elle (@cinearwen) header
elle (@cinearwen) profile picture

elle

@cinearwen

⠀filmtwt false prophet sacrifice material patron saint

 ༊*·˚ ⠀21 ⠀nb ⠀☭
Joined July 2022
  • Tweets1.3K
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  • Followers1.5K
all of camp miasma laid out in front of your eyes but all you could see was me
Image from elle (@cinearwen)
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the president of paraguay was impeached. not without swallowing the country into an economic crisis ie deserting them without access to their money (held within a bank an entire country was cornered into complying with) which he stole. the lack of news coverage terrifies me
Image from elle (@cinearwen)
Image from elle (@cinearwen)
Image from elle (@cinearwen)
Image from elle (@cinearwen)
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pictures from best friend paraguayan ezequiel attending the protests in asunción @chainedship
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elle retweeted
逝 (@aooshii13) profile picture
逝@aooshii135h
Image from 逝 (@aooshii13)
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sebastián was not a facist nor "upholding fascism." the facist regime succeeded until franco's death and was then handed off under a different title. si genuinamente saliste de ver la bola negra creyendo que sebastián era un fascista sin sentimientos no creo que merezcas respirar
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a (@43LUKEHUGHES) profile picture
a@43LUKEHUGHES23h
sebastián cuando rafael saltó por la ventana
grace (@gracefishlove) profile picturegrace@gracefishloveNov 6
Fool me once Ok love you Fool me twice Ok love you
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funny how americans expect the rest of the world to know every bit of their history and understand their historical movies perfectly and yet a spanish movie comes out there and no one cares to look for some historical context
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d (@yurionfilm) profile picture
d@yurionfilmNov 6
do people know that the spanish civil war was won by the fascist regime and that lead to a 40 year fascist dictatorship so no people didn't get punished for standing on the fascist side is very important you guys know that
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now i'll wear these scars for life i loved you when it hurt inside to but in the lowlight you know i'd do anything for you
Image from elle (@cinearwen)
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my honey's heart is blue and a second offbeat
Image from elle (@cinearwen)
Image from elle (@cinearwen)
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Replying to @coltwound
nicole dollangager tried to sell me columbine merch
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Joan Baez by Dick Rowan, 1963.
Joan Baez lounging in a black and white photograph by Dick Rowan, staring off into the distance while resting her hand against her cheek. Photo scanned by bobdylan-n-jonimitchell on Tumblr.

ALT Joan Baez lounging in a black and white photograph by Dick Rowan, staring off into the distance while resting her hand against her cheek. Photo scanned by bobdylan-n-jonimitchell on Tumblr.

Joan Baez lounging in a black and white photograph by Dick Rowan, resting her cheek on her hand. Photo scanned by bobdylan-n-jonimitchell on Tumblr.

ALT Joan Baez lounging in a black and white photograph by Dick Rowan, resting her cheek on her hand. Photo scanned by bobdylan-n-jonimitchell on Tumblr.

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if you fell in love with me, i’d let you
Image from mia︎ ⋆˚࿔ (@cinevoidz)
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estaba muy asustado sebastián, pero te encontré
Image from mia︎ ⋆˚࿔ (@cinevoidz)
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between this and recent discourse on miasma being "too masturbatory," i think an odd resistant to evolution aftertaste is left in these critic's mouths whenever a film depicting queer experiences not just takes itself seriously, but allows itself to take up space to be grand
The New Yorker (@NewYorker) profile pictureThe New Yorker
@NewYorkerNov 5
“La Bola Negra,” a new film by Javier Ambrossi and Javier Calvo, dramatizes gay repression and liberation across three interconnected stories. At first, the year is 1937 and viewers are thrust deep into the Spanish Civil War, where a Nationalist soldier and a wounded Republican freedom fighter exchange furtive glances. By the end, it’s 2017, and a Madrid-based historian need only look to Grindr to satisfy an urge. The movie “wants to be a sweeping historical epic of gay longing—a film about what it means to be a man who desires other men in times of war and peace,” Justin Chang writes. Instead, the directors have produced “a film that insists, arrogantly and aggressively, on its own monumentality”. Even compelling performances from Glenn Close, Penélope Cruz, and Lola Dueñas fail to rescue the extravagantly overwrought film. Read Chang's full review: newyorker.com/culture/the-cu…
Image from The New Yorker (@NewYorker)
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what is with shoving queer stories into a corner wherein they need to be timid and ashamed. nothing more nor less
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she's such a nerd (lovingly)
Image from club cain (@dollofcain)
Image from club cain (@dollofcain)
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elle retweeted
lu (@nutdans) profile picture
lu@nutdansNov 5
la estrecha relación entre una estudiante de letras y federico garcía lorca
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this poster oh mi amor trágico
Image from elle (@cinearwen)
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i cannot wait to rewatch la bola negra now i have read lorca poems and scathed the topsoil surface of his work. i suffer from blood loss and sentimental value toward this particular moment in my life. ambu mluance
Image from elle (@cinearwen)
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aguanto la respiración cada vez que veo la escena de carlos en el bar. y esto no es ni la mejor parte
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