
Ex-Lawyer | Education + | Reader | Podcaster @artnaboutug | WOMEN are celebrated here | Sleep is optional | Tea is everything | Recently, Desk Plant Killer
Oxford,England
Joined April 2015
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Today in #WomensHistoryMonth we honour Florence Lubega; the first female legislator to join the first Ugandan parliament in 1957. After graduating from Oxford University (1946) she returned home to teach at Makerere University before joining politics
#IWD2020 #GenerationEquality
Stella L. M. Ahaabwa retweeted
I don’t trust people who have this incessant need to be seen as good. It becomes more important than their willingness to examine what they’ve done. So they’ll always try to defend it. Sometimes tolerate being the person who was wrong.
So glad to have caught this exhibition before its close.
Congratulations once again @dennis_kasagga on your incredible exhibition and shout out to Sheila Nakitende for bringing this experience to life ✨
Replying to @dennis_kasagga
@dennis_kasagga ‘s “The Witness” is everything and more 🪐🔭
A celestial dream,
In space it gleams,
An artist’s universe,
Beyond what it seems.
Curated by the amazing Sheila Nakitende
Stella L. M. Ahaabwa retweeted
Clearing his name after he’s no longer here to see it.
Rest in peace, Professor Jason Arday. You deserved your flowers while you were still, here. #writing #WritingCommmunity
Stella L. M. Ahaabwa retweeted
#MCM: Celebrating Nyende Alex (@AlenzyArtss ), aka Grandmaster! 📷
A well-deserved win for our Content Creation and Communications Lead, Alenzy Arts , won at the 15th Uganda Press Photo Awards (@UPPAward ) 2026 in the Photojournalism category for his documentary project, “WHERE DO THEY GO?”
Through his lens, Alex documents the human cost of the May 28 demolitions in Kawaala, Kampala, where families were displaced during an operation to restore sections of the Lubigi Wetland.
At the heart of his work is a question that demands our attention: Where do people go when they lose their homes?
His project reminds us that photography is more than capturing moments. It is about telling stories that matter, making invisible realities visible, and giving people a reason to pause and reflect.
We celebrate Alex for this recognition and extend our appreciation to the FOTEA , @EUinUG , @FujifilmX_US and the @FESonline for supporting platforms that amplify powerful visual storytelling.
Grandmaster, we celebrate you. Keep telling the stories that need to be told. Congratulations! 📷
#FacesUp #UPPA2026 #Photojournalism #StoriesThatMatter
Stella L. M. Ahaabwa retweeted
Many thanks to everyone who joined our Exhibition Opening & Awards Night!
Huge congrats to our winners: Irene Jemillah Ahebwa (YPA), Alex Nyende (UPPA), Mohamed Abuagla, @TonyWildKe & Wadah Omer_EAPA Stories! 🏆👏🏾
Special thanks to partners @fes_uganda, @FujifilmME & @EUinUG!📸
Congratulations to all the winners of the prestigious Uganda Press Photo Awards 2026. Special congratulations to my dear friend Wadah Omer, your hardwork paid off and I was so glad to witness it @UPPAward
Stella L. M. Ahaabwa retweeted
GOVERNANCE BY TANTRUM IS NOT HEALTH POLICY
U.M.A condemns the unlawful summary suspension of Dr. Robert Candia by Hon. Min. of State for Health, Hon. Anifa Kawooya. We demand:
✅ Immediate rescission of the suspension
✅ An end to political theatrics in our health facilities
Stella L. M. Ahaabwa retweeted
In Kyotera District, southern Uganda, there's a church held up by columns of light.
Our Lady of Victoria Monastery was built for a growing community of Trappist monks, and almost all of it is fired clay brick. The bricks were fired with coffee husks, an agricultural waste, so even the fuel came from the farms around it. Four buildings, about 2,000 square metres, in one material.
The brick is the structure and the finish. There is no plaster and no ornament. The perforated brick screens carry the walkway roofs and ventilate the rooms at the same time. Plinths sit on stacked clay tile strips so water doesn't sit against the walls on a site that floods. The church's brick arches and buttresses carry the load, with glass bottles set into the arches to let sunlight in.
Every technique here is masonry: arches, a vault, buttresses, screens. A mason who learns one on this site can use it on the next one.
This is a template, and it can be built in any region with clay and a kiln.
📍 Kijonjo, Kyotera District, Uganda 🇺🇬
🏛️ Localworks
📷 Will Boase Photography
Stella L. M. Ahaabwa retweeted
Service is what we do. Compassion is how we do it.
#ServiceAboveSelf
Stella L. M. Ahaabwa retweeted
I spent 70 HOURS on drawing these 4 illustrations.🪡
PS: it’s probably the 100th time I’m saying this, but I’m so PROUD of myself.😭
Stella L. M. Ahaabwa retweeted
I want to salute the memory of King Oyo for the wonderful work he did. I was very sad because, a day after he was buried, I was going through my documents and found a letter he had written to me on 15th June 2026, thanking me for a number of things, including the appointment of ministers from Tooro.
I also congratulate His Highness Nyabongo. I have been watching him on the news and he is a good newsreader. I am sure he will do a good job.
Stella L. M. Ahaabwa retweeted
Raising boys who won't commit sexual assault is NOT enough. Raise them to be the man in the group chat who texts back: NO, stop this, and I'm calling the cops.
🖼️: The Shape of What Remains
📍: @mao_gallery
🏴🇳🇬 artist Leah Olaleye transforms family photographs and overlooked histories into tactile textile works, exploring Black British identity & belonging.
Her use of 🪡 gives personal and overlooked histories a new texture & form.
🖼️: The Shape of What Remains
This installation titled “The Hoards of an Animator” by Thomas Sebastino is exactly what one of my animator friend’s studio looks like inside.
A genuine manifestation of the animation process and the repeated trial and error it requires.
Stella L. M. Ahaabwa retweeted
My recent fashion illustration is TRULY wonderful.🪡
PS: look at these DETAILS, so proud😭
































































