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Celebremos mis 40 años (sin parar) en la música de la mejor manera posible. Mi viejo estaría orgulloso! #starmafiaboy #electricduetos #newalbum2027 (Pic by Charly Rock and Roll)
Star Mafia Boy retweeted
The Nomads y @STARMAFIABOY anuncian concierto en Madrid juntos
diariodeunrockero.es/concier…
Tantos y tantos buenos momentos, que conciertazos! He cogido las entradas un poco al azar porque yo guardo todo y sería imposible ponerlas en su totalidad (necesitaría muchísimos posts). En fin, como decía Kike Túrmix "Que nos quiten lo bailao". Larga vida a la Gruta77!!!
Star Mafia Boy retweeted
#LAMFriday Many people would have loved to have rescued Johnny from his addiction but sadly, the only person who could have done that was Thunders. I don't think it was because he wasn't strong enough, rather at his core, he didn't feel he was worth saving. 🥹💔 (can't remember who took the picture)
Star Mafia Boy retweeted
¿Lo quieres duro? Lo tienes duro
¿Lo quieres difícil? Soy difícil
¿Lo quieres cruel? Soy cruel
Soy malo. Diecinueve
¿Quieres ir a lo loco?
Ve despacio
¿Quieres una máquina feroz?
Soy malo. A los diecinueve
PHIL LYNNOT 🇮🇪Nineteen youtu.be/VnOIcalvFVw?is=fr27…
Se acerca mi último baile en la @gruta77madrid y aunque intento estar sereno no puedo dejar de emocionarme, la mejor sala de Rock and Roll del país cierra sus puertas y dejará un vacío imposible de llenar #gruta77 #thenomads #starmafiaboy
Star Mafia Boy retweeted
"Soy un artista sincero y real, y eso el público suele sentirlo" (Star Mafia Boy) losmejoresrock.com/soy-un-ar…
Star Mafia Boy retweeted
Estupenda entrevista realizada por Jon Marin para los @LOSMEJORESROCK, mil gracias!!! #starmafiaboy #electricduetos #rockandroll
losmejoresrock.com/star-mafi…
Star Mafia Boy retweeted
Hollywood Vampires - The Death and Resurrection Show
#JohnnyDepp #AliceCooper #JoePerry
youtu.be/BMMgmvddEoQ?si=ZPDE… via @YouTube
Star Mafia Boy retweeted
Rotos de dolor, con un nudo en la garganta y sin poder creer que esto sea verdad, desde el CD Tenerife comunicamos el trágico fallecimiento, este martes, día 3 de noviembre de 2026, a las 8:00 horas, de Jesús de Miguel Alameda.
No hay palabras de consuelo; no hay absolutamente nada que mitigue este sentimiento repleto de tristeza. Estamos junto a su desolada familia, junto a sus seres queridos, junto a todo el tinerfeñismo que hoy llora por este cruel desenlace.
La familia de Jesús de Miguel agradece todas y cada una de las muestras de apoyo recibidas, e igualmente solicita, de corazón, máximo respeto a su privacidad, en estos terribles momentos.
🖤 DEP
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Ian Hunter (November 2, 1979) – Cleveland Rocks / Bastard Single UK: 7"
Released in the UK on November 2, 1979, Cleveland Rocks was issued by Chrysalis under catalogue number CHS 2390. Written by Ian Hunter and produced jointly by Hunter and Mick Ronson, the track was drawn from the 1979 album You're Never Alone With A Schizophrenic.
Although closely identified with Cleveland, Ohio, the song had an unusual history. An earlier version appeared in Britain during 1977 as England Rocks. Hunter later explained that Cleveland had been the original inspiration, with the lyric subsequently adapted because he wanted the song to have an opportunity as a single outside the United States.
BACKGROUND & ORIGINS
Hunter's affection for Cleveland provided the foundation for the song. At a time when the city was frequently characterised as unfashionable beside places such as Los Angeles and New York, Hunter instead recognised the enthusiasm and character he associated with Cleveland.
The composition first emerged commercially as England Rocks in 1977. Two years later the Cleveland-centred version became part of You're Never Alone With A Schizophrenic and subsequently developed an enduring association with the city.
STYLE & THEMES
Cleveland Rocks is an emphatic rock anthem built around civic pride and Hunter's affection for a city he believed deserved greater recognition.
The recording also acknowledges Cleveland's place in early rock 'n' roll history. Its opening incorporates an archival introduction associated with Cleveland disc jockey Alan Freed and The Moondog Show before the performance launches into the main song.
The combination of Hunter's writing and the substantial Hunter/Ronson production gives the recording its forceful, celebratory character.
























