
aka @gobrightly, they/them · A CROW IS NOT A BLACKBIRD via my site · Writer & Workshop Facilitator. Coach. Tree witch/nerd. Amateur birder. 🏳️🌈✊🏿
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ALT The event image has a deep yellow background with the black text reading ‘DEPTFORD LITERATURE FESTIVAL’ in a bold font at the top left corner. There are teal green and pink graphics, including a plant vine and food bowl, decorating the photo. In the centre are two circular images. The circular image on the left is of the two writers, Lili K Bright and Laura Barker. They are looking at each other, smiling. Lili stands on the left, they have dark hair and wears a bright pink hoodie. Laura stands on the right and wears a red coat with a red cardigan beneath. She has short dark hair. Behind the writers are bright green trees with sunlight streaming through. The circular photo on the right is of a heron perched in willows growing by the Ravensbourne River at Brookmill Park. At the bottom right of the photo is a text description of the event which reads FESTIVAL IN THE PARK: Creating with Deptford Nature hosted by Laura & LiLi at Brookmill Park.
![Essay
SILENCE, SOUND, CEREMONY
The Poetry of m nourbeSe philip
Jason Allen-Paisant
Adefining feature of the work of Trinidadian-Canadian poet and essayist m nourbeSe philip is its concern with sound and silence. These themes relate to the exploration of Atlantic slavery and colonialism: heinous, inaugurating experiences of the African diaspora.
For philip, sound and silence evoke body and language as intertwined concerns. How has the erasure of the languages and stories of enslaved Africans and their descendants worked to produce an ontological erasure of their bodies? These questions span the arc of philip’s work from the early poetry and essays in She Tries Her Tongue, Her Silence Softly Breaks (1988) and ‘A Genealogy of Resistance’ (1997), to the book-length poem Zong! (2008).
philip’s work insists on the need for Afroic people to “create, control and [...] understand their own i-mages”. “I-mage” is her term for a language that speaks to “the essential being of the people among whom](https://pbs.twimg.com/media/FgTenKgWQAE4VgF.jpg?name=small&format=webp)
ALT Essay SILENCE, SOUND, CEREMONY The Poetry of m nourbeSe philip Jason Allen-Paisant Adefining feature of the work of Trinidadian-Canadian poet and essayist m nourbeSe philip is its concern with sound and silence. These themes relate to the exploration of Atlantic slavery and colonialism: heinous, inaugurating experiences of the African diaspora. For philip, sound and silence evoke body and language as intertwined concerns. How has the erasure of the languages and stories of enslaved Africans and their descendants worked to produce an ontological erasure of their bodies? These questions span the arc of philip’s work from the early poetry and essays in She Tries Her Tongue, Her Silence Softly Breaks (1988) and ‘A Genealogy of Resistance’ (1997), to the book-length poem Zong! (2008). philip’s work insists on the need for Afroic people to “create, control and [...] understand their own i-mages”. “I-mage” is her term for a language that speaks to “the essential being of the people among whom























