Three wonderfully detailed reviews of The Big Anxiety Empathy Clinic in @RealTime_Arts
realtime.org.au/artforms/fes…
realtime.org.au/the-big-anxi…
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“Again, Extended Play has proven itself an invaluable champion of international and Australian new music..." Thank you @RealTime_Arts for this review of #ExtendedPlay! ow.ly/wuX650wKhcd
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A good read of the archives.
"There were very few other outlets for dance criticism so that, more often than one might expect, RealTime was the only place that independent work (the largest sector in the field) was reviewed" realtime.org.au/realtime-dan… @RealTime_Arts
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The launch of the 1994-2015 print editions of @RealTime_Arts on the Trove was a memorable night of performances, reminiscences and wise words about cultural memory and the importance of archiving, inflected with laughter and a few tears. bit.ly/RT_17July2019
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#FlashbackFriday can you believe that it was back in April that we were celebrating the launch of the @RealTime_Arts Archive? Read about the launch (including transcripts of the speeches on the night) here: bit.ly/30If8G1
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Described as a “a freeform, participatory fantasia” by @realtime_arts, this immersive eco-horror is somewhere between mass games, film set and school play. WAISTD is on our stage 18 – 22 September > bit.ly/2GVdtph
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Liveworks opens this week! Thank you to the amazing @RealTime_Arts for this insightful and in-depth wrap of the program...
realtime.org.au/liveworks-20…
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Just waiting for Martin del Amo to perform @RealTime_Arts
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Very excited to be at the launch of the @RealTime_Arts digital archive. Come and check it out @UNSWLibrary exhibition space or online
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Join us tomorrow night for a live performance by Vicky Van Hout in the Main Library @ 6:30pm. This is part of the In Response: Dialogues with RealTime Exhibition @UNSWArts @RealTime_Arts . More info bit.ly/unswrealtime
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Last night's brilliant Branch Nebula event showed how central Keith Gallasch @RealTime_Arts is/was to the ecology of arts criticism. Lee Wilson said no-one else reviews them! Go see the exhibition. At least we'll always have the archive thanks to @UNSWLibrary @nlagovau @samUNSW
In the second of a series of lecture-performances as part of the In Response: Dialogues with RealTime exhibition, join us for Branch Nebula, as living archives. Tonight at 6:30pm, level 5 of the Main Library #UNSWLibrary #BranchNebula
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Congrats to Vicki Van Hout for receiving the Australia Council Award for Dance last Monday, you can see her one of her pieces in the Main Library's exhibition space as a part of our current @RealTime_Arts exhibition library.unsw.edu.au/study/ne…
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Replying to @ahcayley
it's incredibly moving - some of the best documentary editing I've seen in a long time (how do you convey personal trauma through images of others? etc). I made a vid for @RealTime_Arts a few years back trying to think through how it does that: realtime.org.au/cameraperson…
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Our production of 'Baling' is one of @RealTime_Arts' five highlights at this year's edition of @OzAsiaFestival: bit.ly/2A8bRF3
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Gail Priest's farewell essay for @RealTime_Arts buff.ly/2FXDypB
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A piece in @RealTime_Arts on Amiel Courtin-Wilson's THE SILENT EYE, which we are screening this Wednesday November 28 at @ACMI. realtime.org.au/the-silent-e…
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For those of you not in Lima this weekend, you can watch my video on @RealTime_Arts's website: realtime.org.au/cameraperson…
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my @RealTime_Arts video essay on Kirsten Johnson's Cameraperson is screening in Lima this Sunday as part of MUTA Festival Internacional de Apropiación Audiovisual: dafo.cultura.pe/ii-festival-…
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Keith and Virginia edited @RealTime_Arts for nigh 25 years, creating space for independent, reflective, critical arts writing.
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Artistic director Joseph Mitchell speaks to @RealTime_Arts about some of the works in @OzAsiaFestival, including our production of 'Baling'.
Visual artist @YeeILann's exhibition 'Like the Banana Tree at the Gate' is also a part of the festival! bit.ly/2pZHgUJ






















