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Geek, gamer, interested in C-ent and K-ent, film and video game music aficionado

EU
Joined June 2019
Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)Photo by shay (@ShayGamerD3)
Books The woman from Image 1 sits on the floor of a photo studio beside a stack of books. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: long, straight, glossy black hair with a center part, falling past her chest, tucked behind her ear on one side, the ends softly waved. A slender frame, delicate collarbones, a wasp waist. Small round sparkling stud earrings, pale nude nails. Her outfit, exactly as on the mannequin in Image 2: the cropped heather gray knit cardigan, worn open, with a diamond lattice of tiny eyelets, a ribbed neckband, hem and cuffs, small gold snap buttons down both front edges and a small gold toggle bar at the neck; the pale blue shirt with fine white and tan stripes, its pointed collar outside the neckband and its striped hem showing below the cardigan; the dark navy pinstriped vest with a deep V-neck and four buttons; the very short charcoal gray wrap skirt with matching shorts showing below its hem; the two stacked charcoal gray cloth belts with eyelets and a large square covered buckle on the hip; and solid black opaque tights. Her hands, each doing something different: her left hand rests flat on a folded blue cable-knit blanket beside her, her arm straight, leaning on it; her right arm hangs relaxed at her side, the hand resting on the carpet behind her hip. Pose: she sits on the carpet with her legs stretched out to the left of the picture, her upper body upright and turned slightly to the right, leaning on her left arm, facing the camera. Framed from a little above her head down to her hips. Setting: a plain, pale gray-white studio wall and a soft gray carpet; at the right, a tall stack of old hardcover books with worn white, cream and blue covers; a folded blue cable-knit blanket on the carpet. No text or signs. A real photograph. Arms crossed The woman from Image 1 stands inside a bus shelter. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: long, straight, glossy black hair with a center part, falling past her chest, tucked behind her ear on one side, the ends softly waved. A slender frame, delicate collarbones, a wasp waist. Small round sparkling stud earrings, pale nude nails. Her outfit, exactly as on the mannequin in Image 2: the cropped heather gray knit cardigan, worn open, with a diamond lattice of tiny eyelets, a ribbed neckband, hem and cuffs, small gold snap buttons down both front edges and a small gold toggle bar at the neck; the pale blue shirt with fine white and tan stripes, its pointed collar outside the neckband and its striped hem showing below the cardigan; the dark navy pinstriped vest with a deep V-neck and four buttons; the very short charcoal gray wrap skirt with matching shorts showing below its hem; the two stacked charcoal gray cloth belts with eyelets and a large square covered buckle on the hip; and solid black opaque tights. Her hands: her arms are crossed loosely over her chest, her right hand resting on her left upper arm, her left hand tucked under her right elbow. Pose: she stands with her body turned slightly to the left of the picture and her face turned to the camera. A big, wide, happy smile showing her teeth, her eyes crinkled with it. Framed from a little above her head down to her upper thighs, her figure on the right side of the picture. Setting: inside a bus shelter: behind her a large framed fashion poster on the wall, out of focus, a pale yellow upper wall and a sage green lower panel, a slim metal frame, a wooden bench with metal legs. No text or signs. A real photograph. Heart The woman from Image 1 stands inside a bus shelter. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: long, straight, glossy black hair with a center part, falling past her chest, tucked behind her ear on one side, the ends softly waved. A slender frame, delicate collarbones, a wasp waist. Small round sparkling stud earrings, pale nude nails. Her outfit, exactly as on the mannequin in Image 2: the cropped heather gray knit cardigan, worn open, with a diamond lattice of tiny eyelets, a ribbed neckband, hem and cuffs, small gold snap buttons down both front edges and a small gold toggle bar at the neck; the pale blue shirt with fine white and tan stripes, its pointed collar outside the neckband and its striped hem showing below the cardigan; the dark navy pinstriped vest with a deep V-neck and four buttons; the very short charcoal gray wrap skirt with matching shorts showing below its hem; the two stacked charcoal gray cloth belts with eyelets and a large square covered buckle on the hip; and solid black opaque tights. Her hands: both hands raised to her face, the fingers of each hand curled into a half-heart shape, one at each cheek, framing her face; her elbows out to the sides. Pose: she stands facing the camera, her head tilted slightly; a sweet, closed-mouth smile. Framed from a little above her head down to her mid-thighs. Setting: inside a bus shelter: behind her large framed fashion posters on the walls, out of focus, a pale yellow upper wall and a sage green lower panel, slim metal frames, a wooden bench with metal legs. No text or signs. A real photograph. Standing The woman from Image 1 stands in front of a bus shelter. