From prompt to premiere: tracking AI-made features on their way to theaters. The tech. The talent. The box office. You ain't seen nothing yet!
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Joined October 2026
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Lights, Camera, Prompt retweeted
What a privilege to see @Gossip_Goblin Gods Don’t Give Gifts sneak preview last night. Beautiful visuals, sound design and score, and great performances. Congratulations to Zack London, my friend Todd Terrazas and the team. So psyched to share that room with so many friends.
Lights, Camera, Prompt retweeted
I spent 25 years as a Filmmaker. Showrunning, directing, and producing TV, films, and commercials for dozens of major networks and global brands including Apple+, HBO Max, Discovery, MTV, YouTube Originals, and many more. Won an Emmy. Led crews of 300+. Led projects with Mark Hamill, Joseph Gordon-Levitt, Kim Cattrall, Logic, the Kardashians, Nelly, Meek Mill, and a U.S. Presidential campaign. Then I went quiet.
I became a Creative Technologist and AI Systems Architect. Spent the last few years heads down, learning every tool, trying every framework, breaking things, rebuilding them, pushing past the limits of what these systems can do. And my own limits. I iterated over and over and over. When something broke, I figured out why. When a tool couldn't do what I needed, I built the tool. When I hit a wall, I went around it. I'm now building custom agentic AI ecosystems — multi-agent systems that run 24/7, autonomously managing operations, generating content, and scaling business workflows for elite individuals and major companies.
I haven't had this much fun in years. It's the same feeling I had as a kid picking up a camera for the first time — falling in love with something so deeply that you can't stop thinking about it. Except this time the creative possibilities are truly endless. We are only limited by our own fears — not the tools. I'm all in.
This is where I'll share what inspires me, what I'm experimenting with, what I'm building, what I'm breaking, and everything I'm learning along the way — at the intersection of Tech, AI, Agentic Systems, and 25 years of creative leadership. Follow along if you're curious about the exciting and unknown that lays ahead — from someone diving in head first every day, not just talking about it.
Lights, Camera, Prompt retweeted
Basic setup, studio-level results. 🎬
In this episode of @curiousrefuge’s Creator Playbook, see how to transform bedroom-shot footage into a polished, studio-style video using Adobe Firefly and Boards.
Ready for the glow-up? Watch the full episode now: adobe.ly/3X3VPcF
Lights, Camera, Prompt retweeted
our opening film for @mondaydotcom ELEVATE 2026 is here!
we teamed up with @invideoOfficial to see how far we could push Agent 2. turns out, pretty far.
huge thanks to Dan Brooks & Leif Huron for somehow letting us get away with this.
music by SonBon studio.
Lights, Camera, Prompt retweeted
Most people talk a big game in the AI space, but then you look at their work and you're like... huh?
@julienvallee is the complete opposite. He's the most humble guy I know, never puffing himself up, and would you just take a look at what he's making? His new commercial is so good, it made me say, "I wish I made that." 😄
Simply put... he's the best of the best.
@invideoOfficial teamed up with him to make this happen, which is no surprise. They have such an eye for talent and support artists so well.
our opening film for @mondaydotcom ELEVATE 2026 is here!
we teamed up with @invideoOfficial to see how far we could push Agent 2. turns out, pretty far.
huge thanks to Dan Brooks & Leif Huron for somehow letting us get away with this.
music by SonBon studio.
Lights, Camera, Prompt retweeted
I shot this music video alone in 6 hours.
$200 in locations. Four lights. Seven seconds of AI transitions.
I directed, shot, lit, and edited everything myself.
Here’s the hybrid production workflow behind it, plus an old-school music video trick worth stealing.
1. Start with the story, not the tools.
Same Old Things, satirizes the desire to be cool.
So I built the video around two worlds: his mundane day job and the glamorous life he imagines.
Every transition takes us between them.
2. Plan the transitions BEFORE shooting.
I opened Kling before I picked up a camera.
I studied the transitions it could create, chose the start and end frames, then designed my shots around those frames.
Rather than asking AI to shoot for me or fix what I'd shot, I shot for what I knew it could do well.
3. Spend money on what's in front of the camera.
Two LA locations: a garage for his day job and a multi-set photo studio for his fantasy. 3 hours each.
Total location cost: $200.
The studio gave me several distinct looks without traveling between locations.
4. Make the lighting and camera work for you.
I controlled four Amaran RGB tube lights from my phone, changing color and intensity without running between stands.
