Prompt ↓ Editorial art poster, [RATIO]. Flat saturated vermilion background. Subject in cool grays, near-black and chalk white: [SUBJECT]. Monumental foreshortening, hard raking light, bold cropping. Painted in angular dry charcoal-like brush strokes, not a glossy render. Huge sharp-cut italic serif title "[TITLE]" in off-white. The solid letters sit behind parts of the subject; a thin white outline copy of the letters crosses the foreground. The full title stays readable. One small black engineering sketch of the subject with a few fine rules, and a tiny caption "[CAPTION]". No other text. Fine print grain on the red only. No logos, no neon, no photo scenery, no glossy CGI.

Prompt ↓ Editorial art poster, [RATIO]. Two inks only: deep oxblood red on pale cool-gray paper. All tones come from ink density, no third color. Photo of [SUBJECT], rendered in coarse, clearly visible halftone dots, with dense red shadows and pale highlights. Pale rectangular panels split by narrow red gutters form the grid. The subject crosses panel edges: [HOW IT BREAKS THE GRID]. Headline "[HEADLINE]" in extremely tall, ultra-condensed upright sans-serif caps. One short bold sentence "[SENTENCE]" and an issue number "[NN]". No other words. Printed-paper feel: fine grain, faint fold creases, sparse edge scuffs and ink loss, kept away from the small text. Optional: one ink stroke that echoes the movement. No full color, no black, no gradients, no mockup frame.

Prompt ↓ Editorial collage poster, [RATIO]. Style: fisheye desktop zine. Charcoal-black field with fine low-contrast grain and lots of empty space. One warm, flash-lit photo cutout shot with a fisheye lens: [OBJECT] huge in the foreground, [PERSON + ACTION] receding behind it. Anatomy and object connections stay coherent. Thin, imperfect off-white pencil lines loosely trace parts of the cutout edge. A few scratched stars or crosses, no more. Large off-white sans-serif headline "[HEADLINE]" with a smaller line "[SUBLINE]". Two or three small cyan desktop folders and white-bordered photo thumbnails float as collage bits, labeled "[FILE 1]" and "[FILE 2]". No other words. Let the object set the path: [DIAGONAL / SWEEP / CIRCLE / FAN]. Put the title in the open dark space it leaves. No real UI, no logos, no QR codes, no extra fingers or limbs.

Prompt ↓ Street-culture magazine poster, [RATIO], full bleed. No mockup or frame. Bright white paper. Enormous vermilion-orange ultra-condensed headline "[HEADLINE]", partly covered by one photoreal person cut out at dramatic scale: [PERSON + OUTFIT], [ACTION]. Let the action drive the layout: [HOW THE BODY OR OBJECT CUTS THROUGH THE LETTERS]. Keep the headline readable. Type hierarchy: black condensed subhead "[SUBHEAD]"; one small note "[NOTE]" inside a thin hand-drawn oval; handwritten blue accent "[HAND WORDS]"; small footer "[FOOTER]". No other text. Real skin, fabric and gear, clean cutout edges, soft contact shadows. Light ink wear only inside the orange letters; the white paper stays clean. A few electric-blue marker strokes follow the movement. No logos, no fake text, no room background, no centered template layout.