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Happy to say that David Fincher: Mind Games will be out in October, with design and graphics by the same team that did the Coen and PTA books. There'll be a very cool announcement soon about the foreword; other information and a pre-order link are below. abramsbooks.com/product/davi…
On WHALEFALL for @SightSoundmag bfi.org.uk/sight-and-sound/r…
Wrote about Norm (and NORM) for @FilmmakerMag. filmmaker.substack.com/p/nor…
Going great over here (from a student’s LB review of THE VANISHING, stumbled upon as I’m working on a book chapter about THE VANISHING)
Spent the morning talking about movies with high school students outside Toronto. Filmmakers who came up in conversation without prompting from me: Tarkovsky, Kubrick, Jordan Peele.
Calling an audible this morning in the satire course for our week on picaresque/Voltaire/Candide by swapping out Marquand's CANDY for THE SWEET EAST, which I had been planning to show only in excerpt. Would like to see how we all bounce off of something more contemporary...
On the prizeworthy equivocations of Christian Mungiu’s FJORD, for @newrepublic newrepublic.com/article/2149…
Adam Nayman retweeted
On Nathan Fielder and Lance Oppenheim's galaxy-brained—and maybe great—YOU CAN SEE EVERYTHING, for @ringer theringer.com/2026/10/16/mov…
On Nathan Fielder and Lance Oppenheim's galaxy-brained—and maybe great—YOU CAN SEE EVERYTHING, for @ringer theringer.com/2026/10/16/mov…
Adam Nayman retweeted
"Like a Sorkin woman, the film is not as dumb as it looks."
Katie Kadue (@kukukadoo) on Aaron Sorkin’s "The Social Reckoning"
filmcomment.com/article/shor…
Adam Nayman retweeted
Bourgeois darling Paul Thomas Anderson strikes again, this time w a toothless, derivative, anti-revolutionary concert film devoted to saccharine young nepo-psyop Cameron Winter. In these trying times, Anderson chooses to mock liberatory aesthetics w grainy anesthetic 35mm slop.