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: long, straight, glossy black hair with a center part, falling past her chest, tucked behind her ear on one side, the ends softly waved. A slender frame, delicate collarbones, a wasp waist. Small round sparkling stud earrings, pale nude nails. Her outfit, exactly as on the mannequin in Image 2: the cropped heather gray knit cardigan, worn open, with a diamond lattice of tiny eyelets, a ribbed neckband, hem and cuffs, small gold snap buttons down both front edges and a small gold toggle bar at the neck; the pale blue shirt with fine white and tan stripes, its pointed collar outside the neckband and its striped hem showing below the cardigan; the dark navy pinstriped vest with a deep V-neck and four buttons; the very short charcoal gray wrap skirt with matching shorts showing below its hem; the two stacked charcoal gray cloth belts with eyelets and a large square covered buckle on the hip; solid black opaque tights; and the polished black leather lace-up derby shoes. Her hands: both arms hang relaxed at her sides, the hands open and slightly turned forward. Pose: she stands upright facing the camera, her feet close together, exactly two legs; a big, bright smile showing her teeth. The full figure visible from head to shoes, with space above her head and a strip of pavement below her shoes. Setting: a bus shelter on a quiet street: slim metal frames, large framed fashion posters on a pale yellow wall, sage green lower panels, a wooden bench with metal legs; a brick-paved platform with a low stone curb; gray asphalt with white road markings in front of her. No text or signs. A real photograph.
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#LiuHaocun preppy layers outfit #AI #GPT #AIart prompt in the comments
🤖 Made with AI
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Crouch The woman from Image 1 crouches low on the stone sidewalk of a shopping street. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: a glossy black chin-length layered bob with long side-swept bangs, the ends curving inward at her jaw, under the cap. A slender frame, delicate collarbones, a wasp waist. Small silver drop earrings, black nails. Her outfit, exactly as on the mannequin in Image 2: the black cotton fisherman cap with a braided band and a small button at each side; the white ribbed sleeveless mock-neck crop top; the very long silver chain with white pearls; the black micro shorts with thin white pinstripes and small flap pockets; the white leather belt with small silver studs and a large oval silver buckle, worn loosely and slanting low on her hips; the black glossy leather western knee-high boots with pointed toes; the two silver bangles on her right wrist; and the black crinkled-leather tote with tassels, a small coin pouch and a beige plush teddy-bear charm. Her hands: both hands cup her cheeks, her fingertips resting on her cheekbones; her elbows rest on her knees. The tote stands upright on the paving beside her left boot, its plush charm hanging over the side. Pose: she squats on her heels facing the camera, her knees together and drawn up toward her chest, both boots flat on the paving side by side, her head tilted slightly, exactly two legs. Framed close, from the top of the cap to the soles of the boots, the boots large in the foreground. Setting: a shopping street: behind her a shop front with warm lamps glowing inside, out of focus; on the left a concrete planter with leafy shrubs and a low stone step; light gray granite paving. No text or signs. A real photograph. Taxi The woman from Image 1 stands at an airport curb in front of a parked white van. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: a glossy black chin-length layered bob with long side-swept bangs, the ends curving inward at her jaw, under the cap. A slender frame, delicate collarbones, a wasp waist. Small silver drop earrings, black nails. Her outfit, exactly as on the mannequin in Image 2: the black cotton fisherman cap with a braided band and a small button at each side; the white ribbed sleeveless mock-neck crop top; the very long silver chain with white pearls; the black micro shorts with thin white pinstripes and small flap pockets; the white leather belt with small silver studs and a large oval silver buckle, worn loosely and slanting low on her hips; the black glossy leather western knee-high boots with pointed toes; the two silver bangles on her right wrist; and the black crinkled-leather tote with tassels, a small coin pouch and a beige plush teddy-bear charm. Her hands, each doing something different: her left hand holds the tote by its rolled handles at her hip, the bag hanging at her left side; her right hand rests lightly on her left wrist. Pose: she stands upright facing the camera, her weight on her right leg, her feet close together, exactly two legs; her head turned slightly to the left of the picture. The full figure visible from the top of the cap to the soles of the boots, with a strip of pavement below the boots. Setting: an airport curb on a summer day: behind her a parked white van with a yellow stripe along its side, two silver hard-shell suitcases and a black backpack on the pavement, out of focus; pale gray stone paving with a yellow tactile strip at the curb edge. No text or signs. A real photograph. Walk The woman from Image 1 walks along the sidewalk outside an airport terminal. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: a glossy black chin-length layered bob with long side-swept bangs, the ends curving inward at her jaw, under the cap. A slender frame, delicate collarbones, a wasp waist. Small silver drop earrings, black nails. Her outfit, exactly as on the mannequin in Image 2: the black cotton fisherman cap with a braided band and a small button at each side; the white ribbed sleeveless mock-neck crop top; the very long silver chain with white pearls; the black micro shorts with thin white pinstripes and small flap pockets; the white leather belt with small silver studs and a large oval silver buckle, worn loosely and slanting low on her hips; the black glossy leather western knee-high boots with pointed toes; the two silver bangles on her right wrist; and the black crinkled-leather tote with tassels, a small coin pouch and a beige plush teddy-bear charm. Her hands, each doing something different: her right arm swings loosely at her side, the hand near her thigh; her left forearm is raised in front of her, bent at the elbow, the hand open and palm up at chest height, the tote hanging from that forearm by its handles. Pose: she walks toward the right of the picture, seen from the side, mid-stride, her front boot about to touch the ground and her back leg pushing off, exactly two legs; her head turned slightly toward the camera. The full figure visible from the top of the cap to the soles of the boots, with a strip of pavement below the boots. Setting: outside an airport terminal on a summer day: a long row of tall white vertical railings and white pillars behind her, out of focus; pale gray stone paving. No text or signs. A real photograph. Close-up The woman from Image 1 stands at an airport curb. She wears exactly the outfit shown on the mannequin in Image 2, every piece the same and in the same colors. Her hair: a glossy black chin-length layered bob with long side-swept bangs, the ends curving inward at her jaw, under the cap. A slender frame, delicate collarbones, a wasp waist. Small silver drop earrings, black nails. Her outfit, exactly as on the mannequin in Image 2: the black cotton fisherman cap with a braided band and a small button at each side; the white ribbed sleeveless mock-neck crop top; the very long silver chain with white pearls; the black micro shorts with thin white pinstripes and small flap pockets; the white leather belt with small silver studs and a large oval silver buckle, worn loosely and slanting low on her hips; the two silver bangles on her right wrist; and the black crinkled-leather tote with tassels, a small coin pouch and a beige plush teddy-bear charm. Her hands, each doing something different: her right hand is raised across her body to tuck a strand of hair behind her left ear, the silver bangles slipping down her forearm; her left hand holds the tote by its rolled handles at her waist, the bag hanging at her left hip. Pose: she stands in a three-quarter view, her body turned slightly to the left of the picture, her chin slightly lowered, looking up into the camera from under the cap brim. Framed from the top of the cap down to mid-thigh. Setting: an airport curb on a summer day: a black hard-shell suitcase and a few people behind her, far out of focus, a pale terminal wall. No text or signs. A real photograph.
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#EnamiAsa's aiport pinstripe outfit #AI #GPT #AIart prompt in the comments
🤖 Made with AI
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Return of the Black Fox (黑狐归来) theme from Love in Pavilion and Sword and Beloved is one of the best villain themes in C-dramas #SwordAndBeloved #LoveInPavilion open.spotify.com/track/3pa8M…
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This year I've listened mostly to #CDrama soundtracks #SpotifyWrapped spotify.com/wrapped-share/1b…
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"Why don't you just skip the intro?" The intro: #SwordandBeloved
“Why don’t you just skip the intro?” The intro:
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"I'm from Lotus Village of Lotus Town of Lotus Mount" #ChengYi #MysteriousLotusCasebook
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New C-Drama, also available on Netflix internationally, #Mobius, begins with that overexposure to the horn of doom 😉 #MOBIUSEp1 #BaiJingTing open.spotify.com/track/5BTB1…
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Is she being typecast? In both series she plays a secondary demonic character crazy in love in secondary human character #ZhouJieQiong #LoveInPavilion #Feud #LinJiangXian
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