We're in a sphere; #ZimSphere authors & echoes the lively, youthful, & urbane culture #InTheSphere. From the streets to the pen; the voice of reason. 📰

Harare, Zimbabwe; Africa
Joined April 2016
Flowers for King Kandoro’s Unplugged 3.0, proof that Zimbabwe can do big events without SA artists as headliners By @HillaryTakudzwa & @TawandaIsMyName For starters, we do sincerely hope that our headline here does not make people apoplectic. There is enough justification why we chose such wording. King Kandoro's third edition of Unplugged sold out First Capital Bank Sports Club on an all-local lineup and it's time somebody said so properly. We will circle back to this very important aspect later on in this piece. On Saturday, 29 August 2026, at First Capital Bank Sports Club, Unplugged came back (the last edition had been in March) and by the time the night wrapped, King Kandoro and his team had answered a question the industry keeps sidestepping: can an all-local lineup actually sell out a show? The ground was packed to the brim. The tickets were gone. Flowers are owed, so here they are. @KingKandoro and his team proved, definitively, that an all-local lineup can sell out a ground—even if the wider industry still needs more artists to lock in and build that kind of value consistently for it to be lucrative every time out. We have been waxing lyrical about all the performances of the day in this piece, and justifiably so. The point being that there is no need to have South African artists as headliners for big shows all the time (key emphasis here being 'all the time,' kindly take note of that). READ MORE: zimsphere.co.zw/2026/09/flow…
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Live in Harare, for the very first time, @elaineofficial_ !! 🥳🥳🥳 You got your singing voice and dancing shoes on? Ticket? Well then, See you at Unplugged! #20December #UnpluggedZimbabwe
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We are getting more baddies on stage, the community is happy 😍😍😍
Live in Harare, for the very first time, @elaineofficial_ !! 🥳🥳🥳 You got your singing voice and dancing shoes on? Ticket? Well then, See you at Unplugged! #20December #UnpluggedZimbabwe
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The Zimbabwe Sphere retweeted
Live in Harare, for the very first time, @elaineofficial_ !! 🥳🥳🥳 You got your singing voice and dancing shoes on? Ticket? Well then, See you at Unplugged! #20December #UnpluggedZimbabwe
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The Zimbabwe Sphere retweeted
$10 tickets gone for our HICC show. 🤞🏿🫱🏿‍🫲🏾 kingkandorolive.com
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Congratulations to @R_peels for the release of Kudenda Kure2. The album is sounding good
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Replying to @TawandaIsMyName
This is the best album of the year
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Album Review: ‘Lokeshenships’ by Dingo Duke - Arguably the best hip-hop album of the year zimsphere.co.zw/2026/10/albu…
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Replying to @ZimSphere
Verse remupfanha akanzi Paka uyo is the only bad thing on this album zveshuwa but 10/10 regardless
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yes yes, it's actually a historical lesson!
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Definately album of a lifetime
Album Review: Lokeshenships by Dingo Duke - Arguably the best album of the year Dingo Duke called his album Lokeshenships, and the title alone says more than most albums do in 17 tracks. We wrote about the history behind the word, the shebeen culture that shaped it, and why this might be the most human Zim Hip Hop record in years. This is a visceral yet lovely account of poverty but without sounding impoverished. An account of crime without sounding like a police report. A top-tier album! Read the full review 👇 zimsphere.co.zw/2026/10/albu…
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The Zimbabwe Sphere retweeted
You took your time. Thank you for this
Album Review: Lokeshenships by Dingo Duke - Arguably the best album of the year Dingo Duke called his album Lokeshenships, and the title alone says more than most albums do in 17 tracks. We wrote about the history behind the word, the shebeen culture that shaped it, and why this might be the most human Zim Hip Hop record in years. This is a visceral yet lovely account of poverty but without sounding impoverished. An account of crime without sounding like a police report. A top-tier album! Read the full review 👇 zimsphere.co.zw/2026/10/albu…
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Replying to @ZimSphere
Interesting read.
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Album Review: Lokeshenships by Dingo Duke - Arguably the best album of the year Dingo Duke called his album Lokeshenships, and the title alone says more than most albums do in 17 tracks. We wrote about the history behind the word, the shebeen culture that shaped it, and why this might be the most human Zim Hip Hop record in years. This is a visceral yet lovely account of poverty but without sounding impoverished. An account of crime without sounding like a police report. A top-tier album! Read the full review 👇 zimsphere.co.zw/2026/10/albu…
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Of Personal Grief, Political Anxiety And The Fight Against Apathy The emotional and political concerns that shaped Mutsa’s earlier work have not disappeared. If anything, Radio Mhere finds him considering those concerns from a different position. His previous project, WE ARE RUNNING OUT OF SOIL TO BURY OUR DEAD, dealt heavily with the politics of its time. The new project, he explained, looks more closely at the times as they are shaped by politics. “I’m not really good at getting over things, unfortunately,” he said. “I’m not really great at emotional processing, and unfortunately a lot of the grief and the human-condition stuff is very present.” @wavythooms is set to release his debut album, Radio Mhere, on 13 October #zimphere #radiomhere
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The Zimbabwe Sphere retweeted
Exclusive Interview: Mutsa talks everything about debut album Radio Mhere ahead of 13 October release Mutsa is set to release Radio Mhere, his debut album, on 13 October 2026. The project marks a new chapter for the Zimbabwean rapper and producer, who is giving the release a bigger commercial push than his previous projects while retaining the personal, historical and political themes that have shaped his music. The project arrives with a more deliberate commercial push than his previous releases, reflecting a musician who has grown more confident in his abilities and more comfortable putting himself and his work out there. It also represents a meeting point between Mutsa’s ambitions as a writer and producer and the ideas that have shaped his music so far. In an exclusive interview with ZimSphere, Mutsa explicated that the investment behind Radio Mhere (from the production and mixing to the mastering and visual identity) made it increasingly difficult to treat the music as something to simply release and leave for people to discover. “You start to do these things where there’s just more and more investment that goes into the product, where it kind of feels cheap to call it a hobby and just release these things and be like, whoever finds it should find it,” Mutsa said. “You really want to give it the post treatment that the investment you’ve made in terms of energy and just people’s talent and time deserves. You really want to see that investment be rewarded with as much listenership as possible.” That desire for more ears is central to the album’s rollout. Mutsa says physical editions, including vinyl and CDs, are in the works, although the immediate priority is building excitement around the release and getting the music in front of as many listeners as possible. Despite the increased commercial ambition, Mutsa is clear about where the music comes from. “Despite the heavy Western influence in a lot of what I do, I make the argument that my music is just always going to be Zimbabwean. As a Zimbabwean, it’s always going to be a different listening experience to anyone else listening to the stuff that I make, which I’m happy with and quite proud of.” READ MORE: zimsphere.co.zw/2026/10/excl…
Of Personal Grief, Political Anxiety And The Fight Against Apathy The emotional and political concerns that shaped Mutsa’s earlier work have not disappeared. If anything, Radio Mhere finds him considering those concerns from a different position. His previous project, WE ARE RUNNING OUT OF SOIL TO BURY OUR DEAD, dealt heavily with the politics of its time. The new project, he explained, looks more closely at the times as they are shaped by politics. “I’m not really good at getting over things, unfortunately,” he said. “I’m not really great at emotional processing, and unfortunately a lot of the grief and the human-condition stuff is very present.” @wavythooms is set to release his debut album, Radio Mhere, on 13 October #zimphere #radiomhere
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Shoko Festival Comedy Night 2026: When Harare Gardens came alive with uproarious laughter Neville Bird definitely took it a notch up, conveying a performance that began to light up the night. Finally, the name jokes are paying rent. Neville might have finally found the sweet spot. His set leaned into the running joke around his ever-changing name and the fact that, somehow, he is still stuck with “Bird” - despite everything. In fact, this was probably the best set we’ve seen him do. There was a looseness to the performance that made the material feel less like a comedian trying to land jokes and more like someone who had become completely comfortable being on stage. Neville Bird has always had the potential. On this night, he looked like someone beginning to properly understand how to use it. As he navigated between jokes on spirituality and relationships, you could get the sense that he had come adequately prepared to make a name for himself. Another thing that is unique about Neville Bird is how he incorporates the guitar into his performances – it is so effortless that it almost seems natural-flowing (well, it actually is natural-flowing). READ MORE: zimsphere.co.zw/2026/10/shok…
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The Zimbabwe Sphere retweeted
MUTSA’s latest EP ‘The Children Are Always Ours’ confronts hunger, war, gendered violence, neocolonial oppression, Gaza, and the ghosts we all carry. This is hip-hop as witness, as memory, as resistance. And @mutsamutsamutsa tackles it all fearlessly. This is our most in-depth review yet. 👇🏾 Full review: zimsphere.co.zw/2025/11/revi…
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The Zimbabwe Sphere retweeted
NEW READ: Album Review for Mutsa's WE ARE RUNNING OUT OF SOIL TO BURY OUR DEAD zimsphere.co.zw/2024/12/albu… @astoldbymutsa
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