artist and co-founder @eternacapital
Joined December 2020
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I have been working on this behind the scenes for quite some time with my team, and I’m finally ready to share Untitled with the world. Untitled is not just an artistic project, but a framework leveraging AI to pursue human introspection and authenticity. Powered by OpenAI and Sora, and shaped through presets I developed to encode my artistic language, Untitled unfolds in two moments:
1) The revelation of the subjective self.
An Immersive Experience that invites people to be authentic – to remove the mask they wear in society and to speak truthfully about themselves. The experience will premier later today in Hong Kong at The Box, Hong Kong Design Centre. One person enters at a time. AI-driven entities guide each person through a moment of deep introspection, creating a space where individuals can reveal who they truly are. This brings humans closer to one another and to their own essence.
2) The collective truth becomes form.
The truths that emerge inside the Immersive Experience become the creative input of Untitled. The new artworks generated through this process take a cinematic form, where image, music and language merge into a unified portrait of the human inner world. The more people engage with Untitled, the more representative it becomes of our collective understanding – moving toward a unified entity built from many selves. Some early snapshots will appear across Hong Kong on major billboards in the coming weeks.
In this context, AI is a tool that can deepen our humanity and our understanding of the world within ourselves. The seed is, and will always remain, deeply human. Untitled will travel across cultures and continents, expanding as more people contribute. I hope many of you will experience it.
— Andrea
Andrea Bonaceto retweeted
Same substation, same wires, same megawatts. A Texas site swapped Bitcoin miners for AI servers and the market repriced it nine times over. The energy never changed. A century of falling joules and fifteen years of Bitcoin say why. The output is the asset.
Andrea Bonaceto retweeted
On August 11, an AI stopped borrowing your computer and got one of its own. Now watch the cable that still runs back to your laptop. A brain in the cloud reaching a permissioned body is how every serious robot gets built. The laptop is only the first body.
Andrea Bonaceto retweeted
We keep arguing about whether AI will replace engineers. Wrong argument. Coding is now the largest workload in AI, the cost of a finished task fell about seventyfold in eighteen months, and code is cheap to write and hard to own. So ask what survives that.
Andrea Bonaceto retweeted
We keep asking how smart the models can get. That argument is nearly over. Open weights trail the closed frontier by four months, they already run most production tokens, and the dollars have not followed. The real question is who owns the data underneath.
This painting is about birth and the cycle of life. Two bodies come together, something new emerges, and the cycle starts again. The creatures rising from below are part of that same process of growth and renewal. We’re all different forms of the same thing
A memory from 2020, when I was playing at Spiritual Bar in Camden Town and met the Argentinian songwriter Octopus Kid. We shared many artistic interests and became good friends. I got to know his family too, and this painting became a portrait of that small family, an episode from my life
I painted Outside My Window on my birthday in 2020. The grey lines are the frame of the window I was looking through. Within that frame, it’s my inner world at that moment. Different animals see different colours, different wavelengths, and different versions of reality. So what is reality, really? Is there an objective world, or only the one each of us experiences? You can be locked in a single room and still travel across the universe. Art is what makes that possible
Life is a physical work, acrylic on paper, now held in a private collection. A chess match between nature and death, with the board filled by fragments of memory. Inspired by by Ingmar Bergman’s The Seventh Seal, the work reflects on mortality without surrendering to it. Death may hold the queen, but life is still everywhere on the board
People was created during the Covid lockdown, at a time when isolation somehow made human connection feel even more present. Each figure is built from different shapes and colours, yet exists within the same shared space, reflecting how identity is constantly shaped by the people we meet, lose, remember, and carry with us over time. This work is about how I am the people I met along the way, yet still a distinct individual within the larger whole
Today is my birthday. This past year I became a father, which changed my perspective on many things in ways that are difficult to explain. It made me appreciate even more the value of time, presence and human connection.
Grateful for every person who trusted Untitled with a fragment of their story. Still searching for moments of truth, connection and meaning in everyday life
