AFI Cinematography 24 RAD: Rebel, Artist, Dreamer. Stay Gold. Cinematographer| Photographer
Los Angeles, CA
Joined July 2011
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†Jordan From ∆frica† retweeted
YOU'RE BORN. YOU SEE PANTS STYLES GO FROM BAGGY TO SKINNY BACK TO BAGGY EVERY 10 YEARS FOR THE REST OF YOUR LIFE. YOU DIE. THE END
†Jordan From ∆frica† retweeted
Worst part of the Halloween season by far is putting the fentanyl and razor blades in the Snickers. It's so much work and I feel like the kids never even notice anyway. Not sure I'll even bother this year.
†Jordan From ∆frica† retweeted
Hey so this should be fucking illegal
JUST IN: Palmer Luckey's genetically modified military dog startup, Warhound, comes out of stealth, aiming to create enhanced canines for the U.S. military.
Readers added context they thought people might want to know
This is NOT Palmer's company at all, his company Anduril is only supplying the tech for the dogs, and this is a wholly owed Collosal entiity
x.com/palmerluckey/s…
†Jordan From ∆frica† retweeted
as annoying as watermarks can be, this is terrible news
Getty was a great source of historical photography, many times, and I'm afraid that many of their photos could have been only found on their site
these few photos of Black October I haven't seen anywhere besides their site
†Jordan From ∆frica† retweeted
People in LA after weeks of heat waves and running their ACs non-stop finally sleeping with their window open listening to the rain and police sirens:
†Jordan From ∆frica† retweeted
When “indie sleaze” was actually happening, it was just called indie. But as the era gets repackaged through playlists, party photos, and Pinterest boards, the Black artists who helped shape the era are being left out.
@Santigold, Spank Rock, and @kilokish shed light on the scene they experienced, the boxes the industry put them in, and how the people telling its story shape what gets remembered.
Read the full feature by @precious1otus here: pigeonsandplanes.com/read/wh…
†Jordan From ∆frica† retweeted
We shot the aftermath first. Then redressed everything to shoot the 'before times' after. The ace steadicam operator was Paul Edwards. It was the first day of the shoot on the film too!
