Phase 4 is live on SongChainn. Artists do not get a page here. They get a world you can walk through. The Studio is open, battles are judged live, and every record carries its credits and a licensing desk. Lusaka, London, Lagos, LA. Same room, same night. @Imanafrikah @LadyrynNemesis @official_nda06 @The7_is_a_T @santanauno15 @Denaja_7 @Purpose_prp @Faith_schain @Sammie_schainn @Jmn_Music Free to listen. Link in bio.

A talent search has one winner and everybody else goes home. SongChainn has a standard instead. It is a line you either clear or do not, and everybody who clears it is in. Nobody has to lose for you to be live.

Not a competition. A standard.

If it only works on headphones, it is not done yet.

Nobody hears a new song on good speakers first. They hear it on a phone, in a taxi, at half volume, next to somebody talking. A mix that only works on headphones is not finished. It has been flattered.

Mix for the phone, not the studio.

Let's gooo xitter.cf/i/spaces/1qJVmyjgzgMGB

A play on SongChainn is a measurement. Nobody can buy one.

Ask an artist how a song gets played and sooner or later somebody mentions what it costs. Not the recording. The getting heard. On SongChainn plays are measured on the server. A measurement cannot be paid for. That is the whole difference.

Nothing to pay anybody to get heard.

You already know which part you want to skip. So does everyone else.

Almost nobody listens to their own finished track the way a stranger will. Start to finish, once, on a phone, without touching anything. The parts you want to skip are the parts everyone skips. You already know which they are.

Play your own song once, the way a stranger would.

A place to send people that still looks like you next year.

On most platforms an artist is a row in a database that a search happens to surface. On SongChainn you have a place with your name on it, one you can send somebody to, and it does not change shape because a company redesigned something.

Where do you send somebody who asks to hear you?

The corridor was the problem. The music was fine.

A label to sign you. A distributor to reach the shops. An aggregator to reach the distributor. Each one is a queue and each one takes a cut. SongChainn is one step: claim, upload, clear the standard, live. The corridor was the problem, not the music.

Count the people between you and one listener.

Nobody here needs the Zambian market explained to them. That is a feature.

Most of the tools an African artist uses were designed for somebody else and arrived here later. SongChainn was built in Zambia. That does not make it better by itself. It does mean nobody has to explain the market to the people who built it.