poet critic person · typographer @FaberBooks (and elsewhere) · contributor @theTLS (and elsewhere) · typesetting commissions: [email protected]

Joined May 2012
My most recent piece for @theTLS is a review of Helen Vendler’s final book of essays on poetry. A truly brilliant collection overall, though she was wrong about Ocean Vuong, who is – as we know – shit. GET IT HERE: the-tls.com/literature/poetr…
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If you've heard me wanging on about John Clare recently, here's the reason - I've been writing about him for the @LRB. Read! Enjoy! lrb.co.uk/the-paper/v48/n19/…
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Further to ‘Shakespeare authorship tests are [redacted]’, I’ll just repost this, from @TheTLS letters page last year:
Thanks to @TheTLS for publishing this, which is the last thing I’ll say about Brian Vickers, Gabriel Egan (what a charming man), and the tedium of ‘attribution studies’
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In 1667, there was a book called “l nipotismo di Roma” (“The History of the Popes' Nephews”). It explored how Pope Sixtus IV granted favors to his “nephews.” Now, ‘nepotism’ means “favoritism based on kinship.”
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Fine, I’ll say it again. The body of surviving texts used for *all* claims of this kind is far too small for any actual linguist or statistician to take seriously. Whether it’s Brian Vickers (see reply) or the New Oxford Shakespeare, it’s built on sand theguardian.com/culture/2026…
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I covered the previous round of claims – made to shore up Brian Vickers’s concocted new edition of Thomas Kyd – in the TLS last year: the-tls.com/literature-by-re…
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It led to a delightful war on the letters page. This was the last thing I said about it all: xitter.cf/TomCook24/status/19639…
Thanks to @TheTLS for publishing this, which is the last thing I’ll say about Brian Vickers, Gabriel Egan (what a charming man), and the tedium of ‘attribution studies’
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Tom Cook retweeted
Happy Monday from the one and only Thom Gunn:
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Larkin’s library colleague and fellow poet, Douglas Dunn has died. RIP.
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Ach, what a loss. I lived down the road from Terry Street when I was a student at Hull, and he was so fondly remembered there. ‘I wish him grass’
Very sorry to report that Douglas Dunn has passed away. He was the finest Scottish poet of the post-war period. Dougie was also someone we knew and loved as a dear friend, mentor and teacher, and he will be deeply missed.
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People who like CS Lewis more than me are unsophisticated, simple naïfs. People who like him less than me are tryhard pseuds. Only I like CS Lewis the correct amount.
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Tom Cook retweeted
Went back to her Paris Review interview
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'Nashville Skyline' is the situation when Bob Dylan acts like it's perfectly normal that his new LP is a wildly horny 28-minute Country & Western album wherein he sings like a particularly hash-drunk Dean Martin, and we all agree that it's perfect. Throw my ticket out the window.
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Any bibliophile Larkinophile out there: this is your Christmas come early. newversereview.substack.com/…
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Yoghs and wynns are the true test of a font’s versatility. There you go: double nerd
It's uncanny how accurate this is
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65 years ago today Robert Shelton’s review ran in the New York Times, kickstarting the series of events that led to Bob Dylan signing a Columbia recording contract less than a month later. We’ll never know how his career would have played out if this review hadn’t been written.
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historians writing about england in 1640-41 love interspersing their primary narratives with coy little asides about "an obscure backbencher from Cambridge named Oliver Cromwell"
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I'm back in @PoetryFound with a longread about what "a writer's life" looks like, based on 20+ books with "a writer's life" (or similar) as title or subtitle. This was initially an Oxford lecture in 2024; I'm delighted to see it published! Read for free: poetryfoundation.org/article…
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New book on the way! A decade-plus in the making. And it's coming into the world with the most absurdly glorious honour guard. Couldn't be happier. press.princeton.edu/books/ha…
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I think a lot of great poetry, especially great modern poetry, is the same. The prevailing wisdom is that the language/imagery of poetry should be completely original, but a lot of modern greats – Eliot, Bishop, Larkin – skirt breathtakingly close to cliché *and get away with it*
i could go on about this fascinating kitsch-masterpiece fault line forever. the thing about tchaikovsky is that he knew his position fairly well: he said nastier things about the 1812 and marche slave than most critics will, knew he was the anti-brahms, not a structure guy, &c.
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