George Henderson retweeted
Look ! - a telecaster not touched by John's saw - John usualy cut his guitars down to a smaller size . 🎸👇
George Henderson retweeted
The guitar and amp are the core.
But pedals are useful tools -just ask these dudes…
Jimi Hendrix- Fuzz Face, Uni-Vibe
David Gilmour -MXR Phase 90, Digitech Whammy, Big Muff
Stevie Ray Vaughan - sculptured his blues tone using an Ibanez Tube Screamer and
Vox Wah 🤘
George Henderson retweeted
Dublin’s original tram system (1872–1959) was a rattling work of art and efficiency, albeit an occasionally fatal one. The first horse-drawn trams began service in 1872 between College Green and Rathgar. They were doubledeckers, two and a half tons of painted oak and iron pulled by pairs of horses swapped out every few miles to prevent exhaustion (I hate animals being used for this purpose).
Steel rails embedded in cobblestones made for a smoother ride than the jolting “omnibuses” that came before where, incidentally, we get the word “bus.” Conductors in grimy uniforms called out “Car, sir? Car, madam?” as they clanged through the damp air of Grafton Street. A penny fare could take a labourer to work or a courting couple to Dollymount Strand. Women on the open top deck had modesty boards installed to preserve Victorian decency, a detail that says as much about the age’s moral temperature as it does about how women have always had to put up with perverted nonsense.
The great leap came with electrification in 1901 under William Martin Murphy, founder of the Dublin United Tramways Company (DUTC). Dublin was among the first cities in the world to electrify its entire system, a source of civic pride. Sleek, humming machines replaced horses, drawing current from overhead wires. Capable of 40 miles an hour and fitted with air brakes, many were built locally at Spa Road Works, Inchicore.
At its peak, the network spanned over 60 miles, reaching Dalkey, Terenure, and Clontarf. Trams carried families to the coast, workers to the docks, and clerks from Rathmines and Phibsborough to Dame Street. Each tram bore a front symbol. A star, triangle, or heart, to help illiterate passengers find their route. The doubledeckers became microcosms of class. Upstairs, middle-class commuters smoked pipes and read the Freeman’s Journal, downstairs, the air was thick with talk and sweat.
That feel of slipping between worlds, the muffled rattle of the city outside, the metallic scent of ozone from wires fizzing in the rain, the steady ding of the motorman’s bell, was magical. You might climb to the open deck for a sea breeze nearing Clontarf, but more often huddled below on a rainy morning, pressed between the Guinness breath of aul lads and shawled motts with market baskets and cheap lavendar perfume.
Crime was rare, mostly pickpockets and kids. Accidents, sadly, were common. Carefree children darting into tracks or elderly passengers slipping while boarding. Yet for all its dangers, the tram revolutionised Dublin life, expanding the horizons of the working class.
Motormen and conductors worked punishingly long shifts in all weather. Their meals had to be brought to them by family at the terminus. Their employer, William Martin Murphy, was both visionary and villain. The man who electrified the trams and later led employers during the 1913 Lockout.
The decline came when motor buses arrived in the 1920s. They were flexible, cheap, unbound by rails. The DUTC replaced its trams and rebranded as the Dublin United Transport Company in 1941. One by one, the lines were torn up and sold for scrap.
By July 1949 the last city tram had clanged its bell for the final time. A solitary echo lingered on the Hill of Howth Tramway until May 31, 1959. After that Dublin was a tramless city, its great arteries of steel torned up or buried beneath tarmac till the Luas decades later.
George Henderson retweeted
The Golden Wonder period began on 27 October 1972 with the release of Talking Book.
Not one duffer in the bunch, the album includes the hits You Are The Sunshine Of My Life and Superstition, plus a plethora of classics like You And I, Tuesday Heartbreak and You Got It Bad Girl.
Did you know our Inspired by Gibson Custom 1962 ES-335 Reissue features Gibson Custombuckers?
Learn more about this world-class guitar here: bit.ly/3VEp5Gh
#Epiphone #GibsonCustom #es335 #InspiredByGibsonCustom
George Henderson retweeted
😘 Hi sweethearts 😘 welcome to tornado Tuesday 🌪️ It's blowing a gale outside 🌬️ be careful that your umbrella doesn't blow inside out ☂️I have the answer with my magic wand🪄let's stay indoors 🍃 away from the leaves blowing in the wind 💃 we can dance our troubles away 💋 have nice hot soup & maybe a movie or two 💋 Fancy it? 💋 big love 💋 Sally 💋 XxX 💋
Guitar Speaker History - Jensen, Celestion, Eminence and EV, 1924-2026
The loudspeaker is the final electromechanical stage of an electric guitar amplifier. Its cone, magnet, voice coil, suspension and cabinet determine how electrical energy becomes sound. Four manufacturers helped define its evolution.
Jensen - Founded 1927, Chicago, USA
Founded by Peter L. Jensen, the company became a leading American loudspeaker manufacturer. Jensen speakers appeared extensively in Fender and other American amplifiers throughout the 1940s-1960s.
