✍︎ Symptoms sans Structure
‘Constructive criticism’ functions as an ideological tool—managing affect in the absence of critical infrastructure capable of holding contradiction, interpretation, and cultural labour.
ssuuppeerrvviissiioonn.wordp…
⁂ Constellating Typography, my essay that works towards a dialectical approach to typography is now published in Plain Text 2 by @plain_form a publication dedicated to exploratory design.
Order at text.plain-form.com
Grok: A Logo a-lóyos
nan.xyz/txt/grok-a-logo-a-ló…
In this text, I explore how a seemingly simple graphic—the logo for xAI’s Grok—condenses and reveals the ideological logic of contemporary computation.
@nan_xyz_
Grok: A Logo a-λόγος
New essay coming soon
nan.xyz/txt @nan_xyz_
Image: λόγος / logos (letters loosely based on Grok wordmark, designer unknown)
Grok: A Logo a-λόγος
New essay coming mid-May
nan.xyz/txt @nan_xyz_
Image: Splinter
Not a sign of a synthetic sublime,
but our own over-cohered vision—where accretion irritates, and something slips in.
Grok: A Logo a-λόγος
New essay coming mid-May
nan.xyz/txt @nan_xyz_
Image: Computotality
Computotality encloses emergence within recursive capture. What appears as possibility bends back into the system, where resonance is formalised and contingency absorbed.
Grok: A Logo a-λόγος
New essay coming mid-May
nan.xyz/txt @nan_xyz_
Image: Inversion
David M. Berry’s concept of ‘the Inversion’ describes a major shift in cultural production under the influence of AI and algorithmic systems.
stunlaw.blogspot.com/2024/11…
Grok: A Logo a-λόγος
New essay coming mid-May
nan.xyz/txt @nan_xyz_
The symbol ∅, denoting the empty set or the void, was introduced around 1939 by André Weil.
Image: Graphic of ∅
Typeface: Work Sans by Wei Huang
Replying to @_Undt @keyavadgama
Subtitling without the overlaps not removed.












