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We talk about shot design - because shot design isn’t just how it looks and feels, it’s how it works. || Produced by @stuwillis & @mehlsbells and @draft_zero

Melbourne / Naarm
Joined July 2022
What a Way to Go really does COLOUR! Like this extended gag where an entire house is painted pink, only for Louisa May Foster (Shirley MacLaine) to swan into it in stark skin-and-bikini contrast . . . and then soon after, widows weeds.
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As every year, we are celebrating #Noirvember! Starting with a closer look at twin sisters, a gun, and a piñata in this Mexican fairy tale noir La Otra. shotzero.substack.com/p/how-…
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#Noirvember Character Introductions 2/2 This scene from The Postman Always Rings Twice clearly foreshadows the fate of John Garfield's protagonist within the first few seconds of sighting his femme fatale. buff.ly/tX0dWHL
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Happy #Noirvember to all who celebrate! We've got plenty of murder and sleaze and Detectives With Their Own Code and such coming up, but here's a throwback: 1/2
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If I Had Legs I'd Kick You 2/2 The juxtaposition visually represents the way Linda is trying to carve out her own time and place. (further breakdown and photos on the substack)
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If I Had Legs I’d Kick You uses a red colour wash in several scenes where Linda (Rose Byrne) is with her daughter, and blue and green washes in several scenes when Linda is alone, usually smoking outside. 1/2
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The crux of these two distinct colour washes is how the entire tone of the scene shifts in a split second - just as Jacob hits his angry note, the colour wash changes from cool blue to HOT PINK!
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Spooktober continues with a funny, weird blend of physical comedy and visual effects in this Beetlejuice gag! buff.ly/vTAPgdO
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The entirety of this spinning oner from Blow Out is over two minutes, so the full thing will be up on Substack along with further breakdown, but take a moment to appreciate how effective the spinning sensation is at disorienting us along with Jack's (John Travolta) growing panic!
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When the emergency lights go on in this Ride or Die scene, everything in the hallway is soaked in red; even the one practical light, the EXIT sign, is red - a sign of danger, but also a sign Debbie (Octavia Spencer) is about to throw down for the first time.
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