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Kenneth Burris

@KBStudioNYC

Contemporary artist working across landscape, drawing, 3D, AI, and oil painting. Author of the Direction Provenance Model. Essays: https://teapawt.org/t.co/YWDRZGNZUC

 New York City
kennethburris.com/
Joined March 2013
  • Tweets9.7K
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  • Followers1.8K
3.2KMedia
Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)Photo by Kenneth Burris (@KBStudioNYC)
A bounded landscape, built slowly through structure, pressure, erosion, and time. 954303 -drawing
Image from Kenneth Burris (@KBStudioNYC)
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Isn't Halloween almost hear 🙉 👂
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The first four paintings of Data Becoming Form established the series' foundation. Now I'm extending that investigation through high-fidelity digital drawings at 12,000 × 9,000 pixels, exploring greater spatial complexity, texture, and detail.
Image from Kenneth Burris (@KBStudioNYC)
Image from Kenneth Burris (@KBStudioNYC)
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Building line work at this level takes time
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When Detail Becomes Structure. Two new drawings from Data Becoming Form: 453820 and 831849. Built from verified Bitcoin block data and developed at 12,000 × 9,000 pixels, where intricate marks become structures within the landscape. Limited-edition fine-art prints, up to 30 × 40 inches. kennethburrisstudio.com/prin…
1. 453820 2. 831849

ALT 1. 453820 2. 831849

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A closer look. Working at 12K resolution introduces another level of detail. Individual marks, textures, and structural edges become forms within forms. These details are designed to hold their complexity when experienced as large physical prints.
Image from Kenneth Burris (@KBStudioNYC)
Image from Kenneth Burris (@KBStudioNYC)
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960039 now lives in Chicago.. Thank you!
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A detail from 831849, my new digital drawing within Data Becoming Form. Working through drawing, I explore how constructed systems become part of a landscape, shaping its structure. The complete drawing is developed at 12,000 × 9,000 pixels, allowing close attention to detail and large-scale print presentation. This is a teaser showing only a portion of the artwork. 😎
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line work at 100% 12k resolution is interesting....
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Haven't owned a car in 20 years.. if I ever do!
Image from Kenneth Burris (@KBStudioNYC)
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453820 -this 12k work moves into a horizon of its own.
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Official Edition One pre-sale drops on the 29th ⚡️ If you would like early access to choose your numbers, along with the deepest discount available, make sure you’re subscribed to our newsletter, as newsletter subscribers will get access on the 27th. Subscribe here: timechainartmagazine.com/new…
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Working in a 12K high-fidelity digital drawing changed how I think about the image. From a distance, it reads as landscape. Up close, it breaks into line systems, textures, revisions, and accumulated decisions.
Image from Kenneth Burris (@KBStudioNYC)
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Kenneth Burris retweeted
LACMA (@LACMA) profile picture
LACMA
@LACMAOct 22
A major moment for digital art at LACMA. We're announcing a landmark gift of more than 200 works of digital art, spanning early computer-generated works to contemporary experiments with AI. Led by LACMA Digital Leaders, the gift includes works by @RefikAnadol, @REAS, @luyangasia, and many more, bringing new perspectives on the intersection of art and technology into our collection. bit.ly/3VOeUPH
Casey Reas, Network C #45, 2022, NFT, courtesy of karatekid

ALT Casey Reas, Network C #45, 2022, NFT, courtesy of karatekid

DOKU (created by Lu Yang), DOKU the Creator – Concept Void #016, 2025, NFT, courtesy Will Corkin, © DOKU, courtesy of the artist

ALT DOKU (created by Lu Yang), DOKU the Creator – Concept Void #016, 2025, NFT, courtesy Will Corkin, © DOKU, courtesy of the artist

Refik Anadol, Infinity Room, 2016, courtesy of Jehan Chu and Jeannie Vu Collection, image courtesy of Refik Anadol Studio

ALT Refik Anadol, Infinity Room, 2016, courtesy of Jehan Chu and Jeannie Vu Collection, image courtesy of Refik Anadol Studio

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AI alignment seems to be going well. 🥸 Maybe a little too well. 👾
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these works are developing a feel..
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At this scale, texture is not decoration. Small marks, overlaps, and irregularities begin to carry structure. I’m building the surface slowly so the image can hold detail without losing the larger form. Still very much in progress.
Image from Kenneth Burris (@KBStudioNYC)
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Working through the drawing stage today. Still figuring out which parts of the structure need to stay and which can be pushed further. ✏️✏️✏️
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Sometimes the best part of field research is the thing you did not expect to find there. 👀
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At Comic Con, I watched people laugh and cry over a printed photo with a celebrity. What makes an image worth keeping? In Post-Globalist Essays, I explore art, technology, authorship, and the value of human work. Read and subscribe: pgstudio.substack.com/
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