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OVER 40 Pics & some Video’s kindly taken by @CorrieArt & Kristie on Saturday 12th March 2020 at the 1st Coronation St tour in over
2yrs.
Meantime,here’s a wee video I’ve just made
Hope you all like it
Re-Tweets welcome
#BriansCorrietrip
Brian Altman retweeted
The pillock @DaveDooganSNP making a fool of himself again and disgracing Scotland at the Cenotaph by keeping his mouth shut for the National Anthem honouring our war dead...people who sacrificed their lives to give him the freedom he enjoys today!
How much lower can the SNP stoop?
Brian Altman retweeted
Remembering former Corrie actress Liz Dawn today which would have been her 87th Birthday. Vera Duckworth what a classic character she was @ConversationStr @ClassicsCorrie @WEATHERFIELDM10 @alanhalsall @realsamia
Brian Altman retweeted
Gearing up for the penultimate show in my 60 Years of Music tour tonight at the London Palladium. I’ll be playing tracks from across my career, including from my new album “On The Record”, released on Friday. London, I can’t wait to see you. “Growing Old Disgracefully” indeed ❤️
gilbertosullivan.lnk.to/OnTh…
Brian Altman retweeted
The giant set in Laurel and Hardy's "Brats" (1930) is one of the most ingenious visual gags of the early sound era. With Stan and Ollie each playing both themselves and their mischievous children, the film transforms their home into a miniature world of towering furniture and oversized household objects. The bathroom is simply fabulous - and they invited their good pal Thelma Todd to have fun and pose on the set.. (thread)
Brian Altman retweeted
We ❤️ Debbie's Angels! Tune in tomorrow to watch our special episode! 7am on YouTube & ITVX or 8:30pm on ITV1 🍿
Watch the full video on our YouTube now!
youtu.be/iv977Mk7mO0
Brian Altman retweeted
The poignant and sweet last bit of public film of Laurel and Hardy , 1956. Though both were ailing, it shows their humor and love for each other. A final, fragile glimpse of two souls who had spent a lifetime making the world - and each other - laugh. ( the young man is filmmaker John Wade)
Brian Altman retweeted
Replying to @Noirchick1
Thanks for posting; here's a full clip.....a lovely bit of footage, especially the music.
youtube.com/watch?v=2tSsar2d…
Brian Altman retweeted
The poignant and sweet last bit of public film of Laurel and Hardy , 1956, by filmmaker John Wade. Though both were ailing, it shows their humor and love for each other. The familiar nods and fiddling of Stan's tie... A final, fragile glimpse of two souls who had spent a lifetime making the world - and each other - laugh. Perfectly timeless....
Brian Altman retweeted
Got to spend a gorgeous time with Debbie’s Angels as they spoke about Debbie Webster’s upcoming special episode which had an emotional response #Corrie 🥹💖 You can read what they had to say here 👇🏼
manchestereveningnews.co.uk/…
Brian Altman retweeted
In 1992, Paul Verhoeven asked Sharon Stone to take off her underwear for Basic Instinct. He promised the camera would not see anything.
They were shooting the famous interrogation scene. Verhoeven told her the white cotton was reflecting the studio lights. He guaranteed nothing would be visible on screen. Stone trusted him.
Months later, she sat in a screening room watching the final cut. The scene played. She realized she was completely exposed. She walked straight up to Verhoeven and slapped him across the face.
But Verhoeven tells a different story.
He claims Stone knew exactly what she was doing. According to him, she watched the playback on the monitor immediately after the shot. He says her outrage months later was pure panic, fueled by agents who told her the scene would ruin her career.
Stone called her lawyer. Under Screen Actors Guild rules, she had the legal power to force the studio to cut the shot.
In the end, she let it stay. She admitted it was exactly what the character would do.
The consequences were a mix of massive success and a hidden trap.
Financially, Basic Instinct grossed over $350 million worldwide. Stone was paid a flat fee of $500,000. Since she was not a proven star before filming, her contract had no backend points. The studio made hundreds of millions off that single shot. She saw zero extra dollars from the box office.
Career-wise, the scene made her a global superstar, but it boxed her in. For the next decade, Hollywood only wanted her to play the cold seductress. She had to fight aggressively to prove she was a serious dramatic actress.
That struggle eventually led to her Oscar-nominated role in Casino, which finally allowed her to command $5 to $7 million per film.
As for the director, the broken trust was permanent. Stone and Verhoeven never worked together again.
Brian Altman retweeted
Good morning, from 1930 this is Stan & Ollie in Below Zero, have a fantastic weekend
Brian Altman retweeted
Over the moon my UK tour is now on sale. Get your tickets here: glasswerk.co.uk/artists/cole… see you in March xx
Brian Altman retweeted
Here's all of our shortlist nominations for the TV Choice Awards 2027 ✨
Vote for Team Corrie here: tvchoicemagazine.co.uk/vote/




