The P12R used a 12-inch cone and Alnico magnet, while the C12N employed a ceramic magnet and heavier-duty construction. Their differing motor assemblies, cones and power ratings produced distinct responses.
Original Jensen speaker production ended in the late 1960s. Licensed manufacturing resumed in Italy during the late 1990s.
Celestion - Founded 1924, England
Originating in Hampton Wick, Celestion introduced its G12 loudspeaker in 1936. A reinforced guitar-speaker design developed in 1959 led to the T530 Alnico Blue, associated with Vox AC15 and AC30 amplifiers.
The ceramic G12M Greenback followed in 1965. Early versions were rated at 20 watts, with later 25-watt designs becoming widely used in Marshall cabinets.
Celestion’s controlled cone breakup and midrange response became fundamental characteristics of British rock amplification.
Eminence - Founded 1966, Kentucky, USA
Bob Gault established Eminence in Kentucky, initially manufacturing three 18-inch speakers daily for Ampeg.
Eminence expanded into one of the industry’s major OEM manufacturers, supplying speakers for guitar, bass and professional-audio equipment.
Its branded Legend series and Cannabis Rex demonstrate the company’s range of speaker designs. The Cannabis Rex employs a hemp-based cone for a distinctive frequency response.
Italy’s B&C Speakers acquired Eminence in 2023.
Electro-Voice - Founded 1927, Indiana, USA
Electro-Voice developed professional loudspeakers emphasizing power handling, efficiency and durability.
Its EVM12L became particularly important in high-powered guitar amplification. The modern EVM12L Classic features a 12-inch cone, ceramic magnetic assembly, cast-aluminum frame and edge-wound aluminum voice coil.
Rated at 200 watts with 100 dB sensitivity, it combines substantial power handling with high acoustic output.
What determines speaker tone
Sensitivity determines acoustic output for a specified electrical input. Cone mass, stiffness and damping influence frequency response and breakup.
Magnet strength, magnetic-gap geometry and voice-coil construction affect efficiency, electrical behavior and thermal capacity.
The surround and spider control cone movement, while open-back and closed-back cabinets alter bass response and acoustic radiation.
Wattage ratings describe power handling, not loudness. Magnet material alone cannot predict tone.
A guitar speaker is therefore not merely an amplifier accessory. It is an essential component of the instrument’s complete electrical and acoustic system.
Sources:
jensentone.com/
celestion.com/
eminence.com/
products.electrovoice.com/
George Henderson retweeted
BREAKING: Neil Young has just sued Trump for playing "Rockin' in the Free World" at his rally in Ohio.
The lawsuit states:
“In short, the Song is the opposite of everything that Donald J. Trump stands for.”
Thank you Mr. Young!
George Henderson retweeted
I must sing of what I do not want,
I am so angry with the one whom I love,
For I am deceived & betrayed🎵
A chantar m'er de so(I am obliged to sing) ✍️Beatriz, Countess of Diá (c1140-c1200)
🎵youtube.com/watch?v=a_RQJOAH…
#JordiSavall #MontserratFigueras
🎨 #EmmaSandys (1843-77)
George Henderson retweeted
It Takes A Worried Man to get his own sitcom on this day in 1981.
Peter Tilbury stars and writes.
George Henderson retweeted
I've recently Tweeted about Australian takeover of vintage lunchtime telly via The Sullivans.
Here's another example from today in 1982 with the launch of A Country Practice.
And I have a feeling I'll be coming up with another, more famous instance in a moment or two...
George Henderson retweeted
Aiming for some confidence in the TOTP charts 43 years ago are Will Powers, King Kurt, Musical Youth and The Cure.
George Henderson retweeted
The Further Fables of 3-2-1 on 27 October '84 tell of the prizes on offer to contestants.
Including Caroline Munro and a lounge suite, Del Trotter's and Marlene's coats, a visit to Greece and some spiffy new kitchen gear!
George Henderson retweeted
A few weeks before Now 8 hits the shops, Now Dance '86 is released on this day 40 years ago - featuring extended 12" dance mixes of popular turntable spinners.
George Henderson retweeted
40 years ago, it's Dreamtime for The Stranglers.
Includes the hits Always The Sun, Nice In Nice and Big In America.
George Henderson retweeted
XTC go Skylarking 40 years ago today, although by all accounts, it wasn't all larks in the studio - what with a clash of personalities breaking out between Andy Partridge and producer Todd Rundgren.
Despite the argy bargy, it still resulted in one of the band's best albums.
George Henderson retweeted
A near-perfect round-up of The Police's hits, Every Breath You Take is drawn at cash registers worldwide on this day in 1986.
I say near-perfect, unfortunately, it includes the not-much-cop reworking of Don't Stand So Close To Me, which is so 1986, it comes with a free mullet.

















































