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We’re building the first Music Futures Exchange along with entirely new investment products. For rights holders and investors. Trade the future of music.

D.C. and Nashville
Joined May 2018
We’ve been quiet, but busy, working on something we’re excited to share soon.
“… the average number of credited songwriters in the US market’s Top 10 streaming hits of 2018, per-track, was a surprisingly high 9.1.” Thinking about those royalty reports. 🤯 musicbusinessworldwide.com/h…
Before you head out or hunker down for Thanksgiving (or just do Thursday for our friends outside the US), download the new episode of Penny Lane: Streaming and the modern indie record label – a conversation with ⁦@revrev⁩ of ⁦@newwestrecords⁩ anchor.fm/pennylane/episodes…
In this episode of Penny Lane, we speak with Chris Castle (⁦@musictechsolve⁩) about what we can expect over the next two years as the Music Modernization Act, now law, moves to appointments, regulations, and into the implementation phase. anchor.fm/pennylane/episodes…
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When you’re done listening, check out our @shawnyeager’s take on how the music industry can fully modernize. shawnyeager.com/consensus-le…
Penny Lane, our new show about the future of music streaming is live. Subscribe to be first to hear our interview with former chief counsel to Napster and veteran music industry lawyer, Chris Castle (@musictechsolve), coming later this week. anchor.fm/pennylane
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It's an exciting time with the full passage of the #MusicModernizationAct. Bonus: our co-founder, @matt_squire, managed to make it on the White House's uninvited list for yesterday's signing ceremony. ¯\_(ツ)_/¯ billboard.com/articles/news/…
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Consumers spend an average of 17.8 hours a week, or 2.5 hours a day listening to music, with 86% consuming audio and video services. For audio streaming, the global rate of use was 61%. rainnews.com/ifpi-report-con…