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'SOBER' - Leeds set feature film in full - free to view on YouTube starring Dean Smith. youtu.be/Dx3yq03z6Mc?si=dCf0… via @YouTube
‘Trainspotting for #LeedsUnited dads’
#LeedsUnited #LUFC
Matthew Cooper - Director retweeted
Blankety Blank (26th October 1984). 'Now I know why they call this place the crows nest' muttered Jim the sailor-lad. 'Why, it's knee deep in BLANK or BLANKS'.
Matthew Cooper - Director retweeted
Hello!
It doesn’t cost anything to retweet but it helps me spread the word about my small business.
My online shop is full of bold & colourful prints, homewares and cards.
I’m also available for freelance design work and art licensing.
gailmyerscough.co.uk
Matthew Cooper - Director retweeted
Happy Birthday to the late, great Don Siegel, born 114 years ago today
Matthew Cooper - Director retweeted
It’s that time of the year again for new #scriptwriters – the BBC Writers Open Call for submissions runs from Tuesday 3 November 2026 to Tuesday 1 December 2026 at 12 noon.
So the big problem is that for new writers entering the BBC OPEN CALL – you need to get your script to me for review before mid- November 2026
tinyurl.com/2s2cdjyk
Matthew Cooper - Director retweeted
It’s that time of the year again for new #scriptwriters – the BBC Writers Open Call for submissions runs from Tuesday 3 November 2026 to Tuesday 1 December 2026. Last year they had 7000 enteries.
7000-11 is long odds – so how can new writers improve their chances? Easy – you get a script report or professional script coverage from an experienced working pro scriptwriter and UK script consultant – like me.
tinyurl.com/2s2cdjyk
Matthew Cooper - Director retweeted
BBC Writers Open Call for #scriptwriting runs from Tuesday 3 November 2026 to Tuesday 1 December 2026
SO - the big problem is that for new script writers entering the BBC OPEN CALL – you need to get your script to me for review before mid- November 2026 – I have never ever done a script report and NOT given loads of notes for rewrites and changes – so if you’re going to pay for a report – you’ll need time to make the changes and address my notes BEFORE YOU submit your script to the BBC OPEN CALL.
tinyurl.com/2s2cdjyk
Matthew Cooper - Director retweeted
BBC Writers Open Call – new #scriptwriters only have until mid-November to get a script report and rewrite before the deadline (1 Dec)
tinyurl.com/2s2cdjyk
Proof AI gen video is capable of art – at Ossett, England
Follow this guy knows his onions @TheStingisBack – at Ossett, England
Matthew Cooper - Director retweeted
The Sting Show - COMING SOON!!
I've decided it's time to step in front of the camera. I'll be reviewing films (classic and new), covering movie news, sharing behind-the-scenes stories, sharing a few tales from my years in edit suites... and more.
Brace yourselves, folks...
Matthew Cooper - Director retweeted
Peter Mitchell. From Epilogue -The Demise of the Quarry Hill Flats (RRB Photobooks, 2025)
Matthew Cooper - Director retweeted
Out now: THE WILDER WAY: The Power Game of The Plane Makers. Episode Guide. Making of. You too can follow in the footsteps of Sir John Wilder wymark.org.uk/wilderway.html
Matthew Cooper - Director retweeted
this is corny as hell but one of the best parts of being alive to me is that there are so many movies. i want to live as long as i can so i can keep seeing more movies
Matthew Cooper - Director retweeted
This account is gold.
You usually only get this kinda info on Writers commentaries on a criterion DVDs.
In The Godfather, while Clemenza is teaching Michael how to use the gun he’ll kill Sollozzo with, he tells him that the murder will probably start a war.
“These gotta happen every five years or so. Ten years… been ten years since the last one.”
However, the film never explains what that previous war was or why it took place. But Mario Puzo’s original novel does - in great detail.
And it’s essentially the missing chapter explaining how Vito Corleone went from being the neighbourhood Don of Little Italy to one of the most powerful Mafia bosses in all of America.
By the end of Part II, Vito is a “man of respect” in his neighbourhood, and he leverages that reputation to further grow his olive oil business. He uses his “formidable powers of persuasion” to buy out his competitors and establish a monopoly on the olive oil business in New York City.
He has warehouses, trucks, and a highly efficient distribution network. When Prohibition comes into law, Vito repurposes many of these assets into an incredibly lucrative bootlegging operation.
During this period he restructures his organization into a formal crime family, with Genco as his consigliere, Clemenza as caporegime of the Bronx, Tessio controlling Brooklyn, and the men working under them as soldiers. He also builds an invaluable network of police and political contacts, which would serve him for years to come.
However, when Prohibition comes to an end, Vito needs to pivot to another criminal enterprise to keep his organization afloat.
He reaches out to Salvatore Maranzano, who controlled all gambling activity in Manhattan. Maranzano was based on the real mafia boss of the same name, one of the most powerful crime figures in New York City’s history.
Vito proposes a partnership. He would offer his political connections to protect Maranzano’s businesses and help him expand into Brooklyn and the Bronx; in exchange, Vito would receive a share of the gambling profits.
Maranzano “spurned the Corleone offer with contempt...”
He took it as an insult, and Vito as a threat that needed to be stamped out.
Maranzano had a much bigger, more powerful organization built through union-busting and extortion rackets, and strong ties to the most infamous gangster in the country, Al Capone in Chicago.
“Maranzano’s refusal touched off the great war of 1933 which was to change the whole structure of the underworld in New York City.” (1/2)
Matthew Cooper - Director retweeted
Stach in the squad. #LUFC




































