Bloodlist 13 Winner, AFF SemiFinalist, PAGE QF in Horror. Screenwriter. I'LL BE NEXT DOOR FOR CHRISTMAS avail now -- https://xitter.cf/t.co/nP2UXlclNi

CA
Joined March 2012
Our horror feature HOUSE OF MOURNING is on the Bloodlist! I am so, so stoked! Thank you! Celebrating with my amazing writing partner @MischaMarcus! #preWGA #femalefilmmaker #womeninfilm #horrorwriter #HorrorMovies
BLOODLIST THE 13TH: FRESH BLOOD IS HERE!! Congrats to all who landed on the list this year, and to everyone who submitted! We were blown away by the quality & quantity of the submissions. Have fun reading, & have a spooky, safe and fun Halloween! ๐ŸŽƒ๐Ÿ”ช bloodlist.com/the-lists/2021โ€ฆ
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Congrats to the writers and cheers to THE 12 CURSES OF CHRISTMAS making the Naughty List!
Lights. Camera. RADNESS! Legendary special guests. Emmy-winning pros. The dopest emerging & underrepresented voices. This is our HOT NEW SPECS showcase, featuring the best original & unproduced market-ready specs (all genres/formats/mediums). ๐Ÿงต
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Katherine Botts retweeted
Lights. Camera. RADNESS! Legendary special guests. Emmy-winning pros. The dopest emerging & underrepresented voices. This is our HOT NEW SPECS showcase, featuring the best original & unproduced market-ready specs (all genres/formats/mediums). ๐Ÿงต
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Katherine Botts retweeted
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๐Ÿงต 4 Writers and filmmakers: I was a development exec who greenlit 5 major motion pictures w stars like Ryan Reynolds and Penelope Cruz. From my buyer POV here are 5 pitching mistakes ๐Ÿšซ + 4 hot tips โœ… to Stealth Pitch your project and get greenlit in the room. #screenwriting
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Katherine Botts retweeted
In a movie, the audience notices action first. Movement captures our eye, and then we process the meaning of that action. We want to duplicate that in our screenwriting. That means: 1. Describe the action. THEN. 2. The meaning of the action. ๐—ฆ๐—ผ, ๐—ถ๐—ป๐˜€๐˜๐—ฒ๐—ฎ๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ถ๐˜€: ๐˜›๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ฉ๐˜ช๐˜ต๐˜ด ๐˜ฉ๐˜ช๐˜ฎ, ๐˜›๐˜บ ๐˜จ๐˜ฐ๐˜ฆ๐˜ด ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ต. ๐—ง๐—ฟ๐˜† ๐˜€๐—ผ๐—บ๐—ฒ๐˜๐—ต๐—ถ๐—ป๐—ด ๐—น๐—ถ๐—ธ๐—ฒ ๐˜๐—ต๐—ถ๐˜€: ๐˜›๐˜บ ๐˜จ๐˜ฐ๐˜ฆ๐˜ด ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ต - ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ฉ๐˜ช๐˜ต๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฉ๐˜ช๐˜ฎ. This small little thing helps with the feeling of watching a movie on screen rather than reading a narrative. It's fair to ask what kind of difference could this possibly make. And it's true, one small thing makes very little difference. But the small things add up over 100 pages, and it helps keep a reader immersed in the emotional experience. Can all these small things save a bad story? Nope. Not even close. The goal is to always make a great story more easy to recognize.
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Katherine Botts retweeted
OK, disclaimer and background: Me -- screenwriter multiple years. TV writer/producer for six, wrote and directed 1st feature last year, indie financed by Image Nation (Late Night with the Devil), currently in post. Currently producing my 2nd feature. This is JUST my opinion:
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The 12 Curses of Christmas made it to the Semifinals! Thank you and congrats to the other writers as well! @Stage32 @Stage32Scripts #screenwriting #horrorwriter
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Possessions and The 12 Curses of Christmas are on the list! Thank you!
BIG CONGRATS to the Quarterfinalists of the @Stage32 11th Annual Search for New Blood Screenwriting Contest! Head to the link >> buff.ly/4dAHCqf to check out the scripts that made the cut! #screenwriting #ScreenwritingTwitter #Stage32 #Stage32Writers #Stage32WritesMore
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Excited to be a Semifinalist with our family animated feature, Mythika! Congrats to the other semifinalists as well! @screencrafting #screenwriting #screencraft
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Surrounded by my writing partner and her mom's dogs! So much happy energy!
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Speech-to-text at it again! "Oh my God, my mom just delivered petit fours" turned into "oh my God, my mom just delivered pedophiles." She's a great mom. ๐Ÿฅฐ
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Speech-to-text particularly aggressive today. "Can you help me punctuate this" turned into "Can you help me punch you in the face." Blood will be shed over proper grammatical structure! ๐Ÿฉธ
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Katherine Botts retweeted
My screenwriting partner and I are working on putting together a two-hander right now. These are some of my favorite movies to write (and watch!) Allow me to use recent smash hit Deadpool & Wolverine to demonstrate 3 two-hander fundamentals (don't worry, no spoilers!) 1/12
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New Spot the Pro! And my 1st page is featured, yay! โœ”๏ธ This is such a fun series, check it out if you haven't already! Thank you everyone for your contribution, time, and input! ๐Ÿ’ฏ @NGDWrites @Joe_N_Marino @JasonGruich @ianshorr @johnzaozirny @storytellerdave!
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I live to hear the new gigs recorded by my voice actor neighbor. Soooo much better than having a neighbor who maniacally laughs for no reason.
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piiiiiiitch deeeeck. Deep in the weeds of images. ๐Ÿ๏ธ๐Ÿ“ท
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Possessions was shy of cracking the Top 6, but thank you @WeScreenplay for your thoughtful notes that made my horror story better, and congrats to the grand prize winners of the Feature Lab!
Congrats to the WINNERS of the 2024 WeScreenplay Feature Lab! Fake-A-Wish by Colton Childs Honor Code by Sarah Juma Other by Nicholas Ybarra Out of Water by Madi Stine Salt & Honey by Skye Courtney Emerson To Be Alone With You by Garrett Detrixhe View: wescreenplay.com/blog/2024-wโ€ฆ
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Katherine Botts retweeted
Action lines are the primary area of friction in your screenwriting. That's where a reader gets bored, loses interest, and skips. Yet 99% of screenwriters still don't give them enough attention. Here are five (really) simple ways to improve your action lines right now. ๐Ÿ‘‡
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My first script on Coverfly's Red List! Cool! My horror feature Possessions made Top 20 Horror Feature of the Month. #screenwriting #screenwriter #horrormovie
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ON PITCHING Pitching can be terrifying for a writer, but it is an inescapable and necessary part of the industry. Had a bunch of meetings over the past month with streamers and channels to pitch ideas. Five things I've learned are: 1. Know your story... well! Don't be caught in a situation where you are asked basic story questions and you don't have answers. 2. Have a solid team behind you. A channel wants to know that you are able to execute the idea, from script development to production. 3. Be a visual storyteller. Hook them and tell the story in such a way that they start seeing it on the screen of their minds. You'll be able to tell from their expressions and reactions. 4. Be flexible. Have a definite idea of what the story is and what your non-negotiables are, but be wiling to shift gears to align with their needs and audience. 5. Always be yourself. They are just people like you. There's no need to pretend to impress them. Insincerity is a lot more transparent than you think it is. What are some of the things you guys have learned about pitching? Please share your best advice in the comments so we can all learn.
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