Live studio sessions and podcast conversations with your favorite independent musicians. @AQAndreaQ @heykitzy @spooky_redacted
Philadelphia, PA
Joined December 2019
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Left Of The Dial retweeted
“Being a queer person in this world is a vulnerable position, and it can feel isolating; at least, it did for me when I first heard their music as a teenager. And Los Campesinos! gave me something I could hold onto”
Incredibly moved by this piece, thank you 🏳️🌈🖤🏳️⚧️
For a group that came up during the late 2000s, @LosCampesinos presented a vision of the underground that was surprisingly queer. From the beginning, their music offered a way for queer listeners to project themselves into it.
read about the band's enduring queer legacy below⬇️
For a group that came up during the late 2000s, @LosCampesinos presented a vision of the underground that was surprisingly queer. From the beginning, their music offered a way for queer listeners to project themselves into it.
read about the band's enduring queer legacy below⬇️
and very special thank yous to Ash Jones of @strangenewband, Emily Reed of @hibinvisible, Nina Posner, and Jordan Weinstock of @notapoetryclub for your contributions to this piece <3
🔗: lotd.fm/loscamp
Left Of The Dial retweeted
very good read into the complex history of cybergrind & how it got to where it is today :))))
"I sit here, fully entrenched in the genre’s history as one of the cybergrind elders. Now, I’m ready to write about the history of a genre that, in many ways, changed the entire course of my life."
read @cybergrindmicr1's complete(ly abridged) history of cybergrind 🔗⬇️
"I sit here, fully entrenched in the genre’s history as one of the cybergrind elders. Now, I’m ready to write about the history of a genre that, in many ways, changed the entire course of my life."
read @cybergrindmicr1's complete(ly abridged) history of cybergrind 🔗⬇️
Earlier this year, Bright Kelly re-released the Funeral Tickets EP as a deluxe LP. The songs, no matter what version you hear, are strong and sturdy, and defy a singular understanding. Read our review ⬇️
Grungy, loud, and volcanic, Rid of Me’s brand of molten-hot rock has been flowing through the streets of Philadelphia for the better part of four years. Jeremy sat with guitarist Mike McGinnis, who elaborated on his band’s origin story and sound. 🔗⬇️
Left Of The Dial retweeted
**Just Announced**
METZ returns with a brand new album + tour stopping here on 4.20 with support from Gouge Away + Rid of Me
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Tickets on sale now > bit.ly/Metz_UA24
"In straightforward melodies, lyrical subversion and airtight songwriting, Untame The Tiger reaffirms Mary Timony as a legend in her craft."
read our latest🔗⬇️
"From its algorithm-disapproved name on down, @mannequinpussy is a band constantly in search of what it means to maintain agency over your wellness."
read @robmouraiii's review of I Got Heaven🔗⬇️
"To hear Alas, - the latest work from Vermont-based songwriter Lily Seabird - is to experience the full range of confidence."
over on the blog @SeanRFennell covers Alas, and the burgeoning alt-country/indie rock scene in Burlington
