The official representatives of visionary artist Ezra Maas #EzraMaas
London, New York, Paris
Joined July 2012
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The Maas Foundation retweeted
"The cypresses still preoccupy me . . . because it astonishes me that no one has yet done them as I see them."
— Vincent van Gogh, 1889 🌳
One week from today, see them as he saw them. Join us from May 22–August 27 for "Van Gogh's Cypresses."
#VanGoghCypresses
ALT Van Gogh's painting "Cypresses" featuring a deep green flamelike cypress tree against a swirling sea green sky with a yellow crescent moon.
The Maas Foundation retweeted
Adapted uniquely for the Kravis Studio, “Walled Unwalled" is presented alongside three live performances by Lawrence Abu Hamdan that highlight the capacity for sound to exonerate or incriminate.
Learn more and get tickets → mo.ma/40ahrAp
The Maas Foundation retweeted
@MaasFoundation EVIL'S NOT IN THE EXTREMES - IT'S IN THE AFTERMATH - THE MIDDLE MAAS
Hugely disappointing to see so many people taken in by Daniel James and his lies.
Guests at Ezra Maas: Nothing Is More Real Than Nothing at @Gallery46London, look at each other with questioning eyes, all thinking the same, 'which one of you is Maas?'
Maybe Ezra was hiding in plain sight? Or perhaps Maas was never there at all. To be continued from 4pm today.
The Maas Foundation retweeted
This is a deliberate change since the previous editions and makes me suspect there is a hidden message, the missing footnote 146/150, encoded in the artwork on page 88. But who has the key to the code? The @MaasFoundation? And what does it reveal?
One month to go until the truth is revealed. On 12 May, @danjameswriter's cult novel returns in a visionary new edition. Pre-order your copy of The Unauthorised Biography of Ezra Maas today valleypressuk.com/book/170/t… #ezramaas #maaslives
We have also contacted Wikipedia about the blatant lies and mistakes it has repeated from Daniel James's work in its otherwise impressive entry on #EzraMaas here: shorturl.at/htAO6
The Maas Foundation retweeted
The 21st edition of #DocFortnight kicks off tonight with Jenny Perlin’s “Bunker,” a film which follows men living in decommissioned military bunkers and nuclear missile silos across the United States.
The Maas Foundation retweeted
Laura Braverman visits the exhibition #SophieTaeuberArp "Living Abstraction” to look at five issues of the avant-garde journal "Plastique" (1937–39)—which Taeuber-Arp co-edited—for our latest #UNIQLOArtSpeaks.
We have been quiet lately as our legal team prepares our case against the publication of the latest edition of the so-called 'Unauthorised Biography' of our founder #EzraMaas by the liar and narcissist @danjameswriter...
1/2
...When we are finished, this new book, like the original, will end up where it belongs, pulped, incinerated, and forever consigned to the ash heap of history #MaasLives 2/2
The Maas Foundation retweeted
“After all the humorous huffing and puffing, all the tricks and traps and underhand maneuvers on the author’s part, the forewords exist, after all, to locate the English-language versions of Nabokov’s books within the context of a person in exile.” themillions.com/2017/03/the-…
The Maas Foundation retweeted
Unexpected views: Cécile B. Evans on Salvator Rosa's 'Witches at their Incantations'
Watch as Evans draws a comparison between the themes of their own work and those of Salvator Rosa with curator Daniel Herrmann: bit.ly/3ljnSj4
The Maas Foundation retweeted
Mid-week inspiration comes from self-taught wood-carver Ronald Moody. ⛏️ In just one year, Moody carved this sculpture, 'Johanaan', learning as he went.
Moody crater on Mercury was named after Moody in 2008, perhaps a nod to his otherworldly ability. 🌌 bit.ly/3aeAXnA
ALT A wooden sculpture of a man with his eyes closed
ALT Ronald Moody with his wooden sculpture, titled Johanaan
The Maas Foundation retweeted
“Art is a powerful tool, a language that can be used to enlighten, inform and guide to action.”
Tune in on Thursday, October 14, at 7:00 p.m. ET for a discussion with Emory Douglas, Akili Tommasino, and Esther Adler.
moma.org/calendar/events/729…
The Maas Foundation retweeted
Weekend reading—@artnews explores the unique life and career of Guggenheim Collection artist Joseph Beuys, who “refused to fit his life and art into one squarely defined category.” gu.gg/3osWAWL
The Maas Foundation retweeted
What's in a dot? For Yayoi Kusama, everything. ⚫
In this drawing, the artist contemplates the infinity of the universe and one's place within it: a single dot among many.
Explore more works from "Degree Zero: Drawing at Midcentury," on view to Feb 6 → mo.ma/2LW7p3G
ALT Rectangular, white piece of paper painted with even rows of black dots. The artist's signature is in the bottom right corner.
The Maas Foundation retweeted
The year is 1987. Margaret Thatcher’s government is preparing to introduce Section 28 – legislation aimed at erasing discourse around queerness – and Jill Posener is shooting lesbian erotica directly in front of the Houses of Parliament. Fire. ow.ly/rWuA50yCP5I
