Art Historian, Writer, Curator, Broadcaster 🖊 : The Guardian, The FT, Telegraph, Vanity Fair, Frieze, GQ 📺 BBC, Sky Arts #PublicRealmLDN

LDN
Joined October 2008
Snapshots from my interview with @guardian regarding my appointment to the @MayorofLondon’s Commission for Diversity in the Public Realm, my hopes for the future of Public Art and being the Commissions’s “youngest member” #PublicrealmLDN
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“Lagos is Calling.” In an art world landscape full of ‘Ones to Watch’, the historian and curator (and ELLE contributing editor) Aindrea Emelife is easily one of London’s most talked-about right now apple.news/AxG4tUJNKS_6nviq3…
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Aindrea Emelife retweeted
#BlackVenus is empowering, inspiring & thoughtful @aindrea @SomersetHouse exhibiting photographic artwork illustrating historical depictions of Black women and the caricaturing of the Black body. 🎨
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Aindrea Emelife retweeted
Congratulations to BLACK VENUS curator @aindrea who has been selected to curate the Nigerian Pavilion at the Venice Biennale in 2024! 👏 artnews.com/art-news/news/ni…… Image (c) Enrico Fiorese
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I am so glad!
Unforgettable, powerful exhibit @MoADsf. You MUST see BLACK VENUS. Shattering. Empowering. Art challenges and can make you uncomfortable, pained and sometimes angry. All how I felt after BV. Absolutely necessary. In SF til Aug 20. bit.ly/3pxqvmt #BlackVenus @aindrea🙏🏿🖤
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"restitution is meaningless if it doesn’t catalyse and connect with the present and the future." Writing in @FT @aindrea considers the West African art scene & how the return of objects should mark the start, not the end, of a relationship. ow.ly/ffAL50NhJcE #beninbronzes
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Aindrea Emelife retweeted
Because of my work with cities like Freetown, Accra, Dakar and soon Abidjan, I was especially taken by this piece by @aindrea on the West Africa art scene and its legacy of creativity👇 on.ft.com/3YJH7Tk She asks some very good questions:
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Aindrea Emelife retweeted
Replying to @aindrea
@aindrea just listening to your musings on LNL. DOTS on! 🌏#DemocracyOnTheStreets 🌎Connect the #DOTS 🐛🦋 youtu.be/I1Lo1JW7oq8
Aindrea Emelife retweeted
Too much good stuff in 'Art as subterfuge' to parse. 👇🏽@aindrea,⁩ ⁦@slamup⁩ & ⁦@iampilato⁩ riff large on the power of ‘protest’ art to effect change. DOTS on @PhillipAdams_1⁩! 🌏#DemocracyOnTheStreets 🌍Join the #DOTS 🐛🦋 abclisten.page.link/phDK6zHf…
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Aindrea Emelife retweeted
So good! Handprints as the first protest art, art as taboo breaker, backstory to ‘When We Say Black Lives Matter’, *and* the democratisation of protest art… All DOTS on! 🌎Connecting the #DOTS 🌏#DemocracyOnTheStreets 👉🏽dotZero.live
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Five highlights from Aindrea Emelife's exhibition, Black Venus 🌟 buff.ly/3a2DtA8
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📷#ArtIsAWeapon BLACK VENUS, curated by Aindrea Emelife (@aindreaemelife), “an exhibition that surveys the legacy of Black women in visual culture – from fetishized, colonial-era caricatures, to the present-day reclamation of the rich... tmblr.co/Zp_9Etc9VTJpCi00
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"I want this exhibition to highlight the expanse that Black womanhood is." —Aindrea Emelife bit.ly/3Oxayn0 bit.ly/3Nnbutc
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★★★★★ "If we are to move towards a truly decolonised art world then we must realise that it should not require an artist to fit neatly or repeatedly into a category. Exhibitions like this show us how" #InTheBlackFantastic @GuardianCulture [@aindrea] theguardian.com/artanddesign…
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Aindrea Emelife retweeted
“How do you create a sacred space?” – Curator @aindrea speaks to Chicago-based artist @TheasterGates on his recently opened @SerpentineUK Pavilion #BlackChapel realised in collaboration with @dadjaye. More here via @wallpapermag wallpaper.com/art/theaster-g…
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"Rather than simply putting forth a compelling grouping of contemporary talent, I wanted to establish a legacy." @FotografiskaNY curator Aindrea Emelife joins Amber Pinkerton and Renee Cox to explore the impact of Black women in art. Panel on 12 May: bit.ly/3w4vbiV
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