@vokabre when holding brushes, doing ⌘+s the world in ink&watercolour strictly against "generative ai" https://teapawt.org/t.co/1suPilJtcf https://teapawt.org/t.co/eXuGxaidQv https://teapawt.org/t.co/Rw2PQbxQ55
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ALT Painting in watercolour and ink lines, vertical. This scene shows a view from Azuma Bridge (吾妻橋) in Tokyo, with Tokyo Skytree in the distance, and a stranger who stopped her bicycle to photograph the view. On the left is the person holding a smartphone, with dark long hair, the bicycle is on the right. Stones of the bridge are in the middle. In the distance is the embankment, and expressway above, and Tokyo Skytree is on the right. A residential building is to the left, and a famous building with large golden blob is further to the left. The clouds are fluffy with white tops and blueish shadows.
ALT Scan of the whole back of the postcard, the painting described before is on the left. On the right, superimposed above the address is the front of the postcard, a reprint of Utagawa Hiroshige's "Suidobashi and Surugadai" from the "One Hundred Scenic Spots of Edo" series depicting a large koi fish kite on a stick and Fuji in the distance. Above is a 110 yen stamp with a person in Japanese clothes.
ALT Vertical painting in watercolour with ink lines. On the left stands in full height Leopold, an anthropomorphic wolf character. He wears trousers with suspenders and dark loafer shoes, and a blue shirt on top. He has long sleeved dark gloves. On the right is also Leopold, now kneeling on the ground, holding a paw of a dog (peeking from the right of the corner of the painting). This time he wears a 18-century style jacket with lots of buttons, also blue, and has white trousers. Behind are paintings of different Trianon characters.
ALT Scan of the whole back of the postcard, the painting described before is on the left. On the right is a 110 yen stamp, a copy of a woodblock print with two women over buckets. Underneath the stamp is the postmark, depicting "Edo papier-mâché dogs," the "signboard at the entrance to the Yanaka Ginza shopping street," and "daimyo clocks.". Behind, over the address area superimposed a part of the front of the postcard, the towers of Shinjuku over the white outline of Mt. Fuji.
ALT Vertical, leaning to square, painting, in ink and watercolour. On the right stands tall cartoony fox character in blue-white long dress, holding a mop. A woman leans towards her, photographing her on the phone.
ALT Painting, vertical, in watercolour with ink lines, depicting two characters. In the front is the pink cheehas in a pink dress, pink fluffy shoes, and in a black jacket, holding her paw near her mouth, walking towards the observer. She's labeled as Akino. Behind is another cheetah-coloured cheetah cheerah looking down and holding her paw, he's Kurokun. Below them is a tiled floor. On the top right is the artist's stamp, and on the left is a signature Michael Vokabre Half And Furf Tokyo 2026 5786 Acre. The background is grey-pink.
ALT On the right, over the space where the address goes, superimposed is the front of the postcard, a photocopy of the painting "Dancing Fox" by Ohara Koson. The painting depicts a red fox standing on hind legs, with paws above their head, and a cabbage leaf on their head with holes for ears. To the right is the empty mark for the postcode. Above is the stamp "Nippon 110" depicting two people near barrels in Japanese traditional clothes. On the left it says "POST CARD" and smaller "OTA Memorial Museum of Art" Underneath the stamp is the postmark, depicting "Edo papier-mâché dogs," the "signboard at the entrance to the Yanaka Ginza shopping street," and "daimyo clocks."
ALT Vertical painting, in ink and watercolour on the back of the postcard, in the middle-left stands a white fox Fika in white long sleeved shirt, black tie, and black trousers, hands across chest. Two people in the front right are photographing him on the phones.
ALT The whole back of the postcard, the painting described before is on the left, on the right above the address area superimposed is the front of the postcard, "Business enter of Tokyo viewed from the Imperial Palace" with a bridge over a moat, a postmark above depicting Hina dolls and the ginkgo tree at the former Horaien garden, and a postal 110 yen stamp with a woodblock illustration of a woman in a traditional Japanese costume
ALT Vertical painting, leaning square, depicting two characters posing for a photograph on a phone, painted in watercolour with ink lines. Both are full height, on the left is a silver fox Nuts with a sailor-like clothes, hugging his sister silver fox with brown undertones Choc, dressed in a long dress. Hands in a checker pattern hold a phone on the left.
ALT The whole back of the postcard, turned 180 degrees, on the right is the scene described before, on the bottom left are two 110 yen "Nippon" stamps with woodblock illustrations of women in traditional clothes. Above is a postmark depicting Hina dolls and the ginkgo tree at the former Horaien garden. Above, where the address goes superimposed is the front of the postcard — a 3d illustration of Snufkin sitting alongside Moomin.
ALT Vertical, leaning square, painting, two artists in the middle, one man on the right drawing in a notepad, another in the distance drawing on an ipad, two ears peaking on the bottom of the scene, and a fursuit head with horns of a sheep on the left. Behind are the artworks on the walls.
ALT Scan of the back of the postcard, with the painting described before on the left, on the right above the address superimposed is the front of the postcard, and above it is a 110 yen "Nippon" stamp with a woodblock print of a woman in Japanese clothes. The front of a postcard is a woodblock print of a terrace of Kiyomizu shrine in Ueno, with a tree with a circle-forming branch to the left, around are cherry blossom trees, a lake is in the distance.
ALT Vertical painting in watercolour with ink lines, a narrow one-way bridge in the middle crossing a river, hills and mountains in the back, and a house seen in front of the houses. The sky is filled with curly clouds. A taxi drives towards the observer on the bridge, taking the whole bridge length.
ALT The back side of the postcard, the painting is on the left, on the right is the scan of the front of the postcard, a printed drawing of two koi kites over the white-blue sky.