Singer Sargent 1878 Oil on Canvas (Museum of Fine Arts, Boston)
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John Sargent currently featuring (as a character) on The Gilded Age. What would you give the painting for being a genuine Sargent?
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Good Day! Strolling along the Seashore by Joaquin Sorolla 1909 Oil on Canvas (Museo Sorolla, Madrid)
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Japp's Farm by Gilbert Spencer RA (1892-1979) Oil on canvas (Private Collection)
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