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Joined February 2015
Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)Photo by ANTRONAUT (@antronaut)
Autumn 2024 issue is coming soon!
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SKMT | dig In August 1986, Ryuichi had three short weeks at The Wool Hall Studio in England to write and produce Virginia Astley's album, "Hope In A Darkened Heart." Ryuichi performed and recorded the base instrumentals for six tracks on the album.  The backing track for 'Some Small Hope' was sequenced on the Fairlight 3, the synth pad from the Prophet 5, and the 'woodwind' (shakuhachi flute) sections originating from the Emulator II. Additionally, Ryuichi scratched the strings of the piano with his fingers in the studio, captured by engineer Tony Phillips, and included in the final mix. Ryuichi's equipment: Emulator II, Fairlight 3 (with Fairlight 1 sounds disc), Prophet 5, AKAI S-900, Yamaha DX7-2, Computer. Link to the full album: virginiaastley.bandcamp.com/… 1, 2 - Photo by Ryuichi Sakamoto  3, 4 - Photo by Masaki Sekijima From Sessions at The Wood Hall Studio, England Sources: Virginia Astley website virginiaastley.com/disc/albu… David Nibloe's interview with Masaki Sekijima, 2019 sylvianvista.com/2019/10/11/… #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #virginiaastley #hopeinadarkenedheart
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'The Native Land' poster advertising an exhibition held at The Mostyn Art Gallery, Llandudno, 11 Aug- 15 Sep 1979. Colour screen print designed by Robert Henderson Burn, illustrated by Barry Flanagan and printed by David Fortune. The poster is in the collection of V&A.
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Bas Jan Ader, from the series ‘In Search of the Miraculous (One Night in LA), 1973. Art & Project Bulletin 44, 1971 and Bulletin 89, 1975. Art & Project at @krollermuller.
Conceptueel kunstenaar Bas Jan Ader in galerie Art & Project in 1972. Werk van Ader (en vele anderen) is vanaf dit weekend te zien in de tentoonstelling ‘Eerst komt de liefde voor de kunst. Art & Project in het Kröller-Müller Museum’: krollermuller.nl/eerst-komt-… @krollermuller
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In Situ: Henry Moore, David Finn, and the Experience of Location nga.gov/features/in-situ-hen…
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"I treat the photograph as an object, an object to scan." – Vija Celmins x-traonline.org/article/vija…
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... Polke embarked on an increasingly complex journey in which he attempted to find new meaning in the medium by bringing about unexpected interventions on the painted surface. ... combines the rigid formality of ... with a looseness of brushstrokes... christies.com/lot/lot-558449…
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