Not quite a gaffer, but close enough when you’re alone.
The FX3’s higher base ISO helped in the darker setups.
5. Lean into the post tools.
Final Cut Pro for the edit.
@Kling_ai for transitions beginning at 00:42.
Nano Banana for the ending.
Each Kling transition connects two real frames I shot. Planning those endpoints gave me something specific to build in post.
6. BONUS: The slow-motion lip-sync trick.
Ever wonder how musicians sing perfectly in sync while everything moves in slow motion?
Here's one way it's done:
- Play the song at 2x speed on set.
- Have the performer lip-sync to that faster playback.
- Shoot at 48 fps.
- Play the footage back at 24 fps against the original song.
The lips sync at normal speed, while the movement has that dreamy, slowed-down quality.
This is what excites me about hybrid production.
The shoot is still the foundation.
The tools expand what one filmmaker can pull off.
Music: Same Old Things by Sid Kara.
instagram.com/sidkara.music/
Lights, Camera, Prompt retweeted
“We saw the film and immediately thought it was excellent,” FilmFestival Cottbus Programme Director Bernd Buder told FNE. “It's not about replacing actors or visual effects, but about using AI as an artistic medium, much like animation. I'd describe it as an experimental film made with AI rather than a typical AI production.”
filmneweurope.com/news/regio…
Lights, Camera, Prompt retweeted
We made an action teaser for The Rider, a series idea of mine, in @intangibleai 2.0. The behind the scenes is at the end of the video so you can see the workflow.
How it went together:
1. I put my references on one board: the characters, the house, the bike, the cars and the look.
2. Claude built three 3D sets from them through Intangible's MCP: a city with a tunnel, a causeway over the water and the island house. Then we edited by hand to get our exact look.
3. Every shot is a camera placed in the set. Nano Banana 2.1 made the first frame from that camera, and Seedance 2.5 animated it.
4. The tunnel shot follows its camera in 3D, from the crane down to the swing around the bike.
The set stays put, so changing your mind is quick. We pulled the camera back to keep his head in frame, put his hands on the bars in 3D and rendered again.
🤝 Paid partnership · 🤖 Made with AI
Lights, Camera, Prompt retweeted
Decide exactly how your characters escape danger before you hit generate:
1. Draw the character’s path
2. Set how the camera follows
3. Turn the 3D animation into AI video
Build the action with Motion Paths in Intangible.
Lights, Camera, Prompt retweeted
thanks for the highlight! one other thing i'd point out is just how easy the system is to use, between chat and mcp!
Lights, Camera, Prompt retweeted
Hollywood's AI narrative
just got an unexpected rewrite.
The technology that threatened
young writers is now opening doors.
Everybody loves a good plot twist.
Lights, Camera, Prompt retweeted
You don't have to keep selling him to me. 😅
But on a serious note, the reality is more nuanced. Check out his filmography credits. He was a key producer in the making of Bad Times at the El Royale which is a very dark and atmospheric crime thriller that blends horror, comedy and surrealism into the mix.
It's got Chris Hemsworth, Jeff Bridges and Jon Hamm in it and is pretty grim viewing at points. So this idea he is a one note bible thumping Christian film maker is overblown.
He likely will want a more generally family friendly vibe to the main DCU film releases. He may be more open to experimentation with TV series, especially if they are standalone Elseworlds type projects. I would not assume too much at this point about his openness to less mainstream family friendly projects being taken forward if they are deliniated. His job at the end of the day is to hit the financial targets he is given by the parent company.
Lights, Camera, Prompt retweeted
Euro buyers looking for "distinctive, conversation starter" projects from emerging filmmakers at AFM
More: buff.ly/Bxe5EHx
Lights, Camera, Prompt retweeted
AI avatars are getting RIDICULOUSLY good
we're reaching a point where you are able to create full long form YouTube vlogs 100% with AI
ElevenCreative just launched Chimera and this opens up some pretty crazy possibilities
here's how it works 👇
🤝 Paid partnership
Lights, Camera, Prompt retweeted
Claude Fable 5.2 built entire city with 10 agents:
Each agent had its own job:
>Tower agent: 4,560 glass panes
>Traffic agent: 858 vehicles, 2,259 people
>Rooftop agent: 88 kinds of props
>Camera agent: 7 angles
👇 Full breakdown in Blender with Higgsfield MCP:
