Second go with @Hailuo_AI #MiniMaxH3 This time I ran gritty Midjourney v8.2 stills through H3 and used a Suno track as reference. Big takeaway: simpler prompts worked better. H3 understood the intent, stayed close to the original aesthetic, and synced the movement to the track surprisingly well. There are a few mangled faces and hands in there, but most of that came from imperfections in the source stills rather than H3 breaking the motion. This was just a quick test, so I left them in. I also used a vérité-style camera block and crash zooms to make the footage feel less controlled and more observed. Handheld movement, slight focus breathing and subtle background drift gave the shots a much more natural feel. Prompt block for the vérité camera work in the next post 👇

Still smiling about this one! 🏆 Here’s ‘Wonder Toy Store: Imagination Starts Here’, my commercial category winner at CapCut CRE[AI]TE 2026. I wanted to capture that feeling of playing as a kid, when the worlds you imagined felt completely real. @capcutapp

The CapCut CRE[AI]TE 2026 winners are here! 🏆 Every one of the 2,523 submissions, from 47 countries and regions, started with someone who had a story and decided to tell it. 30 works made the final list: 10 award winners and 20 Spotlight Selection works. Congratulations to every creator on the list, and a huge thank you to everyone who entered. You brought the ideas and let new tools take them further, and that made this one very hard to judge.

The CapCut CRE[AI]TE 2026 winners are here! 🏆 Every one of the 2,523 submissions, from 47 countries and regions, started with someone who had a story and decided to tell it. 30 works made the final list: 10 award winners and 20 Spotlight Selection works. Congratulations to every creator on the list, and a huge thank you to everyone who entered. You brought the ideas and let new tools take them further, and that made this one very hard to judge.

CLING ON! We’ve got news.

Did you see my film The Miracle in todays Paper? Some of my favorite creatives got an early peak at the film + the reviews are coming in Hot! In case you don't still get the newspaper at your place here is the ad from todays paper. Film premieres next week! @CaptainHaHaa @DrDreams @BLVCKLIGHTai @tupacabra @stinkycubert @JoshDaws @jordandchesney @VictorInFocus @mike_darrow @bstuartTI @eattheethos @jdp2oo

Everyone thinks the considerate thing to do is ask when someone seems to be hurting. Not always. Asking is for you. You get to feel like you helped, and the discomfort moves off you and onto them. So he does the one thing she requested: nothing. #dreaminacpp @dreamina_ai

PROMPT SHARE! This is for the 2nd shot in 'Beautiful', where she cries. I used the first shot (the interview) as a single video reference: Continue @ VIDEO 1: CUT TO: A tight telephoto close up on the supermodel's face, capturing her with a voyeuristic telephoto camera shot (passing by people, walking through the frame heavily obscure our view of her) as she sniffles, delicately wiping away her tears. She's been crying. Her eyes are slightly red and face flushed having just finished crying. She tries to compose herself, trying to hide herself from the surrounding crew members walking around (out of focus in the foreground, walking through frame). She is embarrassed to be having such an emotional breakdown in such a public place. White wall of the studio soundstage in the background (Hollywood, California). The entire shot is one seamless take, captured with an old super 16mm handheld camera with an Angenieux 11.5-138mm HR T2.3 S16 PL Mount S/N 1566465 lens (global shutter natural camera swaying and shaking). The shot maintains a tight telephoto close up for the majority of the shot, lingering on her face. With a great sense of self consciousness, she looks around at the people walking by her, turning away from them to hide herself so no one sees that she's been crying. Moments later we hear a man approach her, really concerned for her. Off screen, we hear him say, "Hey... hey, listen I'm sorry. I'm sorry, okay." She immediately turns away from him. She does not want to see him. He is the reason she's been crying. She tries to walk away from him. The tight telephoto camera shot pans, following her (the camera drifting as she walks, having a hard time trying to follow her: the camera never knows where she is going to go, so it's always lagging behind her movements, trying haphazardly to keep her in frame). The man (off screen) follows her and enters the frame, gently taking her by the arm, turning her towards him and stopping her from going. She turns to him reluctantly, completely fed up with him and totally uninterested in what he has to say. He says, "Hey, please." A beat. "Please. I'm sorry, I really am. I didn't mean it, okay, I mean, I didn't mean it to sound like that, I'm an idiot, okay. Please. Please forgive me. Please." His sincerity, softens her towards him. She is still deeply hurt, but doesn't pull away so much, but instead her body language shows that she is becoming receptive to his contrition. Then, as she says, "Why do you do this though?" she can't help but start to cry again, and he immediately holds her close and she weeps, burying her head in his chest.