Music theorist, practitioner, and cognitive scientist at MARCS Institute, Western Sydney University. @andytonality@mastodonapp.uk @andytonality.bsky.social

Sydney, New South Wales
Joined July 2011
We are offering an exciting #CrossCultural #MusicScience PhD scholarship in Sydney, for our ARC project "Revealing Universal and Cultural Origins of Music-Induced Emotion": international field trips, music cognition experiments & Bayesian analyses! westernsydney.edu.au/schools…
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Here's a corrected link for more details and application form: westernsydney.edu.au/schools…
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We are offering an exciting #MusicScience PhD scholarship in Sydney, for our ARC Discovery project Revealing Universal and Cultural Origins of Music-Induced Emotion: international field trips, music cognition experiments, & Bayesian analyses! Please share. westernsydney.edu.au/schools…
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Here's a corrected link for more details and application form: westernsydney.edu.au/schools…
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We are offering an exciting #MusicScience PhD scholarship in Sydney, for our ARC Discovery project Revealing Universal and Cultural Origins of Music-Induced Emotion: international field trips, music cognition experiments, & Bayesian analyses! Please share. westernsydney.edu.au/schools…
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At least 3 bonuses: Andy is an amazing supervisor + you’ll be working with the leading researchers in the field + it’s a very exciting research project with lots of opportunities along the way!
We are offering an exciting #MusicScience PhD scholarship in Sydney, for our ARC Discovery project Revealing Universal and Cultural Origins of Music-Induced Emotion: international field trips, music cognition experiments, & Bayesian analyses! Please share. westernsydney.edu.au/schools…
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A new paper about how rhythmic structure affects tapping accuracy and temporal expectation. Participants tapped along with 91 highly syncopated rhythms, several in unusual time signatures. Some rhythms were performed well; some very poorly. doi.org/10.3758/s13414-023-0… (1/6)
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In contradistinction to Povel and Essens' classic work, we find the edges of groups of cues are tapped with lower (not higher) probability. Instead, our findings show that taps to our unfamiliar and "difficult" rhythms are guided by rather crude and lossy heuristics. (6/6)
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The data and models are freely available on OSF: osf.io/b8ad2/
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In combination with the earlier article – the results show the relevance of specific universal and cultural mechanisms in mediating the effect of music on our emotions and feelings. 10/11
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A huge thank you to our research assistants, hosts, and organisers from Towet, Yawan, and other villages in the Uruwa River Valley, for your warm welcome and keeping us safe, and your enthusiastic engagement with the research. Irot orogo! 11/11
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